The German American Radical Press

Wilhelm Weitling, one of the many German radicals who fled into exile after 1848, noted in the New York newspaper he founded that "everyone wants to put out a little paper". The 48ers and those who came after them strengthened their immigrant culture with a seemingly endless stream of newspapers, magazines, and calendars. In these Kampfblatter, or newspapers of the struggle, German immigrant journalists preached socialism, organized labor, and free thought. These "little papers" were the forerunners of a press that would remain influential for nearly a century. From the several perspectives of the new labor history, this volume emphasizes the importance of the German-American radical press to an understanding of American social history in the age of industrialism and illuminates the complexities of the interaction of immigrant radicalism and American culture. Chicago's German-language socialist weekly, Der Vorbote, claimed in 1880 that "the history of the workers' movement in the United States is at the same time the history of the workers' press". Hyperbolic perhaps, but to judge by the energy and resources German-American radicals devoted to their press, many immigrants agreed. The radical movement in the United States met with problems as well as support. Language and culture frequently divided the radicals, and class considerations splintered the German-American community. Cultural radicals like Robert Reitzel and Ludwig Lore ran afoul of rank-and-file taste or party discipline; attempts by the New Yorker Volkszeitung to coach women on proper socialist positions resulted in bitter arguments over the importance of woman suffrage and pacifism. At the same time, social movements thatcut across ethnic lines weakened the power of a foreign-language press within the community, as immigrants began to identify with a movement rather than a language. Contributors to this volume explore these and other issues, while correcting the bias in histories of radicalism which rely on English-language sources and thus ignore the competing visions of immigrant radicals.

At the turn of the century, New York City's Germans constituted a culturally and politically dynamic community, with a population 600,000 strong. Yet fifty years later, traces of its culture had all but disappeared. What happened? The conventional interpretation has been that, in the face of persecution and repression during World War I, German immigrants quickly gave up their own culture and assimilated into American mainstream life. But in Translating America, Peter Conolly-Smith offers a radically different analysis. He argues that German immigrants became German-Americans not out of fear, but instead through their participation in the emerging forms of pop culture. Drawing from German and English newspapers, editorials, comic strips, silent movies, and popular plays, he reveals that German culture did not disappear overnight, but instead merged with new forms of American popular culture before the outbreak of the war. Vaudeville theaters, D.W. Griffith movies, John Philip Sousa tunes, and even baseball games all contributed to German immigrants' willing transformation into Americans. Translating America tackles one of the thorniest questions in American history: How do immigrants assimilate into, and transform, American culture?

New York City's identity as a cultural and artistic center, as a point of arrival for millions of immigrants sympathetic to anarchist ideas, and as a hub of capitalism made the city a unique and dynamic terrain for anarchist activity. For 150 years, Gotham's cosmopolitan setting created a unique interplay between anarchism's human actors and an urban space that invites constant reinvention. Tom Goyens gathers essays that demonstrate anarchism's endurance as a political and cultural ideology and movement in New York from the 1870s to 2011. The authors cover the gamut of anarchy's emergence in and connection to the city. Some offer important new insights on German, Yiddish, Italian, and Spanish-speaking anarchists. Others explore anarchism's influence on religion, politics, and the visual and performing arts. A concluding essay looks at Occupy Wall Street's roots in New York City's anarchist tradition. Contributors: Allan Antliff, Marcella Bencivenni, Caitlin Casey, Christopher J. Castañeda, Andrew Cornell, Heather Gautney, Tom Goyens, Anne Klejment, Alan W. Moore, Erin Wallace, and Kenyon Zimmer.

This book offers a fresh look at the Germans—the largest and perhaps the most diverse foreign-language group in 19th century America. Drawing upon the latest findings from both sides of the Atlantic, emphasizing history from the bottom up and drawing heavily upon examples from immigrant letters, this work presents a number of surprising new insights. Particular attention is given to the German-American institutional network, which because of the size and diversity of the immigrant group was especially strong. Not just parochial schools, but public elementary schools in dozens of cities offered instruction in the mother tongue. Only after 1900 was there a slow transition to the English language in most German churches. Still, the anti-German hysteria of World War I brought not so much a sudden end to cultural preservation as an acceleration of a decline that had already begun beforehand. It is from this point on that the largest American ethnic group also became the least visible, but especially in rural enclaves, traces of the German culture and language persisted to the end of the twentieth century.

Maligned by modern media and often stereotyped, Italian Americans possess a vibrant, if largely forgotten, radical past. In Italian Immigrant Radical Culture, Marcella Bencivenni delves into the history of the sovversivi, a transnational generation of social rebels, and offers a fascinating portrait of their political struggle as well as their milieu, beliefs, and artistic creativity in the United States. As early as 1882, the sovversivi founded a socialist club in Brooklyn. Radical organizations then multiplied and spread across the country, from large urban cities to smaller industrial mining areas. By 1900, thirty official Italian sections of the Socialist Party along the East Coast and countless independent anarchist and revolutionary circles sprang up throughout the nation. Forming their own alternative press, institutions, and working class organizations, these groups created a vigorous movement and counterculture that constituted a significant part of the American Left until World War II. Italian Immigrant Radical Culture compellingly documents the wide spectrum of this oppositional culture and examines the many cultural and artistic forms it took, from newspapers to literature and poetry to theater and visual art. As the first cultural history of Italian American activism, it provides a richer understanding of the Italian immigrant experience while also deepening historical perceptions of radical politics and culture.

This title gathers together the wartime experiences of the populations who lived outside the dominant white, Anglo-Saxon Protestant citizenry of 19th-century America.