The Fine Art Of California Indian Basketry

Presents over sixty examples of beautiful California Indian basketry, with commentary upon each basket by native basketweavers, scholars, and California Indian artists in other media.

A treasury of selected pieces from the California Indian Heritage Center, this collection reflects the scale and scope of baskets created by nearly every weaving tradition in Cali-fornia over the last century . This book conveys the dual nature of beauty and practicality that baskets presented as a part of daily life and as a growing example of unique art - a careful selection of the best, beautifully presented.

This unique book provides a complete study of the exquisite Native American basketry from the San Francisco Bay Area and the Monterey Bay region north to Sonoma, Napa, and Mendocino and eastward across the Sacramento Valley to the crest of the Sierras. Baskets of the Pomo, Ohlone (Costanoan), Coast Miwok, Esselen, Huchnom, Lake Miwok, Maidu, Wappo, and Yuki people are lavishly illustrated and knowledgably and sensitively described. Color photographs and drawings illustrate the rare, fine California Indian baskets from museum and private collections in the United States and Europe. The vast majority of these baskets are illustrated for the first time. Ralph Shanks is vice president of the Miwok Archaeological Preserve of Marin. Lisa Woo Shanks is editor of the Basketry of California and Oregon Series. They are the authors of The North American Indian Travel Guide.

This richly illustrated photographic overview captures the beauty and artistry of the remarkable world-class, Native American Indian baskets of California, circa 1895 to 1940, known as the Florescence or Flowering. It is a tribute to these artisans and includes biographical snapshots of weavers and portraits of their masterpiece California Indian baskets, which today exist in museums and private collections throughout the United States. Collecting highly complex and artistic Native American baskets became a successful tourist business in the late 19th and early 20th century -- tourism in the United States exploded as a result of the expansion of the railway system to hitherto relatively inaccessible locations. This new business benefitted both collectors of this art form and the weavers who created them. The transition from woven baskets used for utilitarian use to more durable and less expensive metal cookware and storage vessels allowed weavers the time needed to innovate and create baskets specifically catering to tourist interests. During this period of Florescence, some of the world's most intricate, beautiful, and artistic baskets were woven, particularly by highly-talented weavers representing several Native American tribes located throughout California.

The origins of basketry are lost in the mists of prehistory, but making baskets is certainly one of the oldest and most nearly universal crafts of mankind. In the Americas, basket artifacts found in caves in Utah have been dated at 7000 B.C., while twined baskets said to be at least 5,000 years old have been uncovered in Peru. In the American Southwest, an entire Indian culture (ca. 100–700 A.D.) is known as "Basket Maker" because of the distinctive baskets it produced. This exhaustive survey (two volumes in one) of American Indian basketry, perhaps the finest book ever published on the subject, documents basketmaking throughout the Americas — in Eastern North America, Alaska and the Pacific Northwest, Western Canada, Oregon, California and the Interior Basin, as well as Mexico, Central and South America. Spanning a wide range of indigenous cultures (Aleutian, Tlinkit, Shoshonean, Athapascam, etc.), the detailed, carefully researched discussions in this book offer a wealth of information about woven and coiled basketry, watertight basketry, materials, basketmaking techniques and preparation, ornamentation and symbolism, as well as the uses of baskets as receptacles, in preparing and serving food, for gleaning and milling, in mortuary customs, in religion and social life, in trapping, carrying water, and in many other areas of Indian life. An interesting and informative chapter on collectors and collections and the preservation of baskets, followed by a helpful biography, rounds out the book. In addition, the author, once Curator of Ethnology at the U.S. National Museum (part of the Smithsonian Institution), enhanced this encyclopedic study with over 450 excellent photographs and illustrations. For collectors, preservationists, anthropologists, students of crafts and culture, modern basketmakers, this is an indispensable reference — a massively rich source of information about baskets, the peoples who made them, how they were made, and their role in native American life and culture.

California Indian Baskets is lavishly illustrated in full color with rare baskets from the magnificent collections of the University of California, Harvard University, Smithsonian Institution, The British Museum, Madrid's Museo de America, Royal Museum of Scotland, Santa Barbara Museum of Natural History, Southwest Museum and many other world-class museums and private collections. The vast majority of these rare baskets have never appeared in print before. Made possible in part through the support and vision of three California Indian tribes, this remarkable book is the result of decades of research by noted basketry scholar Ralph Shanks. Expertly researched and well written, California Indian Baskets honors the achievements of the First Californians. The book illuminates Native American art, history, technology, population movements, cultural interactions, and native plant uses. The book demonstrates basketry studies can rank with archeology, linguistics and DNA research in understanding and appreciating Native American culture and history. This is especially true in California where baskets were central to daily life. It was through basketry that the most populous and linguistically diverse Native American population in the United States was able to create a highly productive economy and vibrant cultural life with no agriculture and very limited use of pottery. Native California was not "pre-agricultural," but rather a land where basketry was combined with native plant resources so successfully that agriculture was not needed.

Over 750 color photographs illustrate this long-awaited guide for collectors of vintage Native American basketry. Decades of basketry research inform the text, guiding basket lovers to a better understanding of these woven treasures. Clear images and concise descriptions, presented in an extended gallery showcasing hundreds of baskets, delineate specific tribal styles within Native North America's nine basketry regions: Southwest, Great Basin, California, Plateau, Northwest Coast, Arctic and Subarctic, Plains, Southeast, and Northeast. Unique to this book is an in-depth comparison of imported baskets being passed off as American Indian work. The cultural and historical background as well as the influence of the "Indian basket craze" are also examined. Valuable guidance on buying, selling, and caring for baskets includes a frank discussion of legal issues impacting basket collectors. Rounding out this essential reference are comprehensive regional bibliographies, Internet resource listings, and a directory of American museums exhibiting Native American baskets.

This richly illustrated photographic overview captures the beauty and artistry of the remarkable world-class, Native American Indian baskets of California, circa 1895 to 1940, known as the Florescence or Flowering. It is a tribute to these artisans and includes biographical snapshots of weavers and portraits of their masterpiece California Indian baskets, which today exist in museums and private collections throughout the United States. Collecting highly complex and artistic Native American baskets became a successful tourist business in the late 19th and early 20th century -- tourism in the United States exploded as a result of the expansion of the railway system to hitherto relatively inaccessible locations. This new business benefitted both collectors of this art form and the weavers who created them. The transition from woven baskets used for utilitarian use to more durable and less expensive metal cookware and storage vessels allowed weavers the time needed to innovate and create baskets specifically catering to tourist interests. During this period of Florescence, some of the world's most intricate, beautiful, and artistic baskets were woven, particularly by highly-talented weavers representing several Native American tribes located throughout California.