The First Women In Love

The First 'Women in Love' is one of Lawrence's greatest works, and is the only full length work of fiction which he completed between The Rainbow and the extensively revised Women in Love. It is a piece of fiction generated in the England, and the Europe, of the First World War. Publishers were alarmed by the fate of his previous novel The Rainbow and The First 'Women in Love' was rejected by every publisher who saw it. As a result it is a novel whose very existence as an independent text has been ignored, and which has not been published until now. The First 'Women in Love' shares much of its material with Women in Love, but its central relationships are dissimilar, and the ending radically different.

"Seen by Lawrence as his most accomplished book, but subject to the initial prudery and incomprehension that met most of his fiction, Women in Love examines the regenerative and destructive aspects of human passion, as illustrated by its depiction of Ursula and Gudrun Brangwen - who first appeared in The Rainbow - and their relationships with Gerald Crich and Rupert Birkin. Set against the backdrop of a world consuming itself in war, the novel creates an instructive vision of humanity's dance with life and death." "This text is the famous "first" Women in Love, the unexpurgated version preferred by Lawrence himself, which was rejected by every publisher because of the banning of The Rainbow in 1915. More positive in tone than the revised version published in his lifetime, with different central relationships and a radically different ending, it is now viewed by many as Lawrence's masterpiece."--BOOK JACKET.

A raw and engrossing portrait of familial and marital dysfunction by “one of Britain’s most original young writers” (The Observer). Neve is a writer in her mid-thirties married to an older man, Edwyn. For now they are in a place of relative peace, but their past battles have left scars. As Neve recalls the decisions that led her to this marriage, she tells of other loves and other debts, from her bullying father and her self-involved mother to a musician who played her and a series of lonely flights from place to place. Drawing the reader into the battleground of her relationship, Neve spins a story of helplessness and hostility, an ongoing conflict in which both husband and wife have played a part. But is this, nonetheless, also a story of love?

Complex family novel including the involved coming-out process of a much-too-married woman.

A provocative and bracing send-up of modern masculinity, from the author of Class and The Story of My Purity Marcello, an editor and poet, is on the brink of his forties. Like everyone in his life, including his sister-in-law, he’s writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; his elegant mother. Fresh, frank, and painfully cool, Francesco Pacifico’s The Women I Love dives nakedly into gender, sex, and power. Set in a vivid and alcoholic Italy, it acknowledges and subverts the narrow ways canonical male writers gaze at, and somehow fail to see, women—illuminating the possibility of equity between people in love, in bed, in work, and in life.

Private life has altered beyond all recognition during the past one hundred years. Britain in 1900 was emerging from a Victorian era in which prudery, patriarchal authority, and pettifogging rules of etiquette were widely perceived to have circumscribed relations between men and women. The twentieth century witnessed a reaction against this system of separate spheres spearheaded by reformers eager that the sexes become each other's equals and intimates. Modern Love traces the trajectory of this new model of personal relationships over the course of the twentieth century, from its emergence out of the crucible of the suffrage campaign through its reshaping by the women's liberation movement. It explores its impact on smut merchants, warring couples, and teenagers, as well as its reception by such diverse figures as Bertrand Russell and Germaine Greer. It draws on sources as varied as suffragette propaganda, banned sex manuals, marriage counseling literature and pin-up magazines. Marcus Collins teaches modern British history at Emory University.

“When truth teller and careful writer bell hooks offers a book, I like to be standing at the bookshop when it opens.” –Maya Angelou Renowned visionary bell hooks explored the meaning of love in American culture with the critically acclaimed bestseller All About Love: New Visions. She continued her national dialogue with the bestselling Salvation: Black People and Love. Now hooks culminates her triumphant trilogy of love with Communion: The Female Search for Love. Intimate, revealing, provocative, Communion challenges every woman to courageously claim the search for love as the heroic journey we must all choose to be truly free. In her trademark commanding and lucid language, hooks explores the ways ideas about women and love were changed by the feminist movement, by women's full participation in the workforce, and by the culture of self-help, and reveals how women of all ages can bring love into every aspect of their lives, for all the years of their lives. Communion is the heart-to-heart talk every woman -- mother, daughter, friend, and lover -- needs to have.