The Hatfield Sct Lunar Atlas

The first photographic lunar atlas to show the Moon as it appears through SCTs – the world’s most popular telescopes! Features the superb photographs from the original Hatfield Lunar Atlas Detailed key maps for every photograph identify lunar features Inset IAU-standard photographs, to help users learn to identify features on conventional Moon maps

In 2004, it became obvious that Henry Hatfield’s original atlas wasn’t suitable for all current commercially-made amateur telescopes. Newtonian telescopes and astronomical refractors – for many years the only choice for amateurs – invert the observed image. The standard Hatfield Atlas therefore follows the IAU (International Astronomical Union) convention of having maps (and photographs) with South at the top and West on the left: an inverted image. However, the current ranges of Schmidt-Cassegrain and Maksutov telescopes – that’s most of those manufactured by Meade, Celestron, and many others – don’t invert the observed image but instead reverse it left-for-right. That’s with North at the top and East on the left. Because of the way the human visual system works, it is almost impossible to mentally ‘mirror-image’ a map to compare it with the view through the eyepiece , so even turning an IAU-standard atlas upside-down doesn’t help! This new SCT version of the Atlas solves this problem for observers. Identification of lunar features is made quick and easy. The new, digitally re-mastered second edition vastly improves the clarity and definition of the original photographs – significantly beyond the resolution limits of the photographic grains present in earlier atlas versions – whilst preserving the layout and style of the original publications. This has been achieved by merging computer-visualized Earth-based views of the lunar surface, derived from NASA’s Lunar Reconnaissance Orbiter data, with scanned copies of Commander Hatfield’s photographic plates, using the author’s own software. The result is a The Hatfield SCT Lunar Atlas for 21st century amateur telescopes up to and beyond 12-inch aperture. It contains all the features that made the original so widely used: a combination of an index of all International Astronomical Union named primary lunar features, and twelve chart areas help to locate any named lunar features of interest that can each be examined under typically five different states of illumination. Close ups of interesting features are also included. The new Atlas is supplemented by an introduction to its use, a short description of the digital re-mastering technique, and a completely new section describing lunar observing techniques. At the end of the atlas there is an index of all named features and crater diameters, along with a summary table of the dates and times that the original Hatfield images represent.

The Hatfield Photographic Lunar Atlas has been long regarded as the finest photographic lunar atlas available and remains as a model of accuracy and clarity. This fully revised version is completely updated with new maps, names and technical data. The superb large-scale photographic plates and the accompanying full-scale maps make this an exceptionally easy-to-use lunar atlas for the field or observatory.

Here is a lunar atlas designed specifically for use in the field by lunar observers. Its title – The Six-inch Lunar Atlas – refers both to the aperture of the telescope used to make the images in the book, and also to the book’s physical size: so it’s perfect for fitting into an observer’s pocket! The author’s own lunar photographs were taken with a 6-inch (150mm) telescope and CCD camera, and closely match the visual appearance of the Moon when viewed through a modest (3-inch to 8-inch) telescope. (Depending on seeing, of course.) Each picture is shown oriented "as the Moon really is" when viewed from the northern hemisphere, and is supplemented by exquisite computer sketches that list the main features. Two separate computer sketches are provided to go with each photograph, one oriented to appear as seen through an SCT telescope (e.g. the Meade and Celestron ranges), the other oriented for Newtonian and refracting telescopes. It is worth commenting that most observers find it extremely difficult to identify lunar features when using a conventional atlas and SCT telescope – the human brain is very poor at making "mirror-image" visual translations. There is a page of descriptions for the salient features in each photograph.

"The Hatfield Lunar Atlas" has become an amateur lunar observer's bible since it was first published in 1968. A major update of the atlas was made in 1998, using the same wonderful photographs that Commander Henry Hatfield made with his purpose-built 12-inch (300 mm) telescope, but bringing the lunar nomenclature up to date and changing the units from Imperial to S.I. metric This edition is important since the fact is that modern telescope optics, digital imaging equipment and computer enhancement can easily surpass what was achieved with Henry Hatfield's 12-inch telescope and a film camera. This limits the usefulness of the original atlas to visual observing or imaging rather small amateur telescopes. The new, digitally re-mastered edition vastly improves the clarity and definition of the original photographs - significantly beyond the resolution limits of the photographic grains present in earlier atlas versions - while preserving the layout and style of the original publications. This has been achieved by merging computer-visualized Earth-based views of the lunar surface, derived from NASA's Lunar Reconnaissance Orbiter data, with scanned copies of Commander Hatfield's photographic plates, using the author's own software. The results is a "The Hatfield Lunar Atlas" for 21st century amateur telescopes up to and beyond 12-inch aperture.

