The Guga Hunters

This Scottish Highlands history celebrates the traditional Gaelic bird hunt undertaken each year on the island of Sula Sgeir north of the Outer Hebrides. Every year, ten men from Ness, at the northern tip of the Isle of Lewis, sail north-east for some forty miles to a remote rock called Sula Sgeir. Their mission is to catch and harvest the guga; the almost fully grown gannet chicks nesting on the two-hundred-foot-high cliffs that circle the tiny island, which is barely half a mile long. After spending a fortnight in the arduous conditions that often prevail there, they return home with around two thousand of the birds, pickled and salted and ready for the tables of Nessmen and women both at home and abroad. The Guga Hunters tells the story of the men who voyage to Sula Sgeir each year, capturing their way of life and the drama of their exploits. They speak of the laughter that seasons their time together on Sula Sgeir, as well as the dangers they have faced. Delving deep into the social history of Ness, local historian Donald S. Murray also reveals the hunt's connections to the traditions of other North Atlantic countries. Told in his district's poetry and prose, Murray shows how the spirit of a community is preserved in this truly unique tradition.

Every year, ten men from Ness, at the northern tip of the Isle of Lewis, sail north-east for some forty miles to a remote rock called Sulasgeir. Their mission is to catch and harvest the guga; the almost fully grown gannet chicks nesting on the two hundred foot high cliffs that circle the tiny island, which is barely half a mile long. After spending a fortnight in the arduous conditions that often prevail there, they return home with around two thousand of the birds, pickled and salted and ready for the tables of Nessmen and women both at home and abroad. The Guga Hunters tells the story of the men who voyage to Sulasgeir each year and the district they hail from, bringing out the full colour of their lives, the humour and drama of their exploits. They speak of the laughter that seasons their time together on Sulasgeir, of the risks and dangers they have faced. It also provides a fascinating insight into the social history of Ness, the culture and way-of-life that lies behind the world of the Guga Hunters, the timeless nature of the hunt, and reveals the hunt's connections to the traditions of other North Atlantic countries. Told in his district's poetry and prose, English and - occasionally - Gaelic, Donald S. Murray shows how the spirit of a community is preserved in this most unique of exploits.

THE 12 MILLION COPY BESTSELLING AUTHOR OF THE ENZO FILES AND THE CHINA THRILLERS AWARD WINNING AUTHOR OF THE CWA DAGGER IN THE LIBRARY 2021 'One of the best regarded crime series of recent years.' Independent 'No one can create a more eloquently written suspense novel than Peter May.' New York Journal of Books PETER MAY: THE MAN WHO BROUGHT MURDER TO THE OUTER HEBRIDES A brutal killing takes place on the Isle of Lewis, Scotland: a land of harsh beauty and inhabitants of deep-rooted faith. A MURDER Detective Inspector Fin Macleod is sent from Edinburgh to investigate. For Lewis-born Macleod, the case represents a journey both home and into his past. A SECRET Something lurks within the close-knit island community. Something sinister. A TRAP As Fin investigates, old skeletons begin to surface, and soon he, the hunter, becomes the hunted. LOVED THE BLACKHOUSE? Read book 2 in the Lewis trilogy, THE LEWIS MAN LOVE PETER MAY? Buy his latest frontlist thriller, THE NIGHT GATE

In 1930, the last inhabitants of the isle of St Kilda were evacuated to the mainland. Shortly afterwards, following several acts of vandalism by local fishermen, Calum MacKinnon was sent back to the island to guard against further damage. Alone on the deserted island, he begins to re-imagine the conversations and stories from his years in the island port of Village Bay. He also recalls some of the experiences of its people in exile on the mainland, showing their difficulties in adjusting to a new way of life, and a diet no longer based mainly on seabirds. The vivid prose is interspersed with poetry and illustratios, creating a colourful and insightful ficionalisation of life on remote St Kilda. BACK COVER Acrobats, airmen, cormorants, cragsmen and angels leap, climb, shimmer and swoop through these pages as the story of how Calum Mackinnon was sent to guard the houses in Village Bay, St Kilda shortly after its evacuation in 1930 unfolds. While there, Calum conjures up conversations with the island's former residents, providing, through both prose and verse, fresh and often surreal insights into life on Scotland's western edge. Humorous and moving, surprising and enchanting, The Guga Stone celebrates the miracles and wonders of an existence eked out on cliff and crag, sea-rock and skerry, the exile of its people, too, far from their native shores. Enlightening as fulmar oil, exquisite as the flavour of the guga itself, The Guga Stone reveals the small and great truths of the human imagination as it recreates that island's tales and legends for our time.

