The Five Hundred Year Rebellion

After centuries of colonial domination and a twentieth century riddled with dictatorships, indigenous peoples in Bolivia embarked upon a social and political struggle that would change the country forever. As part of that project activists took control of their own history, starting in the 1960s by reaching back to oral traditions and then forward to new forms of print and broadcast media. This book tells the fascinating story of how indigenous Bolivians recovered and popularized histories of past rebellions, political models, and leaders, using them to build movements for rights, land, autonomy, and political power. Drawing from rich archival sources and the author’s lively interviews with indigenous leaders and activist-historians, The Five Hundred Year Rebellion describes how movements tapped into centuries-old veins of oral history and memory to produce manifestos, booklets, and radio programs on histories of resistance, wielding them as tools to expand their struggles and radically transform society.

Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In THE MIRROR AND THE PALETTE, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery. This is a dazzlingly original and ambitious book by one of the most well-respected art critics at work today.

An alternative and unorthodox view of the colonization of the Americas by Europeans is offered in this concise history. Eurocentric studies of the conquest of the Americas present colonization as a civilizing force for good, and the native populations as primitive or worse. Colonization is seen as a mutually beneficial process, in which ''civilization'' was brought to the natives who in return shared their land and cultures. The opposing historical camp views colonization as a form of genocide in which the native populations were passive victims overwhelmed by European military power. In this fresh examination, an activist and historian of native descent argues that the colonial powers met resistance from the indigenous inhabitants and that these confrontations shaped the forms and extent of colonialism. This account encompasses North and South America, the development of nation-states, and the resurgence of indigenous resistance in the post-World War II era.

One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.

New social movements have emerged in Bolivia over the ''price of fire'' - access to basic elements of survival like water, gas, land, coca, employment, and other resources. Though these movements helped pave the way to the presidency for indigenous coca-grower Evo Morales in 2005, they have made it clear that their fight for self-determination doesn't end at the ballot box. From the first moments of Spanish colonization to today's headlines, The Price of Fire offers a gripping account of clashes in Bolivia between corporate and people's power, contextualizing them regionally, culturally, and historically.

A powerful and historically accurate graphic portrayal of Indigenous peoples' resistance to the European colonization of the Americas, beginning with the Spanish invasion under Christopher Columbus and ending with the Six Nations land reclamation in Ontario in 2006. Gord Hill spent two years unearthing images and researching historical information to create The 500 Years of Resistance Comic Book, which presents the story of Aboriginal resistance in a far-reaching format. Other events depicted include the 1680 Pueblo Revolt in New Mexico; the Inca insurgency in Peru from the 1500s to the 1780s; Pontiac and the 1763 Rebellion and Royal Proclamation; Geronimo and the 1860s Seminole Wars; Crazy Horse and the 1877 War on the Plains; the rise of the American Indian Movement in the 1960s; 1973's Wounded Knee; the Mohawk Oka Crisis in Quebec in 1990; and the 1995 Aazhoodena/Stoney Point resistance. With strong, plain language and evocative illustrations, The 500 Years of Resistance Comic Book documents the fighting spirit and ongoing resistance of Indigenous peoples through five hundred years of genocide, massacres, torture, rape, displacement, and assimilation: a necessary antidote to the conventional history of the Americas. Includes an introduction by activist Ward Churchill, leader of the American Indian Movement in Colorado and a prolific writer on Indigenous resistance issues. Gord Hill, a member of the Kwakwaka'wakw Nation in British Columbia, has been active in Indigenous resistance, anti-colonial, and anti-capitalist movements since 1990. He is also author of The 500 Years of Resistance, a pamphlet published by PM Press.

In the past decade, grassroots social movements played major roles in electing left - leaning governments throughout Latin America, but subsequent relations between the streets and the states remain uneasy. In Dancing with Dynamite, award - winning journalist Benjamin Dangl explores the complex ways these movements have worked with, against, and independently of national governments.From dynamite - wielding miners in Bolivia to the struggles of landless farmers in Brazil and Paraguay, Dangl discusses the dance between movements and states in seven different Latin American countries. Using original research, lively prose, and extensive interviews with workers, farmers, and politicians, he suggests how Latin American social movement strategies could be applied internationally to build a better world now.Ben Dangl breaks the sound barrier, exploding many myths about Latin America that are all - too - often amplified by the corporate media in the United States. Read this much - needed book.'' - Amy Goodman, host of Democracy Now! Dancing with Dynamite dares to navigate the cloudy waters of Latin American social movements in the wake of the neoliberal wave, something which increasingly fewer thinkers and activists dare to do, but which turns out to be urgent.'' - Ral Zibechi, Uruguayan journalist and author of Dispersing Power; Social Movements as Anti - State Forces Dangl brings complicated politics to life by infusing them with the magic, mystery and unbridled joy that invigorate social movements and permeate Latin American life in general.'' - Kari Lydersen, author of Revolt on Goose Island; The Chicago Factory Takeover and What it Says About the Economic Crisis.

This book charts the previously untold story of the mobility of Indigenous peoples across vast distances, vividly reshaping what is known about decolonisation.