The Generals Of The Yang Family

This book offers a complete translation of four early plays of the Yang Family Generals. The story of the Yang Family Generals, particularly its female generals, was a perennial favorite on the Chinese stage in the 19th and 20th centuries. In detailing the role of this military family in the Song-Khitan wars of the late 10th and early 11th centuries, these four plays are all in the form of zaju, a type of play that originated in the 13th century. These plays are from the 15th and 16th centuries and allow a glimpse into earlier renditions of the Yang Family saga, which is a decidedly more male-centered tradition than that performed in the Qing dynasty. This volume offers the only complete English-language translation of these early plays. These plays allow access to the earliest phase in the development of the Yang Family saga. The plays provide information on the staging of large battle scenes on the stage and have considerable literary and cultural value.

This book offers a complete translation of four early plays of the Yang Family Generals. The story of the Yang Family Generals, particularly its female generals, was a perennial favorite on the Chinese stage in the 19th and 20th centuries. In detailing the role of this military family in the Song-Khitan wars of the late 10th and early 11th centuries, these four plays are all in the form of zaju, a type of play that originated in the 13th century. These plays are from the 15th and 16th centuries and allow a glimpse into earlier renditions of the Yang Family saga, which is a decidedly more male-centered tradition than that performed in the Qing dynasty. This volume offers the only complete English-language translation of these early plays. These plays allow access to the earliest phase in the development of the Yang Family saga. The plays provide information on the staging of large battle scenes on the stage and have considerable literary and cultural value. Contents:The Eighth Great Prince Opens a Proclamation and Saves a Loyal VassalAt Bright Sky Pagoda Meng Liang Steals the BonesXie Jinwu Underhandedly Tears Down Clear Breeze MansionYang Six Lines Up His Troops to Defeat the Heavenly ArrayAppendix 1: A Summary of Expanded Account of the Loyalty and Bravery over Successive Generations of the Yang FamilyAppendix 2: A Summary of the Relevant Chapters from An Account of [The Prince] of Southern Song and a Summary of An Account of the Northern SongAppendix 3: The Ming Play The Three PassesAppendix 4: The Theft of the Bones: Three Versions Readership: Graduate and undergraduate students, academic researchers and scholars who are interested in Chinese literature and Chinese theater, Chinese military and martial culture; general audience interested in Chinese folklore and Chinese history. Keywords:Yang Family Generals;Khitan-Song Wars;Zaju Drama;Warfare;Emperor and Imperial Relatives;Popular LiteratureReviews: “As an introduction to stories that continue to resonate with Chinese audiences now centuries after their earliest versions, one could not find a more suitable, or enjoyable, collection than this.” Robert E. Hegel Washington University, St. Louis, United States

Men and Women in Qing China is an analysis of Chinese prescriptions of gender as represented in Cao Xueqin's famous eighteenth century Chinese novel of manners, The Red Chamber Dream or The Story of the Stone. Drawing on feminist literary critical methods it examines Qing notions of masculinity and femininity, including themes such as bisexuality, motherhood, virginity and purity, and gender and power. Its central aim is to challenge the common assumption that the novel represents some form of early Chinese feminism by examining the text in conjunction with historical data. The book will be especially important to those interested in issues of gender in China, the history of Chinese literary criticism and the application of feminist theory to the Asian text.

In her study of Chinese shadow theatre Fan-Pen Li Chen documents and corrects misconceptions about this once-popular art form. She argues how a traditional folk theatre reflected and subverted Chinese popular culture.

Through investigation of Chinese cultural ideals and life practices, Prof. Cho-yun Hsu constructs an original portrait of Chinese spiritual life. Apart from focusing on the exalted subtleties of the scholarly elite, Prof. Hsu pays more attention to the everyday people's cultural idea. By examining their daily practices (including eating, living, medical practices, poems, songs, art, and literature) and "collective memory" such as legends, he seeks to clarify Chinese ideas concerning the universe, human life and nature, from traditional times down to the present day. Different from Judeo-Christian tradition centered on "God," the spiritual life of the Chinese people develops around ideas of being "human," and thus cultivating an interactive relationship between man, time, and space. Cho-yun Hsu considers the mode and direction of Chinese culture will impact the future of the entire world. Based on his observation, Western civilization represented by Europe and America nowadays is on the verge of a great change. The problems they are facing, including various crises of alienation and separation from nature, are, in terms of their basic origins, problems for which Western civilization lacks the resources to arrive at a solution. Thus, Chinese culture centered on the man and on the idea of intimate, interdependent relations between man and nature, might offer another solution. It is expected that, by integrating its features into modern civilization, Chinese culture can continue to prosper and be of benefit to the future of the world.

An “excellent” A-to-Z reference of female fighters in history, myth, and literature—from goddesses to gladiators to guerrilla warriors (Library Journal). This is an astounding collection of female fighters, from heads of state and goddesses to pirates and gladiators. Each entry is drawn from historical, fictional, or mythical narratives of many eras and lands. With over one thousand entries detailing the lives and influence of these heroic female figures in battle, politics, and daily life, Salmonson provides a unique chronicle of female fortitude, focusing not just on physical strength but on the courage to fight against patriarchal structures and redefine women’s roles during time periods when doing so was nearly impossible. The use of historical information and fictional traditions from Japan, Europe, Asia, and Africa gives this work a cross-cultural perspective that contextualizes the image of these unconventional depictions of might, valor, and greatness.

An internationally recognized authority on Chinese history and a leading innovator in its telling, Cho-yun Hsu constructs an original portrait of Chinese culture. Unlike most historians, Hsu resists centering his narrative on China's political evolution, focusing instead on the country's cultural sphere and its encounters with successive waves of globalization. Beginning long before China's written history and extending through the twentieth century, Hsu follows the content and expansion of Chinese culture, describing the daily lives of commoners, their spiritual beliefs and practices, the changing character of their social and popular thought, and their advances in material culture and technology. In addition to listing the achievements of emperors, generals, ministers, and sages, Hsu builds detailed accounts of these events and their everyday implications. Dynastic change, the rise and fall of national ambitions, and the growth and decline of institutional systems take on new significance through Hsu's careful research, which captures the multiple strands that gave rise to China's pluralistic society. Paying particular attention to influential relationships occurring outside of Chinese cultural boundaries, he demonstrates the impact of foreign influences on Chinese culture and identity and identifies similarities between China's cultural developments and those of other nations.

Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profoundtransformation of modern Chinese culture between the 18th century and 1950s.