The Hamburg Dramaturgy By G E Lessing

The Hamburg Dramaturgy (German: Hamburgische Dramaturgie) is a highly influential work on drama by Gotthold Ephraim Lessing, written between 1767 and 1769 when he worked as a dramaturg for Abel Seyler's Hamburg National Theatre. It was not originally conceived as a unified and systematical book, but rather as series of essays on the theater, which Lessing wrote as commentary on the plays of the short-lived Hamburg National Theater. This collection of 101 short essays represents one of the first sustained critical engagements with the potential of theater as a vehicle for the advancement of humanistic discourse. In many ways, the Hamburg Dramaturgy defined the new field of dramaturgy, and also introduced the term.

While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations – the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767–69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism. The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate.

The Hamburg Dramaturgy's collection of 104 short essays represents one of the eighteenth-century's most important critical engagements with the theater and its potential to promote humanistic discourse. This is the first complete English translation of this text, with extensive annotations that place the work in its historical context.

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