Since the publication of The Blackhouse in 2011, the books of Peter May's groundbreaking Lewis Trilogy have enthralled millions of readers around the world with powerfully evocative descriptions of the Outer Hebrides. From its peat bogs and heather-coated hills, from its weather-beaten churches and crofters cottages to its cold clear rills choked with rainwater, the islands off the northwest coast of Scotland have been brought to vivid life by this accomplished novelist. Now, Peter May and photographer David Wilson present a photographic record of the countless locations around the Hebridean archipelago that so inspired May when he was bringing the islands of detective Fin McLeod's childhood to the page. From the tiny southern island of Barra to the largest and most northern island of Lewis, travel the storm-whipped North Atlantic scenery with May as he once again strolls the wild and breathtaking countryside that gave birth to his masterful trilogy of novels.

Blood and Granite is a chronicle of the most notorious homicides committed in Aberdeen over the last hundred years. Written by Norman Adams, a journalist who reported on many of the chilling crimes he now recalls so vividly, it is compelling reading for those who are too young to remember - and those who cannot forget. All are human tragedies from the dark side of life, including: • The grudge that ended in death in an East End pub when butcher James Harrow brutally stabbed two workmates in 1901. • The grisly discovery of a woman's arm on the Torry shore in 1945 that signalled the start of a mystery which to this day remains unsolved. • The tragic love affair that led to the gallows in 1963 - the first hanging in Aberdeen for 106 years. • The double life of brilliant scientist Dr Brenda Page of Aberdeen University, battered to death in her flat in 1978. Her murder remains unsolved. • The bar

Whether as sources of joy and pleasure to be fed, counted, and watched, as objects of sport to be hunted and killed, or as food to be harvested, wild birds evoke strong feelings. Sean Nixon traces the transformation of these human passions for wild birds from the early twentieth century through the 1970s, detailing humans’ close encounters with wild birds in Britain and the wider North Atlantic world. Drawing on a rich range of written sources, Passions for Birds reveals how emotional, subjective, and material attachments to wild birds were forged through a period of pronounced social and cultural change. Nixon demonstrates how, for all their differences, new traditions in birdwatching and conservation, field sports, and bird harvesting mobilized remarkably similar feelings towards birds. Striking similarities also emerged in the material forms that each of these practices used to bring birds closer to people – hides and traps, nets and ropes, and binoculars. Wide ranging in scope, Passions for Birds sheds new light on the ways in which wild birds helped shape humans throughout the twentieth century, as well as how birds themselves became burdened with multiple cultural meanings and social anxieties over time.

"Following the natural cycle of the year, The Land of Maybe captures the essence of 'slow life' on the 18 remote, mysterious islands which make up the Faroes in the North Atlantic. Closer to the UK than Denmark, this fast disappearing world is home to a close-knit society where just 50,000 people share Viking roots and a language that is unlike any other in Scandinavia. We follow the arrival of the migratory birds, the over-wintering of the sheep and the way food is gathered and eaten in tune with the seasons. Buffeted by the weather and the demands of a volatile natural environment, people still hunt seabirds and herd pilot whales for a significant portion of their basic food needs. This is not a travelogue, but a deeper exploration of how 'to be' in a tough landscape; a study of a people and a way of life that represents continuity and a deep connection to the past. The Land of Maybe offers not just a refuge from the freneticism of modern life, but lessons about where we come from and how we may find a balance in our lives"--Publisher's description.