The Great British Dream Factory

SPECTATOR BOOKS OF THE YEAR 2015 Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. It is extraordinary to think that one British writer, J. K. Rowling, has sold more than 400 million books; that Doctor Who is watched in almost every developed country in the world; that James Bond has been the central character in the longest-running film series in history; that The Lord of the Rings is the second best-selling novel ever written (behind only A Tale of Two Cities); that the Beatles are still the best-selling musical group of all time; and that only Shakespeare and the Bible have sold more books than Agatha Christie. To put it simply, no country on earth, relative to its size, has contributed more to the modern imagination. This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to heavy metal and Coronation Street, from the Angry Young Men to Harry Potter, from Damien Hirst toThe X Factor.

SELECTED AS A BOOK OF THE YEAR 2019 BY THE TIMES, DAILY TELEGRAPH, LONDON EVENING STANDARD, DAILY MAIL AND BBC HISTORY MAGAZINE 'Magisterial ... If anyone wants to know what has been happening to Britain since the 1950s, it is difficult to imagine a more informative, or better-humoured guide ... a Thucydidean coolness, balance and wisdom that is superb.' - AN Wilson, The Times 'Who Dares Wins captures the period with clairvoyant vividness. Compulsively readable, the book will be indispensable to anyone who wants to understand these pivotal years.' - John Gray, New Statesman 'Immaculately well-researched, breathtakingly broad and beautifully written ... Sandbrook leaves the reader impatient for the next volume.' - Simon Heffer, Daily Telegraph The acclaimed historian of modern Britain, Dominic Sandbrook, tells the story of the early 1980s: the most dramatic, colourful and controversial years in our recent history. Margaret Thatcher had come to power in 1979 with a daring plan to reverse Britain's decline into shabbiness and chaos. But as factories closed their doors, dole queues lengthened and the inner cities exploded in flames, would her radical medicine rescue the Sick Man of Europe - or kill it off? Vivid, surprising and gloriously entertaining, Dominic Sandbrook's new book recreates the decisive turning point in Britain's recent story. For some people this was an age of unparalleled opportunity, the heyday of computers and credit cards, snooker, Sloane Rangers and Spandau Ballet. Yet for others it was an era of shocking bitterness, as industries collapsed, working-class communities buckled and the Labour Party tore itself apart. And when Argentine forces seized the Falkland Islands, it seemed the final humiliation for a wounded, unhappy country, its fortunes now standing on a knife-edge. Here are the early 1980s in all their gaudy glory. This is the story of Tony Benn, Ian Botham and Princess Diana; Joy Division, Chariots of Fire, the Austin Metro and Juliet Bravo; wine bars, Cruise missiles, the ZX Spectrum and the battle for the Falklands. And towering above them all, the most divisive Prime Minister of modern times - the Iron Lady.

How our nation has changed and why there's no going back Scotland has changed fundamentally. This story has become a familiar one, but have we yet understood its full meaning and the resulting consequences? What kind of choices do we face as a society and nation about our future, and how can we best shape them? Scotland the Bold explores how Scotland became what it is, considers what choices and obstacles it faces, identifies signs of people taking power into their own hands and addresses what we can all do to create a radically different, democratic and better Scotland. Scotland is now visibly different from the rest of the UK and the self-evidently bankrupt economic, social and political thinking that dominate British elites. Majority Scottish opinion is repulsed by a million people relying on food-banks and the prevalence of welfare sanctions in the fifth richest economy in the world. However, that doesn’t mean that Scotland is automatically morally superior - for in our own nation we have our own poverty, our own shames and silences, and our own elites. For self-government to have any meaning it entails addressing some hard and difficult truths about ourselves. All of this requires that we begin to talk honestly and maturely about Scotland’s future and some of the difficult choices we will have to make; reflecting on where we have come from, what we are proud of, mistakes, and how we do things better in the future. 'There could be no better harbinger... of possibilities than this bracing, searching, discomforting and ultimately exhilarating book.' Fintan O'Toole, Irish Times

