The Grove Encyclopedia Of Northern Renaissance Art

The Grove Encyclopedia of Northern Renaissance Art (GENR) deals with all aspects of Northern Renaissance art ranging from artists, architecture, and patrons, to the cities and centres of production vital to the flourishing of art in this period. Drawing upon the unsurpassed scholarship in The Dictionary of Art and adding dozens of new entries, GENR is a comprehensive reference resource on this important area.

This encyclopedia covers all aspects of Northern Renaissance art ranging from artists, architecture, and patrons, to the cities and centres of production vital to the flourishing of art in this period.

The Grove Encyclopedia of Northern Renaissance Art (GENR) deals with all aspects of Northern Renaissance art ranging from artists, architecture, and patrons, to the cities and centres of production vital to the flourishing of art in this period. Drawing upon the unsurpassed scholarship in The Dictionary of Art and adding dozens of new entries, GENR is a comprehensive reference resource on this important area.

This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.

Published jointly by Prentice Hall and Harry N. Abrams Inc., this text/anthology provides balanced, in-depth coverage of the painting (including miniatures), graphic arts, and sculpture (including minor arts), in Northern Europe from the International Style to the Renaissance styles of the 15th and the 16th centuries.