The Glorious Art Of Peace

Human progress and prosperity depend on a peaceful environment, and most people have always sought to live in peace, yet our perception of the past is dominated too often not by stories of peace but by tales of war. In this path-breaking study, former Guardian East Asia Editor John Gittings demolishes the myth that peace is dull and that war is in our genes, and opens an alternative window on history to show the strength of the case for peace which has been argued from ancient times onwards. Beginning with a new analysis of the treatment of peace in Homer's Iliad, he explores the powerful arguments against war made by classical Chinese and Greek thinkers, and by the early Christians. Gittings urges us to pay more attention to Erasmus on the Art of Peace, and less to Machiavelli on the Art of War. The significant shift in Shakespeare's later plays towards a more peace-oriented view is also explored. Gittings traces the growth of the international movement for peace from the Enlightenment to the present day, and assesses the inspirational role of Tolstoy and Gandhi in advocating non-violence. Bringing the story up to date, he shows how the League of Nations in spite of its "failure" led to high hopes for a stronger United Nations, but that real chances for peace were missed in the early years of the cold war. And today, Gittings argues that, instead of being obsessed by a new "war on terror" we should be seeking peaceful solutions to the challenges of nuclear proliferation, conflict and extremism, poverty and inequality, and climate change. This paperback edition includes a new preface, in which Gittings looks at how the world is confronted with new dangers to peace, as the election of President Trump highlights the continuing unpredictability and irrational nature of a system of international relations which could lead to new wars and even nuclear disaster.

Sun Tzu, author of 'The Art of War', believed that the acme of leadership consists in figuring out how to subdue the enemy with the least amount of fightinga fact that America's Founders also understood, and practiced with astonishing success. For it to work, however, a people must possess both the ability and the willingness to use all available instruments of power in peace as much as in war. US foreign policy has increasingly neglected the instruments of civilian power and become overly dependent on lethal solutions to conflict. The steep rise in unconventional conflict has increased the need for diplomatic and other non-hard power tools of statecraft. The United States can no longer afford to sit on the proverbial three-legged national security stool ("military, diplomacy, development"), where one leg is a lot longer than either of the other two, almost forgetting altogether the fourth leginformation, especially strategic communication and public diplomacy. The United States isn't so much becoming militarized as DE civilianized. According to Sun Tzu, self-knowledge is as important as knowledge of one's enemy: "if you know neither yourself nor the enemy, you will succumb in every battle." Alarmingly, the United States is deficient on both counts. And though we can stand to lose a few battles, the stakes of losing the war itself in this age of nuclear proliferation are too high to contemplate.

The inspirational teachings in this collection show that the real way of the warrior is based on compassion, wisdom, fearlessness, and love of nature. The teachings are drawn from the talks and writings of Morihei Ueshiba, founder of the popular Japanese martial art of Aikido, a mind-body discipline he called the "Art of Peace," which offers a nonviolent way to victory in the face of conflict. Ueshiba believed that Aikido principles could be applied to all the challenges we face in life—in personal and business relationships, and in our interactions with society. This is an expanded version of the original miniature edition that appeared in the Shambhala Pocket Classics series. It features a new introduction by John Stevens, recently translated doka, didactic "poems of the Way," and Ueshiba's own calligraphy.

"The Oxford Handbook of Peace History uniquely explores the distinctive dynamics of peacemaking across time and place, and analyzing how past and present societies have created diverse cultures of peace and applied strategies for peaceful change. The analysis draws upon the expertise of many well-respected and distinguished scholars from disciplines such as anthropology, economics, history, international relations, journalism, peace studies, sociology, and theology. This work is divided into six parts. The first three sections address the chronological sweep of peace history from the Ancient Egyptians to the present while the last three cover biographical profiles of peace advocates, key issues in peace history, and the future of peace history. A central theme throughout is that the quest for peace is far more than the absence of war or the pursuit of social justice ideals. Students and scholars, alike, will appreciate that this work examines the field of peace history from an international perspective and expands analysis beyond traditional Eurocentric frameworks. This volume also goes far beyond previously published handbooks and anthologies in answering what are the strengths and limits of peace history as a discipline, and what can it offer for the future. It also has the unique features of a state-of-the-field introduction with a detailed treatment of peace history historiography and a chapter written by a noted archivist in the field that provides a comprehensive list of peace research resources. It is a work ably suited applicable for classrooms and scholarly bookshelves"--

