The Hanged Man A Mystery In Fin De Siecle Paris

Like many fin de siecle Parisians, Inspector Achille Lefebvre is looking forward to a pleasant summer holiday at a seaside resort with his wife, Adele—but a body found hanging from a bridge in a public park interferes with the inspector's plans. Paris: July, 1890. Inspector Achille Lefebvre and his wife Adele are enjoying their stay at a seaside resort—until a body found hanging from a bridge in a public park demands the Inspector's attention. Is it suicide or murder? A twisted trail of evidence draws Inspector Lefebvre into a shadowy underworld of international intrigue, espionage, and terrorism. Time is of the essence; pressure mounts on the Sureté to get results. Achille's chief orders him to work with his former partner, Inspector Rousseau, now in charge of a special unit in the newly formed political brigade. But can Achille trust the detective who let him down in another case? Inspector Lefebvre uses innovative forensics and a network of police spies to uncover a secret alliance, a scheme involving the sale of a cutting-edge high explosive, and an assassination plot that threatens to ignite a world war.

Paris: July, 1890. Achille Lefebvre and his wife, Adele, are planning to enjoy a stay at a seaside resort--until a body found hanging from a bridge in a public park demands the Inspector's attention. Is it suicide, or murder? A twisted tale of evidence draws Inspector Lefebvre into a shadowy underworld of international intrigue, espionage, and terrorism. Time is of the essence; pressure mounts on the S�ret� to get results. Achille's chief orders him to work with his former partner, Inspector Rousseau, now in charge of a special unit in the newly formed political brigade. But can Achille trust the detective who let him down on another case? Inspector Lefebvre uses innovative forensics and a network of police spies to uncover a secret alliance, a scheme involving the sale of a cutting-edge high explosive, and an assassination plot that threatens to ignite a world war.

When the mutilated corpse of a beautiful dancer is found in a Montmartre sewer, a nervous public fears that Jack the Ripper has crossed the Channel—but Inspector Achille Lefebvre has his own theories. Amid the hustle and bustle of the Paris 1889 Universal Exposition, workers discover the mutilated corpse of a popular model and Moulin Rouge Can-Can dancer in a Montmartre sewer. Hysterical rumors swirl that Jack the Ripper has crossed the Channel, and Inspector Achille Lefebvre enters the Parisian underworld to track down the brutal killer. His suspects are the artist Toulouse-Lautrec; Jojo, an acrobat at the Circus Fernando, and Sir Henry Collingwood, a mysterious English gynecologist and amateur artist. Pioneering the as-yet-untried system of fingerprint detection and using cutting edge forensics, including crime scene photography, anthropometry, pathology, and laboratory analysis, Achille attempts to separate the innocent from the guilty. But he must work quickly before the “Paris Ripper” strikes again.

Chief Inspector Achille Lefebvre returns from a much-needed vacation to find that there are assassins on his tail, and, as if that weren’t enough, one of France’s wealthiest men has gone missing without a trace… In The Man Upon the Stair, Gary Inbinder’s brilliant detective Achille Lefebvre returns to solve the mystery of a disappeared millionaire in the sensational, atmospheric world of fin-de-siecle Paris. At the public execution of the anarchist assassin Laurent Moreau, the outgoing Chief Inspector warns his protégé, the newly promoted Lefebvre: “I’ve heard that some of Moreau’s cronies have sworn revenge. You don’t want to get killed your first week as chief.” Meanwhile, Lefebvre is charged with investigating the disappearance of the Baron de Livet, a brash millionaire with connections to Russian spies and a history of gambling, womanizing, and fighting in duels. The case is more complicated than it seems, of course, and Lefebvre and his team must make sense of a poisoned maid, an unidentifiable stage coach, and a missing briefcase full of cash. The Baron’s connection to the world of international espionage means that if the Inspector isn’t fast enough, the Baron’s disappearance might trigger a war. And Lefebvre mustn’t forget those stalking anarchists who are out for his blood, as he searches for the man who wasn’t there…

