The Haunting Of Hajji Hotak And Other Stories

FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION WINNER OF THE 2023 ASPEN WORDS LITERARY PRIZE, AND THE 2023 O. HENRY PRIZE NAMED ONE OF THE NEW YORKER'S BEST BOOKS OF 2022 "An endlessly inventive and moving collection from a thrilling and capacious young talent." —Jess Walter, author of Beautiful Ruins. A luminous new collection of stories from a young writer who “has brought his culture’s rich history, mythology, and lyricism to American letters.” —Sandra Cisneros Pen/Hemingway finalist Jamil Jan Kochai ​breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness, Kochai once again captures “a singular, resonant voice, an American teenager raised by Old World Afghan storytellers.”* In “Playing Metal Gear Solid V: The Phantom Pain," a young man's video game experience turns into a surreal exploration on his own father's memories of war and occupation. Set in Kabul, "Return to Sender" follows two married doctors driven by guilt to leave the US and care for their fellow Afghans, even when their own son disappears. A college student in the US in "Hungry Ricky Daddy" starves himself in protest of Israeli violence against Palestine. And in the title story, "The Haunting of Hajji Hotak," we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family's life. The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement—and one that speaks to the immediate political landscape we reckon with today. *The New York Times Book Review

Shortlisted for the DSC Prize 2019 Laconic, sharp and playful, 99 Nights in Logar is a stunning coming-of-age novel and a portrait of Afghanistan like no other, from an unforgettable new voice Me and Gul and Zia and Dawoud out on the roads of Logar, together, for the first time, hoping to get Budabash back home before nightfall It is 2005 in Logar, Afghanistan, and twelve-year-old Marwand has returned from America with his family for the summer. He loses the tip of his finger to the village dog, Budabash, who then escapes. Marwand's quest to find Budabash, over 99 nights, begins. The resulting search is an exuberantly told adventure, one that takes Marwand and his cousins across Logar, through mazes, into floods and unexpected confrontations with American soldiers. Moving between celebrations and tragedies, Marwand must confront family secrets and his own identity as he returns to a home he's missed for six years. Deeply humorous and surprisingly tender, 99 Nights in Logar is a vibrant exploration of the power of stories – the ones we tell each other, and the ones we find ourselves in. 'Charming and unpredictable ... A narrative style fizzing with surprise' Observer 'A revelation, in every sense of the word' Justin Torres 'Ferocious, funny, rude, and freewheeling' Karan Mahajan

Conjuring entrancing tales of Mexican American mystics and misfits, Marytza K. Rubio shatters the boundaries of reality with this fiercely imaginative debut. “The first witch of the waters was born in Destruction. The moon named her Maria.” Set against the tropics and megacities of the Americas, Maria, Maria takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. As the enigmatic community college professor in “Brujería for Beginners” reminds us: “There’s always a price for conjuring in darkness. You won’t always know what it is until payment is due.” This commitment drives the disturbingly faithful widow in “Tijuca,” who promises to bury her husband’s head in the rich dirt of the jungle, and the sisters in “Moksha,” who are tempted by a sleek obsidian dagger once held by a vampiric idol. But magic isn’t limited to the women who wield it. As Rubio so brilliantly elucidates, animals are powerful magicians too. Subversive pigeons and hungry jaguars are called upon in “Tunnels,” and a lonely little girl runs free with a resurrected saber-toothed tiger in “Burial.” A colorful catalog of gallery exhibits from animals in therapy is featured in “Art Show,” including the Almost Philandering Fox, who longs after the red pelt of another, and the recently rehabilitated Paranoid Peacocks. Brimming with sharp wit and ferocious female intuition, these stories bubble over into the titular novella, “Maria, Maria”—a tropigoth family drama set in a reimagined California rainforest that explores the legacies of three Marias, and possibly all Marias. Writing in prose so lush it threatens to creep off the page, Rubio emerges as an ineffable new voice in contemporary short fiction.