"The Hatfield Lunar Atlas" has become an amateur lunar observer's bible since it was first published in 1968. A major update of the atlas was made in 1998, using the same wonderful photographs that Commander Henry Hatfield made with his purpose-built 12-inch (300 mm) telescope, but bringing the lunar nomenclature up to date and changing the units from Imperial to S.I. metric This edition is important since the fact is that modern telescope optics, digital imaging equipment and computer enhancement can easily surpass what was achieved with Henry Hatfield's 12-inch telescope and a film camera. This limits the usefulness of the original atlas to visual observing or imaging rather small amateur telescopes. The new, digitally re-mastered edition vastly improves the clarity and definition of the original photographs - significantly beyond the resolution limits of the photographic grains present in earlier atlas versions - while preserving the layout and style of the original publications. This has been achieved by merging computer-visualized Earth-based views of the lunar surface, derived from NASA's Lunar Reconnaissance Orbiter data, with scanned copies of Commander Hatfield's photographic plates, using the author's own software. The results is a "The Hatfield Lunar Atlas" for 21st century amateur telescopes up to and beyond 12-inch aperture.

'Catchers of the Light' is a History of Astrophotography. It tells the true stories of the 46 pioneers who did most to master the art of celestial photography, as it was known during its early days; and whose efforts have made it possible for us to see the many magnificent pictures of the Universe featured in books, magazines and on the internet. In its TWO magnificent volumes is contained an unbelievable collection of tales of adventure, adversity and ultimate triumph and tells the uplifting stories of this small band of ordinary men and women, who did such extraordinary things; overcoming obstacles as diverse as war, poverty, cholera, death, very unfriendly cannibal natives and even exploding donkeys. It has been written with a no specific audience in mind - it is a book for anybody in fact - astronomers, photographers, historians, genealogists, art dealers, students, artists, doctors, farmers, builders, teachers & many more. If you like to read about the lives of special people - those who never give up - no matter what - and who succeed in achieving the seemingly impossible - then this is the book for you. This book of 1600 or so pages, with 1800 or more photographs/illustrations and over 2000 references/notes - represents the FIRST fully detailed and professionally researched book on the subject; and tells of the incredible lives of the pioneers of Astrophotography, each with their own incredible story to tell - they were the ‘Catchers of the Light’. Catchers of the Light is divided into ten Parts (I-X), each covering a specific aspect of the subject- I: Origins of Astrophotography; II: Lunar Astrophotography; III: Solar Astrophotography; IV: Solar System Astrophography; V: Deep Space Astrophotography; VI: Photographic Astronomical Spectroscopy; VII: Photographic Sky Surveys; VIII: Astrographs; IX: Modern Digital Age; X: Appendices. The following men and women are to be found in the pages of the book; who are the 'Catchers of the Light': Louis Jacques Mande Daguerre (1787-1851); Joseph Nicephore Niepce (1765-1833); Frederick Scott Archer (1814-1857); Richard Leach Maddox (1816-1902); John William Draper (1811-1882); Maurice Loewy (1833-1907); Pierre Henri Puiseux (1855-1928); William Henry Pickering (1858-1938); Armand Hippolyte Leon Fizeau (1819-1896); Jean Bernard Leon Foucault (1819-1868); Warren De La Rue (1815-1889); Pierre Jules Cesar Janssen (1824-1907); John Adams Whipple (1822-1891); William Usherwood (1821-1915); Pierre Paul Henry (1848-1905); Mathieu Prosper Henry (1849-1903); Maximillian Franz Joseph Cornelius Wolf (1863-1932); William Cranch Bond (1789-1859); George Phillips Bond (1825 -1865); Benjamin Apthorp Gould (1824-1896); Henry Draper (1837-1882); Isaac Roberts (1829-1904); William Edward Wilson (1851-1908); James Edward Keeler (1857-1900); Edward Emerson Barnard (1857-1923); Williamina Paton Strevens Fleming (1857-1911); Lewis Morris Rutherfurd (1816-1892); Father Pietro Angelo Secchi (1818-1878); William Huggins (1824-1910); Margaret Lindsay Murray (1848-1915); Edward Charles Pickering (1846 - 1919); Hermann Vogel (1841-1907); Wilhelm Oswald Lohse (1845-1915); Julius Scheiner (1858-1913); Edwin Powell Hubble (1889-1953); Milton Lasell Humason (1891-1972); Amedee Ernest Barthelemy Mouchez (1821-1892); David Gill (1843-1914); William Parsons (1800-1867); Andrew Ainslie Common (1841-1903); George Willis Ritchey (1864 1945); Henri Chretien (1879-1956); Bernhard Voldemar Schmidt (1879-1935); . Eugen von Gothard (1857-1909); Alfred Rordame (1862-1931); Marcel De Kerolyr (1873-1969). If you have seen or read ‘Longitude’ the story of John Harrison, the country carpenter who built the first clock that could accurately tell the time at sea, and who also made ‘Del Boy’ a ‘millionaire’, then you will love the ‘Catchers of the Light’.