The Garden Of The Finzi Continis

Bassani's six classic books, collected for the first time in English as the epic masterwork they were intended to be. Set in the northern Italian town of Ferrara before, during, and after the Second World War, The Novel of Ferrara brings together Bassani's six classic books, fully revised as a single volume by the author at the end of his life: Within the Walls, The Gold-Rimmed Spectacles, The Garden of the Finzi-Continis, Behind the Door, The Heron and The Smell of Hay. These interlocking stories present a fully rounded world of unforgettable characters, memorializing not only the Ferrarese people, but the city itself, which assumes a character and a voice deeply inflected by the Jewish community to which the narrator belongs. 'Exquisite . . . from his boyhood Ferrara and the families he knew, Bassani has carved out a corner of Italy that rises above regionalism with fiction that can stand alongside the most lingering written in Europe to day' The New York Times

A new doctor arrives into the insular town of 1930s Ferrara. Fadigati is hopeful and modern, and more than anything wants to fit into his new home. But his fresh, appealing appearance soon crumbles when the townsfolk discover his homosexuality, and the young man he pays to be his lover humiliates him publicly.

The main theme of Giorgio Bassani's novels and short stories, which have earned him wide acclaim outside Italy, has been the advent of anti-Semitism in the provincial Italian city of Ferrara during World War II. Earlier he had a successful career as an editor with a major publishing house, being credited with helping to bring to public notice The Leopard by Tomasi Lampedusa. Bassani edited a literary magazine and was director of the Italian radio-television network. His first collection of short pieces was A City on the Plain, written under the pseudonym Giacomo Marchi. His volumes of poems were finally collected and published in 1963. The stories and novels that were to make him famous abroad began to appear in the 1950s. They include A Prospect of Ferrara (1960), and The Gold Rimmed Spectacles (1960). A film version of The Garden of the Finzi-Continis (1962) by Vittorio De Sica has become a public television classic.

Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned, some reprinted, and others in translation - look at De Sica's varied career from many perspecives. Structured chronologically, the volume begins by introducing readers to De Sica's early popularity as an actor and singer during the years of Italian Fascism, and to his initial directorial efforts before the end of World War II. It was not until the postwar era, however, that De Sica made his mark in film history. Special attention is given to this critical phase of his career, which encompasses the neorealist films that made him famous: "Shoeshine", "Bicycle Thieves", "Miracle in Milan", and "Umberto D." When the neorealist movement waned after 1955, De Sica returned to his roots in Neapolitan comedy for a series of commercially successful films starring Sophia Loren and Marcello Mastroianni. Memorable works from this period include "Two Women" and "Marriage Italian Style" as well as "Yesterday, Today, and Tomorrow", which won De Sica an Academy Award in 1965. In one of his final films, "The Garden of the Finzi Continis", he returned to the subject of World War II and to the human tragedy characteristic of his best neorealist productions. This fine anthology offers a comprehensive critical survey that covers the entire scope of De Sica's career, and is an excellent resource for students, critics and film enthusiasts.

A new translation of Giorgio Bassani's haunting collection of short stories that evoke 1930s Ferrara, with an introduction by Ali Smith. Isolated lives and a lost world are evoked in these memorable stories set in the Jewish-Italian community of 1930s Ferrara. A young man's unrequited love; a strange disappearance; a faded hotel; a lonely funfair; the smell of mown hay at the gates of the Jewish Cemetery - these vivid, impressionistic snapshots build a picture of life's brevity and intensity. Part of the sequence including The Gold-Rimmed Spectacles and The Garden of the Finzi-Continis, and featuring people and places from these novels, The Smell of Hay is told with a voice that is by turns intimate, ironic, elegiac and rueful. This new translation contains two pieces, added by Bassani to his earlier collection, which have never appeared in English before. 'Powerful new translations . . . Bassani began as a poet, and McKendrick's redelivery of this taut uncompromising fiction reveals resonance and generosity' Ali Smith 'Giorgio Bassani is one of the great witnesses of this century, and one of its great artists' Guardian Giorgio Bassani (1916-2000) was an Italian poet, novelist and editor. The Smell of Hay is the last in a series of six works collected together as Il romanzo di Ferrara. Other works in the cycle include The Garden of the Finzi-Continis, which received the Viareggio Prize and inspired an Academy Award-winning film adaptation by Vittorio de Sica, The Gold-Rimmed Spectacles, and Within the Walls (originally published as Five Stories of Ferrara), which won the Strega Prize. Jamie McKendrick is a poet and translator. His translations of Bassani's The Garden of the Finzi-Continis and The Gold-Rimmed Spectacles are already available as Penguin Modern Classics, and he is in the process of translating the rest of the Romanzo di Ferrara cycle anew.

The story of a wealthy, insular Jewish family in Fascist Italy just before the outbreak of World War II. The source of an acclaimed feature film directed by Vittorio De Sica. Translated by William Weaver.A Helen and Kurt Wolff Book

Giorgio Bassani’s acclaimed novel of unrequited love and the plight of the Italian Jews on the brink of World War II has become a classic of modern Italian literature. Made into an Academy Award—winning film in 1970, The Garden of the Finzi—Continis is a richly evocative and nostalgic depiction of prewar Italy. The narrator, a young middle-class Jew in the Italian city of Ferrara, has long been fascinated from afar by the Finzi-Continis, a wealthy and aristocratic Jewish family, and especially by their daughter Micol. But it is not until 1938 that he is invited behind the walls of their lavish estate, as local Jews begin to gather there to avoid the racial laws of the Fascists, and the garden of the Finzi-Continis becomes an idyllic sanctuary in an increasingly brutal world. Years after the war, the narrator returns in memory to his doomed relationship with the lovely Micol, and to the predicament that faced all the Ferrarese Jews, in this unforgettably wrenching portrait of a community about to be destroyed by the world outside the garden walls.