"Ending violent conflict requires societies to take leaps of political imagination. Artistic communities are often uniquely placed to help promote new thinking by enabling people to see things differently. In place of conflict’s binary divisions, artists are often charged with exploring the ambiguities and possibilities of the excluded middle. Yet, their role in peacebuilding remains little explored. This excellent and agenda-setting volume provides a ground-breaking look at a range of artistic practices, and the ways in which they have attempted to support peacebuilding – a must-read for all practitioners and policy-makers, and indeed other peacemakers looking for inspiration."Professor Christine Bell, FBA, Professor of Constitutional Law, Assistant Principal (Global Justice), and co-director of the Global Justice Academy, The University of Edinburgh, UK "Peacebuilding and the Arts offers an impressive and impressively comprehensive engagement with the role that visual art, music, literature, film and theatre play in building peaceful and just societies. Without idealizing the role of the arts, the authors explore their potential and limits in a wide range of cases, from Korea, Cambodia, Colombia and Northern Ireland to Uganda, Rwanda, South Africa and Israel-Palestine."Roland Bleiker, Professor of International Relations, University of Queensland, Australia, and author of Aesthetics and World Politics and Visual Global Politics "Peacebuilding and the Arts is the first publication to focus critically and comprehensively on the relations between the creative arts and peacebuilding, expanding the conventional boundaries of peacebuilding and conflict transformation to include the artist, actor, poet, novelist, dramatist, musician, dancer and film director. The sections on the visual arts, music, literature, film and theatre, include case studies from very different cultures, contexts and settings but a central theme is that the creative arts can play a unique and crucial role in the building of peaceful and just societies, with the power to transform relationships, heal wounds, and nurture compassion and empathy. Peacebuilding and the Arts is a vital and unique resource which will stimulate critical discussion and further research, but it will also help to refine and reframe our understanding of peacebuilding. While it will undoubtedly become mandatory reading for students of peacebuilding and the arts, its original approach and dynamic exploratory style should attract a much wider interdisciplinary audience."Professor Anna King, Professor of Religious Studies and Social Anthropology and Director of Research, Centre of Religion, Reconciliation and Peace (WCRRP), University of Winchester, UK This volume explores the relationship between peacebuilding and the arts. Through a series of original essays, authors consider some of the ways that different art forms (including film, theatre, music, literature, dance, and other forms of visual art) can contribute to the processes and practices of building peace. This book breaks new ground, by setting out fresh ways of analysing the relationship between peacebuilding and the arts. Divided into five sections on the Visual Arts, Music, Literature, Film and Theatre/Dance, over 20 authors offer conceptual overviews of each art form as well as new case studies from around the globe and critical reflections on how the arts can contribute to peacebuilding. As interest in the topic increases, no other book approaches this complex relationship in the way that Peacebuilding and the Arts does. By bringing together the insights of scholars and practitioners working at the intersection of the arts and peacebuilding, this book develops a series of unique, critical perspectives on the interaction of diverse art forms with a range of peacebuilding endeavours.

Very Short Introductions: Brilliant, Sharp, Inspiring The concept of peace has always attracted radical thought, action, and practices. It has been taken to mean merely an absence of overt violence or war, but in the contemporary era it is often used interchangeably with 'peacemaking', 'peacebuilding', 'conflict resolution', and 'statebuilding'. The modern concept of peace has therefore broadened from the mere absence of violence to something much more complicated. In this Very Short Introduction, Oliver Richmond explores the evolution of peace in practice and in theory, exploring our modern assumptions about peace and the various different interpretations of its applications. This second edition has been theoretically and empirically updated and introduces a new framework to understand the overall evolution of the international peace architecture. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

33 personal stories that redefine how Canadians see themselves. We are more than just landscapes, polar bears, Mounties, and canoes. More than just “thank yous,” “sorrys,” hot prime ministers, and doughnut shops. We are also tattoo artists who have discovered the secret to cheating death. Designers hell-bent on winning the Nobel Peace Prize. Super soldiers who take “live vests” off suicide bombers. Freethinkers who refuse to be tamed. We are global-village visionaries, world record setters, ambassadors of the imagination, and conquerors of the Rockies. We are Canadian. We are whoever we dream ourselves to be. Meet the glorious and free. $2 from each book sale will be donated to PEN Canada in support of its efforts to defend freedom of expression. Why? Because living glorious and free involves challenging, exploring, and imagining a better world — and being whoever we dream ourselves to be. And freedom of expression protects our right to do all of that.

After arrival, I visited museums and monuments in Washington D.C. I had a peak-experience reading Thomas Jefferson’s writing in the dome of the monument, “I have sworn upon the alter of God, eternal hostility against every form of tyranny over the mind of man.” Ever since, my faith in democracy has become unshakable. I dedicate this book to the people of America to relit the torch of democracy for its revival and survival. In the course of history, humanity has struggled to survive, to live with less threats, exercising its free will for comfort and safety. The book is based on all sources of knowledge to find out the probability of victory of constructive forces for peace vs. destructive forces, to allow the realization of World Peace. Professor Audrey Cronin discovered the criteria of permanent neutrality’s success for Switzerland. Comparing it with Afghanistan, she found that there is a good probability for Afghanistan to become a permanently neutral (PN) nation. The author extended the same logic for achieving sustainable World Peace. Of 193 member-states of United Nation 170 meek nations demanding PN, eventually others finding it to their interest also, would guarantee their right for permanent neutrality by the Security Council of the United Nations.