In the shadowy back alleys and opulent homes of Paris, hard-nosed police inspector Paul Mazarelle of The Paris Directive sets out on the trail of a serial killer. A murdered man is discovered dangling inside the tunnels of a Paris canal--the only clue, the tarot card in his pockets: the Hanged Man. When an innocent suspect is railroaded into prison for the homicide, Mazarelle sets off on the hunt for the real killer. For the charming, hot-tempered, impulsive Frenchman--now back from the provinces and leading his own homicide unit out of Paris’s famed Quai des Orfevres--it’s an investigation that takes him far from the comforts of Beaujolais and bouillabaisse, and plunges him into an underworld of ruthless white supremacists looking for scapegoats in Paris’s growing immigrant community, corrupt cops eager to cover up a shady side business, and a conspiracy of secrets that threaten his own life. Meanwhile, Claire Girard, an irresistible and ambitious journalist at a popular tabloid, is wrapped up in the same story. On the trail of the Tarot Card killer, Mazarelle finds himself blindsided by their growing attraction. And when his team’s case collides with Girard's latest scoop, and the body count keeps rising, Mazarelle himself becomes a prime suspect who must clear his own name. Gerald Jay’s latest Mazarelle adventure is a riveting, fast-paced thriller about a classic French detective making his way through the dangerous streets of a very modern world.

The Hangman of Paris is set in France around the time of the Revolution and centers on Charles-Henri de Sanson, the country's most famous hangman. Born into a family of executioners, young Sanson was not given a choice. He wantd to study medicine and learn how to cure people, but his family demanded that he follow in his father's foosteps-killng, not healing. Sanson becomes a victim of his family's fate, executing prisoners for the King of France. When the Reign of Terror swept away an entire social class, Sanson became the refolutionaries' most notorious hangman. The city of Paris was drowning in blood as its efficient executioner became insane. Then, the name of his beloved young friend, a girl from the Kingdom of Siam, appears on his list of victims and Charles-Henri has to make a fatal decision. Based on the actual diaries of Charles-Henri de Sanson, Claude Cuneni's novel is a study in character about the world's most famous hangman, a suffering man, a lover. a musician, and a father.

A hanged man would say anything to save his life. But what if his testimony is true? When Inspector Ben Ross is called to Newgate Prison by a man condemned to die by the hangman's noose he isn't expecting to give any credence to the man's testimony. But the account of a murder he witnessed over seventeen years ago is so utterly believeable that Ben can't help wondering if what he's heard is true. It's too late to save the man's life, but it's not too late to investigate a murder that has gone undetected for all these years.

SHORTLISTED FOR THE SPORTS BOOK AWARDS 2024 – SPORTS WRITING AND CYCLING BOOK OF THE YEAR A WATERSTONES BEST BOOK OF 2023: SPORT LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2023 'An absorbing mix of historical sleuthing and travel writing' The Telegraph '[a] fascinating and often touching book... Wonderful' The Times The story of an obsession. When cycling commentator Ned Boulting bought a length of Pathé news film featuring a stage of the Tour de France from 1923 he set about learning everything he could about it - taking him on an intriguing journey that encompasses travelogue, history and detective story. In the autumn of 2020 Ned Boulting (ITV head cycling commentator and Tour de France obsessive) bought a length of Pathé news film from a London auction house. All he knew was it was film from the Tour de France, a long time ago. Once restored it became clear it was a short sequence of shots from stage 4 of the 1923 Tour de France. No longer than 2.5 minutes long, it featured half a dozen sequences, including a lone rider crossing a bridge. Ned set about learning everything he could about the sequence – studying each frame, face and building – until he had squeezed the meaning from it. It sets him off in fascinating directions, encompassing travelogue, history, mystery story – to explain, to go deeper into this moment in time, captured on his little film. Join him as he explores the history of cycling and France just five years after WWI.