The Harbinger Or New Magazine Of The Countess Of Huntingdon S Connexion

The Countess of Huntingdon's New Magazine was a monthly journal that focused on religious and theological issues. It contained essays, articles, and book reviews that stimulated discussion and debate. This collection of issues provides a valuable insight into the religious and intellectual climate of the late 18th century. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Most Christians are completely unaware that for over 200 years there has existed in England, and at times in Wales, Scotland, Canada, Bermuda, Australia, New Zealand, Russia and the USA, an episcopal Church, similar in many respects to the Church of England, worshipping with a Prayer Book virtually identical to the 1662 Book of Common Prayer, and served by bishops, presbyters and deacons whose orders derive directly from Canterbury, and ecumenically enriched by Old Catholic, Swedish, Moravian and other successions. The Free Church of England as an independent jurisdiction within the Universal Church began in the reign of George III. In 1991 the Church sent a bishop to George Carey's Enthronement as Archbishop of Canterbury. In addition to presenting for the first time a detailed history of the Free Church of England, John Fenwick also explores the distinctive doctrinal emphases of the denomination, its Constitution, its liturgical tradition, its experience of the historic episcopate, and its many connections with other churches (including the Reformed Episcopal Church in the USA). He discusses why the Church has, so far, failed to fulfil the vision of its founders, and what the possible future of the Church might be - including a very significant expansion as many Anglicans and other Christians considering new options discover this historic, episcopal, disestablished Church with its international connections and ecumenical character.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The nineteenth century was a time of 'movements' - political, social, moral reform causes - which drew on the energies of men and women across Britain. This book studies radical reform at the margins of early Victorian society, focusing on decades of particular social, political and technological ferment: when foreign and British promoters of extravagant technologically assisted utopias could attract many hundreds of supporters of limited means, persuaded to escape grim conditions by emigration to South America; when pioneers of vegetarianism joined the ranks of the temperance movement; and when working-class Chartists, reviving a struggle for political reform, seemed to threaten the State for a brief moment in April 1848. Through the forgotten figure of James Elmslie Duncan, 'shabby genteel' poet and self-proclaimed 'Apostle of the Messiahdom', The Poetry and the Politics considers themes including poetry's place in radical culture, the response of pantomime to the Chartist challenge to law and order, and associations between madness and revolution.Duncan became a promoter of the technological fantasies of John Adolphus Etzler, a poet of science who prophesied a future free from drudgery, through machinery powered by natural forces. Etzler dreamed of crystal palaces: Duncan's public freedom was to end dramatically in 1851 just as a real crystal palace opened to an astonished world. In addition to Duncan, James Gregory also introduces a cast of other poets, earnest reformers and agitators, such as William Thom the weaver poet of Inverury, whose metropolitan feting would end in tragedy; John Goodwyn Barmby, bearded Pontiffarch of the Communist Church; a lunatic 'Invisible Poet' of Cremorne pleasure gardens; the hatter from Reading who challenged the 'feudal' restrictions of the Game Laws by tract, trespass and stuffed jay birds; and foreign exotics such as the German-born Conrad Stollmeyer, escaping the sinking of an experimental Naval Automaton in Margate to build a fortune as theAsphalt King of Trinidad.Combining these figures with the biography of a man whose literary career was eccentric and whose public antics were capitalised upon by critics of Chartist agitation, this book is essential reading for anyone interested in radical reform and popular political movements in Victorian Britain.