The Fox Hunter S Week End Book

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .

I always knew my girlfriend was into riding, but it wasn't until we moved near Wellington, FL that I was unknowingly pulled into the vortex of the A-circuit hunter/jumper equestrian world. By the end of the Winter Equestrian Festival there, she had quit her job to visit horse shows all over the east coast and blog about them. I made the decision to go along and logged over 20 weeks at horse shows in 6 states, observing everything from FEI 5* Grand Prix events to Cleveland Bay classes. I realized eventually to justify it all, especially Pony Finals, I would need to write about my trip. This is an account of the places, horse shows, and the people I observed and experienced. It is written for those who want to know more about the sport, as well as for seasoned riders to read and give to friends and loved ones who think that they race horses.

Hunting literature had its beginnings as early as the fourteenth century, when nobles hunted stag, bear, fox, and other game on horseback. As foxhunting grew in popularity, literary works that covered the sport flourished, as well. In Six Centuries of Foxhunting: An Annotated Bibliography, M. L. Biscotti has compiled all books produced in Great Britain and the United States that pertain to, or mention, foxhunting with hounds. Arranged alphabetically by author, more than 2000 titles are included. Each entry features details such as place and year of publication, publisher, book size, page count, illustrations, and binding. Nearly every title is also annotated with a description of the book’s contents, and biographical sketches are provided for the most notable authors. Narratives, histories, illustrated works, verse, fiction, and even anti-hunting literature all have their place in this volume. Six Centuries of Foxhunting also features more than thirty images of book covers and foxhunting illustrations. With appendixes that contain author, title, and illustrator time lines, and separate author and title indexes, this comprehensive bibliography is a valuable resource for researchers, book dealers and collectors, and foxhunters.

An early masterpiece from the winner of the Nobel Prize hailed as the laureate of life under totalitarianism Romania-the last months of the Ceausescu regime. Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara's lover. But one of them works for the secret police and is reporting on all of the group. One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it's the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police-the fox was ever the hunter. Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it's hard to tell victim from perpetrator. In The Fox Was Always a Hunter, Herta Müller once again uses language that displays the "concentration of poetry and the frankness of prose"-as the Swedish Academy noted upon awarding her the Nobel Prize-to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism.

This oral history of foxhunting examines the mentors and influences of fifty people who have dedicated their lives to the sport of horse and hound. From the seventy some years of hound breeding experience of Melvin Poe, to the unusual story of a retired grandmother who decided to overcome her fear of horses and got her colors with Red Rock Hounds on her seventieth birthday, this oral history explores the depth and the breadth of foxhunting through the faces and voices of fifty different people who have been a tremendous influence on the sport or whose lives have been tremendously influenced by foxhunting. These oral histories are accompanied by beautiful black and white portraits taken by photographer Mary Kalergis.The recollected sights, sounds and scents of foxhunting shared within these pages are a feast for the senses and nourish the soul.

August 1781 saw the publication of a manual on fox hunting that would become a classic of its genre. Hugely popular in its own day, Peter Beckford's Thoughts on Hunting is often cited as marking the birth of modern hunting and continues to be quoted from affectionately today by the hunting fraternity. Less stressed is the fact that its subject was immediately controversial, and that a hostile review which appeared on the heels of the manual's publication raised two criticisms of fox hunting that would be repeated over the next two centuries: fox hunting was a cruel sport and a feudal, anachronistic one at that. This study explores the attacks made on fox hunting from 1781 to the legal ban achieved in 2004, as well as assessing the reasons for its continued appeal and post-ban survival. Chapters cover debates in the areas of: class and hunting; concerns over cruelty and animal welfare; party politics; the hunt in literature; and nostalgia. By adopting a thematic approach, the author is able to draw out the wider social and cultural implications of the debates, and to explore what they tell us about national identity, social mores and social relations in modern Britain.