A finalist for the National Book Award - a luminous new collection of stories from a young writer with 'a singular, resonant voice, an American teenager raised by Old World Afghan storytellers' (New York Times) **FINALIST FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION****NAMED A BOOK OF THE YEAR 2022 BY THE NEW YORKER AND THE ATLANTIC**PEN/Hemingway finalist Jamil Jan Kochai breathes life into his contemporary Afghan characters, moving between modern-day Afghanistan and the Afghan diaspora in America. In these arresting stories verging on both comedy and tragedy, often starring young characters whose bravado is matched by their tenderness. In "Playing Metal Gear Solid V: The Phantom Pain," a young man's video game experience turns into a surreal exploration on his own father's memories of war and occupation. Set in Kabul, "Return to Sender" follows two married doctors driven by guilt to leave the US and care for their fellow Afghans, even when their own son disappears. A college student in the US in "Hungry Ricky Daddy" starves himself in protest of Israeli violence against Palestine. And in the title story, "The Haunting of Hajji Hotak," we learn the story of a man codenamed Hajji, from the perspective of a government surveillance worker, who becomes entrenched in the immigrant family's life.The Haunting of Hajji Hotak and Other Stories is a moving exploration of characters grappling with the ghosts of war and displacement - and one that speaks to the immediate political landscape we reckon with today.'An endlessly inventive and moving collection from a thrilling and capacious young talent' Jess Walter, author of Beautiful Ruins.'Kochai's short fiction defies expectations - readers' expectations of what a story should look like, and the story of a nation often told reductively and exclusively through media headlines' Guardian

Last week during one of our marathon telephone conversations my mother asked me which one of us, me or Frank, was the woman in our relationship. ‘Neither of us, obviously,’ I said. ‘That’s what makes us gay.’ ‘Very funny,’ my mom said. ‘Someone on Oprah said that often gay couples have one person who plays the man and the other who plays the woman. So I was wondering which you were.’ ‘Frank and I don’t believe in hetero-normative gender roles,’ I told her. I knew my mom didn’t know what ‘hetero-normative’ meant, so I figured she’d drop it. ‘So who does the cooking and cleaning?’ she asked. I could have truthfully answered ‘neither of us.’ Instead I asked, ‘Is that what you think womanhood is, Mom, cooking and cleaning?’ Rahul Mehta’s stories are inhabited by young, gay Indian men on the wrong side of the American dream: adrift in the world, in complicated relationships, and with uncertain futures. Here are lovers who go to a nightclub deciding to cheat on each other; a couple slowly breaking up while they holiday; a young man who can’t stop himself from burning up all his money; another who reluctantly prepares his grandmother for her US citizenship test. In a voice that’s bare and wry, edgy and tender, Rahul Mehta writes of desire and family ties with rare candor. This is an outstanding debut.

New York Times Bestseller “Both deeper and more democratic than The Elements of Style” —Adam Haslett, Financial Times “A guided tour through some of the most beautiful, arresting sentences in the English language.” —Slate In this entertaining and erudite gem, world-class professor and New York Times columnist Stanley Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play. Drawing on a wide range of great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual—it is a spirited love letter to the written word, and a key to understanding how great writing works. It is a book that will stand the test of time.

2022 NATIONAL BOOK AWARD FINALIST ONE OF THE LOS ANGELES TIMES' TOP 5 FICTION BOOKS OF THE YEAR ONE OF TIME AND SLATE'S TOP 10 BOOKS OF THE YEAR Named one of the BEST BOOKS OF 2022 by NPR, Vogue, Vulture, BuzzFeed, Harper's Bazaar, and more “One of the buzziest, most human novels of the year…breathless, dizzying, and completely beautiful.” —Vogue “Dazzling and wholly original...[written] with such mordant wit, insight, and specificity, it feels like watching a new literary star being born in real time.” —Entertainment Weekly From a brilliant new voice comes an electrifying novel of a young immigrant building a life for herself—a warm, dazzling, and profound saga of queer love, friendship, work, and precarity in twenty-first century America Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach. But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all. A beautiful and capacious novel rendered in singular, unforgettable prose, All This Could Be Different is a wise, tender, and riveting group portrait of young people forging love and community amidst struggle, and a moving story of one immigrant’s journey to make her home in the world.

Set in rural, poverty-stricken North Carolina, this "beautiful, gritty, and piercing" novel follows two young women—best friends—as they "journey through the highs and lows of friendship, love, and addiction," perfect for readers of Julie Buntin's Marlena (Erika Carter, author of Lucky You). Irene, a lonely nineteen-year-old in rural North Carolina, works long nights at the local pool hall, serving pitchers and dodging drunks. One evening, her hilarious, magnetic coworker Luce invites her on a joy ride through the mountains to take revenge on a particularly creepy customer. Their adventure not only spells the beginning of a dazzling friendship, it seduces both girls into the mysterious world of pills and the endless hustles needed to fund the next high. Together, Irene and Luce run nickel-tossing scams at the county fair and trick dealers into trading legit pharms for birth-control pills. Everything is wild and wonderful until Luce finds a boyfriend who wants to help her get clean. Soon the two of them decide to move away and start a new, sober life in Florida—leaving Irene behind. Told in a riveting dialogue between the girls' addicted past and their hopes for a better future, Bewilderness is not just a brilliant, funny, heartbreaking novel about opioid abuse, it's also a moving look at how intense, intimate friendships can shape every young woman's life.