The Good Neighbors

Named by Goodreads as One of the Most Anticipated Mysteries and Thrillers of 2021 “A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “A sinkhole opens on Maple Street, and gossip turns the suburban utopia toxic. A taut teachable moment about neighbors turning on neighbors.” —People “One of the creepiest, most unnerving deconstructions of American suburbia I've ever read. Langan cuts to the heart of upper middle class lives like a skilled surgeon.” —NPR ​Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. But menace skulks beneath the surface of this exclusive enclave, making its residents prone to outrage. When the Wilde family moves in, they trigger their neighbors’ worst fears. Dad Arlo’s a gruff has-been rock star with track marks. Mom Gertie’s got a thick Brooklyn accent, with high heels and tube tops to match. Their weird kids cuss like sailors. They don’t fit with the way Maple Street sees itself. Though Maple Street’s Queen Bee, Rhea Schroeder—a lonely college professor repressing a dark past—welcomed Gertie and her family at first, relations went south during one spritzer-fueled summer evening, when the new best friends shared too much, too soon. By the time the story opens, the Wildes are outcasts. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

From the amazing imagination of bestselling author Holly Black, a mysterious and wonderful teen graphic novel masterpiece.Rue Silver's mother has disappeared . . . and her father has been arrested, suspected of killing her. But it's not as straightforward as that. Because Rue is a faerie, like her mother was. And her father didn't kill her mother -- instead, he broke a promise to Rue's faerie king grandfather, which caused Rue's mother to be flung back to the faerie world. Now Rue must go to save her -- and must also defeat a dark faerie that threatens our very mortal world.

The New York Times bestseller: “A superb, thoughtful biography” of the creator and star of Mister Rogers’ Neighborhood (David McCullough). Fred Rogers was an enormously influential figure in the history of television and in the lives of tens of millions of children. Through his long-running television program, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work. King explores Rogers’s surprising decision to walk away from his show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.

For use in schools and libraries only. Rue Silver's life is not what it appears to be. Her mother is a faerie, and has been taken back to the faerie realm. As Rue goes to bring her back, she must travel deep into an inhuman world. At the same time, the faerie realm is venturing into our world too, and taking its toll on those Rue loves. When her grandfather's plans threaten Rue's city, she realizes that she's the only one who can stop him. But is Rue a human or a faerie? Where does she fit? How does she know the difference between love and enchantment?

Does gentrification destroy diversity? Or does it thrive on it? Boston’s South End, a legendary working-class neighborhood with the largest Victorian brick row house district in the United States and a celebrated reputation for diversity, has become in recent years a flashpoint for the problems of gentrification. It has born witness to the kind of rapid transformation leading to pitched battles over the class and race politics throughout the country and indeed the contemporary world. This subtle study of a storied urban neighborhood reveals the way that upper-middle-class newcomers have positioned themselves as champions of diversity, and how their mobilization around this key concept has reordered class divisions rather than abolished them.

Good neighbors invite you over for dinner, bring you baked goods to welcome you to the neighborhood, and wave hello at the mailbox. Good neighbors do not destroy your life. When Bryant and Harper Page move to Lancaster Mills, their first encounter with their new neighbors—Jason and Tori Fuller: beautiful, strange, and terrifying—is anything but a warm welcome. Despite their hesitations, the Pages are intrigued by the people they now share a street with. As their curiosity gets the best of them, they discover that there’s much more to the Fullers than meets the eye. Their new neighbors have secrets, that much is obvious, but just how dangerous could they be? With two haunting shadows lingering over their house and lives, the Pages’ relationship is tested in every way. What exactly makes a good neighbor? And what makes a good neighbor bad?

The moral principles prescribed for friendship, civil society, and democratic public life apply imperfectly to life around home, where we interact day to day without the formal institutions, rules of conduct, and means of enforcement that guide us in other settings. This work explores how encounters among neighbours create a democracy of everyday life, which has been with us since the beginning of American history and is expressed in settler, immigrant, and suburban narratives and in novels, poetry, and popular culture.

A searing portrait of suburbia, friendship, and family strained by a devotion to false appearances. In an idyllic suburb, four young families quickly form a neighborhood clique, their friendships based on little more than the ages of their children and a shared sense of camaraderie. When one of the couples, Paige and Gene Edwards, adopt a four-year-old girl from Russia, the group's loyalty and morality is soon called into question. Are the Edwards unkind to their new daughter? Or is she a difficult child with hidden destructive tendencies? As the seams of the group friendship slowly unravel, neighbor Nicole Westerhof finds herself drawn further into the life of the adopted girl, forcing Nicole to re-examine the deceptive nature of her own family ties, and her complicity in the events unfolding around her.