The Frock Coated Communist

Friedrich Engels is one of the most attractive and contradictory figures of the nineteenth century. Born to a prosperous mercantile family in west Germany, he spent his career working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable, middle-class life of a Victorian gentleman. Yet Engels was also the co-founder of international communism � the philosophy which in the 20th century came to control one third of the human race. He was the co-author of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so Karl Marx could write Das Kapital. Tristram Hunt relishes the diversity and exuberance of Engels's era: how one of the great bon viveurs of Victorian Britain reconciled his raucous personal life with this uncompromising political philosophy. Set against the backdrop of revolutionary Europe and industrializing England � of Manchester mills, Paris barricades, and East End strikes � it is a story of devoted friendship, class compromise, ideological struggle, and family betrayal.

Friedrich Engels is one of the most attractive and contradictory figures of the nineteenth century. Born to a prosperous mercantile family in west Germany, he spent his career working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable, middle-class life of a Victorian gentleman. Yet Engels was also the co-founder of international communism - the philosophy which in the 20th century came to control one third of the human race. He was the co-author of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so Karl Marx could write Das Kapital. Tristram Hunt relishes the diversity and exuberance of Engels's era: how one of the great bon viveurs of Victorian Britain reconciled his raucous personal life with this uncompromising political philosophy. Set against the backdrop of revolutionary Europe and industrializing England - of Manchester mills, Paris barricades, and East End strikes - it is a story of devoted friendship, class compromise, ideological struggle, and family betrayal.

"Written with brio, warmth, and historical understanding, this is the best biography of one of the most attractive inhabitants of Victorian England, Marx's friend, partner, and political heir."—Eric Hobsbawm Friedrich Engels is one of the most intriguing and contradictory figures of the nineteenth century. Born to a prosperous mercantile family, he spent his life enjoying the comfortable existence of a Victorian gentleman; yet he was at the same time the co-author of The Communist Manifesto, a ruthless political tactician, and the man who sacrificed his best years so that Karl Marx could have the freedom to write. Although his contributions are frequently overlooked, Engels's grasp of global capital provided an indispensable foundation for communist doctrine, and his account of the Industrial Revolution, The Condition of the Working Class in England, remains one of the most haunting and brutal indictments of capitalism's human cost. Drawing on a wealth of letters and archives, acclaimed historian Tristram Hunt plumbs Engels's intellectual legacy and shows us how one of the great bon viveurs of Victorian Britain reconciled his exuberant personal life with his radical political philosophy. This epic story of devoted friendship, class compromise, ideological struggle, and family betrayal at last brings Engels out from the shadow of his famous friend and collaborator.

From Tristram Hunt, award-winning author of The Frock-Coated Communist and leading UK politician, Ten Cities that Made an Empire presents a new approach to Britain's imperial past through the cities that epitomised it The final embers of the British Empire are dying, but its legacy remains in the lives and structures of the cities which it shaped. Here Tristram Hunt examines the stories and defining ideas of ten of the most important: Boston, Bridgetown, Dublin, Cape Town, Calcutta, Hong Kong, Bombay, Melbourne, New Delhi, and twentieth-century Liverpool. Rejecting binary views of the British Empire as 'very good' or 'very bad', Hunt uses an exceptional array of primary accounts and personal reflection to chart the processes of exchange and adaptation that collectively shaped the colonial experience - and, in turn, transformed the culture, economy and identity of the British Isles. TRISTRAM HUNT is one of Britain's best known historians. Since 2010 he has been the MP for Stoke-on-Trent Central, and in October 2013 was made Shadow Secretary of State for Education. He is a senior lecturer in British history at Queen Mary, University of London, and has written numerous series for radio and television. He is also a regular contributor to the Times, Guardian and Observer. His previous books include The English Civil War at First Hand, Building Jerusalem, and The Frock-Coated Communist: The Revolutionary Life of Friedrich Engels, which was published in more than a dozen languages. Praise for The Frock-Coated Communist: 'Beautifully written and consistently engaging' - Independent 'An excellent book ... Hunt has a mastery of 19th-century British culture and European political thought' - Robert Service, Sunday Times 'Thoughtful and engaging' - Telegraph Review

Almost a quarter of a million lives were lost as King and Parliament battled for their religious and political ideals in the English Civil War. England was divided between Cavaliers and Roundheads engaged in bitter struggles from Preston to Lostwithiel, Pembroke to York. Armies were on the march, villages were decimated and great dynasties destroyed: fathers and sons, uncles and cousins were pitted against each other in defence of their loyalties. The civil war led to the execution of a king, the beginnings of sectarian division in Ireland, savage clan warfare in Scotland and the roots of English socialism. Tristram Hunt avoids adding to the many, mostly transitory interpretations of the civil war and instead offers a timeless narrative based on the first-hand accounts of those who witnessed these traumatic events. In doing so he brings out the voices of the civil war generation - those who lost sons, who witnessed massacres and who fought for an ideal. In this book we see their motivations, fears and misery as the horror of war overwhelmed them. From Cromwell's letters to the memoirs of a Roundhead wife the civil war era is brought to life in all its terrible and fascinating glory.

'History writing at its compulsive best' A. N. Wilson This is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance. Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.

From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.

This book examines the life and works of Friedrich Engels during the decade before he entered a political partnership with Karl Marx. It takes a thematic approach in three substantial chapters: Imagination, Observation, and Vocation. Throughout, the reader sees the world from Engels’s perspective, not knowing how his story will turn out. This approach reveals the multifaceted and ambitious character of young Friedrich’s achievements from age sixteen till just turning twenty-five. At the time that he accepted Marx’s invitation to co-author a short political satire, Engels was far better known and much more accomplished. He had published many more articles on far more subjects, in both German and English, than Marx had managed. Moreover, he had written a critique of political economy from a perspective unique in the German context, and published his own pioneering and substantial study of working class conditions in an industrializing economy. Offering an innovative approach to a largely neglected period of Engels’s life before meeting Marx, Carver upends standard narratives in existing biographical studies of Engels to reveal him as an important figure not just in relation to his more famous collaborator, but a key voice in the liberal-democratic, constitutional and nation-building revolutionism of the 1830s and 1840s.