The Great Houses Of London

Great Houses of London tells the stories of some of the grandest and most fascinating houses in this historic city, from their famous owners and occupants to their renovations and the many riches held within each.

Discover the stories of some of the most breathaking and historic great houses of London, along with their secrets, in this lavishly illustrated compedium. London has a wealth of truly stunning great houses, seen by many as one of the marvels of English architecture, and yet to many their histories, their interiors and their occupants remain unknown. This book, illustrated throughout with sumptuous photography of these breathaking residences, reveals to us this secret world of riches and splendour. From the baroque and imposing magnificence of 10 Downing Street, perhaps London's most famous address, to the extraordinary Pre-Raphaelite mosaics of Debenham House to the confident, futuristic steel and glass of the Richard Rogers House in Chelsea, this book showcases these properties and details their origin as well as the many transformations they have undergone from their construction to the present day. There are many architectural wonders, among them Robert Adam's 20 St James’s Square and William Burges’s Tower House. Several — including Bridgewater House with its Raphaels and Titians — have held great art collections. These are houses that hold extraordinary stories: half the Cabinet resigned after breakfast at Stratford House; and on 4 August 1914, at 9 Carlton House Terrace — then the German Embassy — young duty clerk Harold Nicholson deftly substituted one declaration of war for another. With photography by the world-famous and multi-award winning Fritz von der Schulenburg, this title brings these houses to life in all their grandeur, and text from historian and author James Stourton delves into the many fascinating stories hidden behind the walls of these homes. Great Houses of London opens the door to some of the greatest and grandest houses in the world to tell the stories of their owners and occupants, artists and architects, their restoration, adaptation and change. Now available in a more compact format.

The Great Houses of London is an account of extraordinary buildings, most of which no longer exist, of such great designers as Robert Adam, and of the enormously rich English aristocratic grandees who commissioned these houses. When Queen Victoria remarked to her neighbor, the Duchess of Sutherland, I have come from my house to your palace, she was by no means exaggerating. The palaces of the nobility were second only to churches in architectural and aesthetic significance, and defied comparison with the chateaux of France or the palazzi of Venice. Filled with astonishing French and English furniture, generally equipped with a large private picture gallery to display priceless paintings bought on the Grand Tour, staffed by between 50 and 60 servants, these houses expressed the taste and aspiration of a single person, and usually one rich and powerful enough to have his own way. A distinguished designer, large rooms for entertaining formally, an imposing facade to impress passers by and visitors were the background for the endless balls and costume and garden parties, and formal dinners that made the dazzling London Season one of the high points for European royalty and society from June through August. This book, the only publication on a fascinating subject, covers some 40 major home and 100 lesser ones, starting in the 13th century in the walled city of London and moving on to the then suburbs of Bloomsbury, Holborn, Soho, Piccadilly and St. James, finishing in Park Lane from which the aristocrats were driven by the noises of motor traffic. This is a book that will fascinate architects, decorators, Anglophiles and social historians.

London Bridge lined with houses from end to end was one of the most extraordinary structures ever seen in London. It was home to over 500 people, perched above the rushing waters of the Thames, and was one of the city’s main shopping streets. It is among the most familiar images of London in the past, but little has previously been known about the houses and the people who lived and worked in them. This book uses plentiful newly-discovered evidence, including detailed descriptions of nearly every house, to tell the story of the bridge and its houses and inhabitants. With the new information it is possible to reconstruct the plan of the bridge and houses in the seventeenth century, to trace the history of each house back through rentals and a survey to 1358, revealing the original layout, to date most of the houses which appear in later views, and to show how the houses and their occupants changed during five and half centuries. The book describes what stopped the houses falling into the river, how the houses were gradually enlarged, what their layout was inside, what goods were sold on the bridge and how these changed over time, the extensive rebuilding in 1477-1548 and 1683-96, and the removal of the houses around 1760. There are many new discoveries - about the structure of the bridge, the width of the roadway, the original layout of the houses, how the houses were supported, the size and internal planning of the houses, the quality of their architecture, and the trades practised on the bridge. The book includes five newly-commissioned reconstruction drawings showing what we now know about the bridge and its houses.

A reconstruction of the 'Strand palaces', where England's early-modern and post-Reformation elites jostled to build and furnish new, secular cathedrals This book reconstructs the so-called "Strand palaces"--eleven great houses that once stood along the Strand in London. Between 1550 and 1650, this was the capital's "Golden Mile" home to a unique concentration of patrons and artists, and where England's early-modern and post-Reformation elites jostled to establish themselves by building and furnishing new, secular cathedrals. Their inventive, eclectic, and yet carefully-crafted mix of vernacular and continental features not only shaped some of the greatest country houses of the day, but also the image of English power on the world stage. It also gave rise to a distinctly English style, which was to become the symbol of a unique architectural period. The product of almost two decades of research, and benefitting from close archival investigation, this book brings together an incredible array of unpublished sources that sheds new light on one of the most important chapters in London's architectural history, and on English architecture more broadly.

Records thirty-two of the most important estates in words and photographs.

A comprehensive study of domestic buildings in London from about 1200 to the Great Fire in 1666. John Schofield describes houses and such related buildings as almshouses, taverns, inns, shops and livery company halls, drawing on evidence from surviving buildings, archaeological excavations, documents, panoramas, drawn surveys and plans, contemporary descriptions, and later engravings and photographs. Schofield presents an overview of the topography of the medieval city, reconstructing its streets, defences, many religious houses and fine civic buildings. He then provides details about the mediaeval and Tudor London house: its plan, individual rooms and spaces and their functions, the roofs, floors and windows, the materials of construction and decoration, and the internal fittings and furniture. Throughout the text he discusses what this evidence tells us about the special restrictions or pleasures of living in the capital; how certain innovations of plan and construction first occurred in London before spreading to other towns; and how notions of privacy developed. in the City of London and its immediate environs.