The Gringa And The Revolutionary

The Gringa and the Revolutionary is an exciting look at a relationship between an American woman and a Mexican man. Set in Mexico in the 1980's, the ethic that 'love conquers all' is examined amidst the powerful backdrop of social change.

A gripping and subversive novel about the slippery nature of truth and the tragic consequences of American idealism … Leonora Gelb came to Peru to make a difference. A passionate and idealistic Stanford grad, she left a life of privilege to fight poverty and oppression, but her beliefs are tested when she falls in with violent revolutionaries. While death squads and informants roam the streets and suspicion festers among the comrades, Leonora plans a decisive act of protest—until her capture in a bloody government raid, and a sham trial that sends her to prison for life. Ten years later, Andres—a failed novelist turned expat—is asked to write a magazine profile of “La Leo.” As his personal life unravels, he struggles to understand Leonora, to reconstruct her involvement with the militants, and to chronicle Peru’s tragic history. At every turn he’s confronted by violence and suffering, and by the consequences of his American privilege. Is the real Leonora an activist or a terrorist? Cold-eyed conspirator or naïve puppet? And who is he to decide? In this powerful and timely new novel, Andrew Altschul maps the blurred boundaries between fact and fiction, author and text, resistance and extremism. Part coming-of-age story and part political thriller, The Gringa asks what one person can do in the face of the world’s injustice.

This graphic memoir of growing up queer in Revolutionary Cuba “is both historically important and utterly engaging” (Justin Hall, editor of No Straight Lines). Through evocative illustration and honest prose, Anna Veltfort tells a candidly personal story set against a backdrop of world-changing events during the headiest years of the Cuban Revolution. Goodbye, My Havana follows sixteen-year-old Connie as her relatively privileged life among anti-imperialist expatriates turns to progressive disillusionment and heartbreak. The consolidation of Castro’s position brings violence, cruelty, and betrayal to Connie's doorstep. And the crackdown that ultimately forces her family and others to flee for their lives includes homosexuals among its targets. Connie’s coming-of-age story is one also about the dangers of coming out. With clarity and tenderness, Veltfort looks back at her alter ego and a forgotten era. She takes leave of the past even as she brings neglected moments of the Cold War into the present.

This is a study of the reciprocal relationship between Mexican muralism and the three major Mexican museums&—the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum.

Extravagant, absurd, and self-aware, The Revolutionaries Try Again plays out against the lost decade of Ecuador's austerity and the stymied idealism of three childhood friends—an expat, a bureaucrat, and a playwright—who are as sure about the evils of dictatorship as they are unsure of everything else, including each other. Everyone thinks they're the chosen ones, Masha wrote on Antonio's manuscript. See About Schmidt with Jack Nicholson. Then she quoted from Hope Against Hope by Nadezhda Mandelstam, because she was sure Antonio hadn't read her yet: Can a man really be held accountable for his own actions? His behavior, even his character, is always in the merciless grip of the age, which squeezes out of him the drop of good or evil that it needs from him. In San Francisco, besides the accumulation of wealth, what does the age ask of your so called protagonist? No wonder he never returns to Ecuador. Mauro Javier Cardenas grew up in Guayaquil, Ecuador, and graduated with a degree in Economics from Stanford University. Excerpts from his first novel, The Revolutionaries Try Again, have appeared in Conjunctions, the Antioch Review, Guernica, Witness, and BOMB. His interviews and essays on/with László Krasznahorkai, Javier Marias, Horacio Castellanos Moya, Juan Villoro, and Antonio Lobo Antunes have appeared in Music & Literature, San Francisco Chronicle, BOMB, and the Quarterly Conversation.

There is nothing extraordinarily special about author Ruth Tolerton and her husband, aside from their individual talents as human beings. They'd traveled to parts of the world and felt comfortable on foreign soil for a week or even a month at a time. They diligently and competently performed middle-class jobs and lead middle-class lives with middle-class frustrations and successes. But in 2001, the couple finds themselves quickly approaching a crossroads, and with it, the age-old question: Is this all there is? Seeking fulfillment, adventure, and passion, the Tolertons leave behind the mundane stress of a nine-to-five workday, ignore conventional expectations, and virtually run away to the peace, tranquility, and permanent blue skies of the breathtaking Mexican landscape. Tales from the Gringa recounts the funny, impractical, and inspirational post9/11 adventures the couple shares over eight months, along with their dog, in a 1984 VW Westfalia camper known as Juanita. The book is uniquely written from the perspective of both adults and even the dog. It is timeless and endlessly entertaining for those who travel, and those who simply dream.

From television to travel bans, geopolitics to popular dance, The Subject of Revolution explores how knowledge about the 1959 Cuban Revolution was produced and how the Revolution in turn shaped new worldviews. Drawing on sources from over twenty archives as well as film, music, theater, and material culture, this book traces the consolidation of the Revolution over two decades in the interface between political and popular culture. The "subject of Revolution," it proposes, should be understood as the evolving synthesis of the imaginaries constructed by its many "subjects," including revolutionary leaders, activists, academics, and ordinary people within and beyond the island's borders. The book reopens some of the questions that have long animated debates about Cuba, from the relationship between populace and leadership to the archive and its limits, while foregrounding the construction of popular understandings. It argues that the politicization of everyday life was an inescapable effect of the revolutionary process as well as the catalyst for new ways of knowing and being.

From the Revolution to the Maquiladoras is a major contribution to the study of globalization, labor, and women’s movements. Jennifer Bickham Mendez presents a detailed ethnographic account of the Nicaraguan Working and Unemployed Women’s Movement, “María Elena Cuadra” (mec), which emerged as an autonomous organization in 1994. Most of its efforts revolve around organizing women workers in Nicaragua’s free trade zones and working to improve conditions in maquiladora factories. Mendez examines the structural and cultural elements of mec in order to demonstrate how globalization affects grassroots advocacy for social and economic justice. She argues that globalization has created opportunities for new forms of organizing among those local populations that suffer its effects and that mec, which has forged vital links with transnational feminist and labor groups, exemplifies the possibilities—and pitfalls—of this new type of organizing. Mendez draws on interviews with leaders and program participants, including maquiladora workers; her participant observation while she worked as a volunteer within the organization; and analysis of the public statements, speeches, and texts written by mec members. She provides a sense of the day-to-day operations of the group as well as its strategies. By exploring the tension between mec and transnational feminist, labor, and solidarity networks, she illustrates how mec women’s outlooks are shaped by both their revolutionary roots within the Sandinista regime and their exposure to global discourses of human rights and citizenship. The complexities of the women’s labor movement analyzed in From the Revolution to the Maquiladoras speak to social and economic justice movements in the many locales around the world.