Dominic Sandbrook's magnificent account of the late 1970s in Britain - the book behind the major BB2 series The Seventies In this gloriously colourful book, Dominic Sandbrook recreates the extraordinary period of the late 1970s in all its chaos and contradiction, revealing it as a decisive point in our recent history. Across the country, a profound argument about the future of the nation was being played out, not just in families and schools but in everything from episodes of Doctor Who to singles by the Clash. These years saw the peak of trade union power and the apogee of an old working-class Britain - but also the birth of home computers, the rise of the ready meal and the triumph of the Grantham grocer's daughter who would change our history forever. Reviews: 'Magnificent ... if you lived through the late Seventies - or, for that matter, even if you didn't - don't miss this book' Mail on Sunday 'Sandbrook has created a specific style of narrative history, blending high politics, social change and popular culture ... always readable and assured ... Anyone who genuinely believes we have never been so badly governed should read this splendid book' Stephen Robinson, Sunday Times '[Sandbrook] has a remarkable ability to turn a sow's ear into a sulk purse. His subject is depressing, but the book itself is a joy ... [it] benefits from an exceptional cast of characters ... As a storyteller, Sandbrook is, without doubt, superb ... [he] is an engaging history capable of impressive insight ... When discussing politics, Sandbrook is masterful ... Seasons in the Sun is a familiar story, yet seldom has it been told with such verve' Gerard DeGroot, Seven 'A brilliant historian ... I had never fully appreciated what a truly horrible period it was until reading Sandbrook ... You can see all these strange individuals - Thatcher, Rotten, Larkin, Benn - less as free agents expressing their own thoughts, than as the inevitable consequence of the economic and political decline which Sandbrook so skilfully depicts' A. N. Wilson, Spectator 'Nuanced ... Sandbrook has rummaged deep into the cultural life of the era to remind us how rich it was, from Bowie to Dennis Potter, Martin Amis to William Golding' Damian Whitworth, The Times 'Sharply and fluently written ... entertaining ... By making you quite nostalgic for the present, Sandbrook has done a public service' Evening Standard About the author: Born in Shropshire ten days before the October 1974 election, Dominic Sandbrook was educated at Oxford, St Andrews and Cambridge. He is the author of three hugely acclaimed books on post-war Britain: Never Had It So Good, White Heat and State of Emergency, and two books on modern American history, Eugene McCarthy and Mad as Hell. A prolific reviewer and columnist, he writes regularly for the Sunday Times, Daily Mail, New Statesman and BBC History.

"Post-World War II mass migration to Great Britain altered its demographic composition more markedly than in any other period in its history, resulting in a modern multicultural nation state shaped by the ethnic diversity of its citizenry. Populations from African, Caribbean, and South Asian locations arriving in Britain post-war brought diasporic sensibilities and literary heritages that have profoundly transformed British national culture, leading to a more complex and inclusive sense of its past. The Companion to British Black and Asian Literature (1945-2010) examines the creative impact of this rich infusion upon English literature against the backdrop of the seismic social and economic changes triggered by colonialism and migration, multiculturalism, and contemporary globalization"--

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of "fake" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.

The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

Thoroughly updated and revised, the ninth edition of the highly regarded British Civilization: An Introduction continues to be the ideal textbook on Britain, its country and people, religion, politics and government, international relations, legal system, economy, education, media and culture for students of British studies. Examining central structural features of British society, the book provides an introduction to British civilization that highlights its history of cultural, geographical and human diversity. The book includes: Expanded discussion of Britain’s current political climate and international relations through an examination of the 2016 Brexit referendum, the subsequent general election and Brexit negotiations up to April 2019 Discussion of the ever-shifting economy from a global perspective Opinion polls and surveys that provide an insight into the attitudes of British people to the conditions in which they live and operate today Exercises, questions, and suggestions for further reading and useful websites that stimulate class discussion and provide a springboard upon which students can develop their own independent study. Supported by a companion website (www.routledge.com/cw/oakland), a long-ranging chronology, full-colour illustrations, useful figures, exercises and discussion questions, and suggestions for further reading, it is the perfect introduction to the crucial and complex nature of British civilization, culture and society, past and present.