The Good The Bad And The Ugly

Sondra Locke tells the story of her childhood in Tennessee, her career as an actress and director, her relationship and breakup with actor Clint Eastwood, and her experience with breast cancer.

The author recounts his early years in Brooklyn, struggles to become an actor, work with such stars as Marlon Brando and Marilyn Monroe, and role as one of the earliest members of the famed Actors Studio.

This laugh out loud gift book makes a memorable gift for any pickleball player!The book is divided into seven chapters. Chapter One...Pickle Varieties discusses the various pickler personalities. Chapter Two...Getting Out of a Pickle lists some pickler's more colorful excuses. Chapter Three...Court Commentary shares some of the bizarre remarks specific to pickleball. Chapter Four...Dear Pickler is a dime store version of Dear Abby designed to answer life's pressing pickleball questions. Chapter Five...Keep It Kosher reminds picklers of court manners. Chapter Six...Spicy Pickles lists many of the spicier remarks heard around the courts. This108 page, 5 x 7 gift book is also complimented by delightful illustrations. Pickleball: The Good, The Bad, And The Ugly is highly recommended by; Elle From Pickleball Hell, Lobs 'Em High Di, Slammin' Sam, Newbie Ned, Tournament Tom, Addicted Annie, Poaching Paul, Master Blaster Ben, and many others. Even newbies know that this book is a sweet dill!

Although five-time Academy-Award nominee Ennio Morricone has scored numerous films in various genres, his westerns will undoubtedly remain his most memorable cinematographic accomplishments. This guide demonstrates Morricone's unique and enduring contributions to the art of film music through a discussion of his compositional and orchestrational processes, many of which are evident in his music for The Good, the Bad and the Ugly in a way that can be easily understood by both musicians and nonmusicians. Leinberger begins his study with a brief discussion of Morricone's musical background through his experience in the Italian music business, his earliest Italian film scores, and his accomplishments in Hollywood. The second chapter is a discussion of the many compositional techniques that distinguish Morricone's music from that of other film composers. Subsequent chapters examine the historical and cultural context of the film and attempt to place the style of Morricone's score for The Good, the Bad and the Ugly in relation to his scores for other well-known Westerns. The book's final chapter is an analysis of compositional techniques presented in chronological order from the film's opening credits to its climactic ending. Although this guide focuses on Morricone and his music from a theoretical perspective, other non-musical issues that are relevant to the audience's ultimate experience of the film are also discussed.

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."

From its iconic imagery, stars, and score, MGM's The Good, The Bad, and The Ugly is a masterpiece of cinema! Now, the legend comes to life once again as the next western epic from Dynamite! Starring the ultimate anti-hero, Chuck Dixon and Esteve Polls bring us gritty western adventures in the tradition of Sergio Leone.