The Foolish King

Long, long ago when kings ruled the land, dragons filled the sky and magic still existed, two children stumbled upon the game of chess. This is your chance to play it with them . . .Packed with interactive puzzles and games, join Pip and Holly on a magical fairy-tale adventure and become a chess master.

In the grip of lust, Raja Karan Vaghela abducts the beautiful Roopsundari, his prime minister Madhav’s wife. Fuelled by a desire for revenge, Madhav escapes to Delhi and persuades Sultan Alauddin Khilji to invade Gujarat and destroy Patan fort. This unleashes a dramatic chain of events that forever ends Rajput rule in Gujarat, heralding the dawn of a new age. Rich in psychological insight and imbued with a poetic vision, Karan Ghelo tells the spellbinding tale of a man who tragically failed his land and its people.

Examines the role of fools or jesters in medieval and Renaissance society and describes such individuals as Will Sommers of sixteenth-century England and Querno of sixteenth-century Italy.

To survive in the City of Sin, an innocent girl must choose her new identity in this dark YA fantasy—the sequel to Ace of Shades. Indulge your vices in the City of Sin, where a sinister street war is brewing and fame is the deadliest killer of them all. Prim and proper Enne Salta never expected to team up with an infamous con man like Levi Glaiyser. But winning the Shadow Game was not the victory they imagined. Now the duo are wanted for murder and Enne is forced to live in disguise as Séance, a mysterious figure of the underworld. Desperate to build his empire, Levi makes a deal with the estranged son of Mafia donna Vianca Augustine, while Enna remains trapped by Vianca’s binding oath, unsure whether to embrace the role of refined lady or cunning street lord. As they walk a path of unimaginable wealth, a dangerous game of crime and politics swirls around them. And when unforeseen players enter, they must each make an impossible choice: sacrifice everything . . . Or die as legends.

A Remarkably Intimate Tale of the Intrigue, Ruthlessness, and Majesty of Henry VIII's Court. When country lad Will Somers lands himself the plum position of jester to the mercurial King Henry VIII, he has no idea that he's just been handed a front-row seat to history. With a seat near the throne and an ear to the floor, Somers witnesses firsthand the dizzying power struggles and sly scheming that marked the reign of the fiery Tudor king. Somers watches the rise and fall of some of the most enigmatic women in history, including the tragic Katherine of Aragon, the doomed Anne Boleyn, and Mary Tudor, who confided in the jester as she made the best of the fragile life of a princess whom everyone wished was a prince. Based on the life of the real Will Somers, King's Fool is infused with Margaret Campbell Barnes' trademark rich detail and historical accuracy. This intimate peek into the royal chambers gives readers a unique view on one of the most tumultuous periods in English history. First published in 1959 by world-renowned historical novelist Margaret Campbell Barnes, King's Fool is a remarkable insider tale of the intrigue, ruthlessness, and majesty of the Tudor court. When country lad Will Somers lands himself the plum position of jester to the mercurial King Henry VIII, he has no idea that he's just been handed a front-row seat to history.

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

A family of street performers wins a pile of gold when they are summoned to perform for King Henry VIII, but just as quickly they lose it again to save themselves from being hanged.