The Historical Romance

The Historical Romance explores the ways in which romance authors seek to represent our fantasies of life in the past. Examining how the cut-and-thrust swashbucklers of the 1930s gave way to female-orientated romances, Helen Hughes takes a comprehensive look at how romance authors have dealt with the turbulent question of female independence, and how traditional attitudes towards love, marriage and women's sexuality have been approached in more recent texts. Hughes also charts the ways in which the marketing of romance has developed, with the eventual explosion of the mass market and the blockbusting family sagas of the eighties. The Historical Romance unravels the formulaic and mythical nature of historical romance to provide a fascinating study of this highly popular genre.

They are England's most eligible bachelors, with the most scandalous reputations. But for the right woman, even an unrepentant rogue may mend his ways... Lady Grace Mabry's ample inheritance has made it impossible for her to tell whether a suitor is in love with her--or enamored of her riches. Who better to distinguish beau from blackguard than her notorious childhood friend, the Duke of Lovingdon? With no interest in marriage, Lovingdon has long lived only for pleasure. He sees little harm in helping Grace find a proper match. He simply has to teach the lovely innocent all the ploys a scoundrel uses to gain a woman's favor--by demonstrating his wicked ways. But as lessons lead to torrid passion and Grace becomes ensnared in another man's marriage plot, Lovingdon must wage a desperate gamble: Open his heart fully--or risk losing the woman he adores...

BONUS: This edition contains an excerpt from Mary Balogh's The Secret Mistress. Against the scandal and seduction of Regency England, New York Times bestselling author Mary Balogh introduces an extraordinary family—the fiery, sensual Huxtables. Vanessa is the second daughter, proud and daring, a young widow who has her own reason for pursuing the most eligible bachelor in London. One that has nothing to do with love. Or does it? The arrival of Elliott Wallace, the irresistibly eligible Viscount Lyngate, has thrown the country village of Throckbridge into a tizzy. Desperate to rescue her eldest sister from a loveless union, Vanessa Huxtable Dew offers herself instead. In need of a wife, Elliott takes the audacious widow up on her unconventional proposal while he pursues an urgent mission of his own. But a strange thing happens on the way to the wedding night. Two strangers with absolutely nothing in common can’t keep their hands off each other. Now, as intrigue swirls around a past secret—one with a stunning connection to the Huxtables—Elliott and Vanessa are uncovering the glorious pleasures of the marriage bed…and discovering that when it comes to wedded bliss, love can’t be far behind.

The first book-length study of romance novels to focus on issues of sexuality rather than gender, Historical Romance Fiction moves the ongoing debate about the value and appeal of heterosexual romance onto new ground, testing the claims of cutting-edge critical theorists on everything from popular classics by Georgette Heyer, to recent 'bodice rippers,' to historical fiction by John Fowles and A.S. Byatt. Beginning with her nomination of 'I love you' as the romance novel's defining speech act, Lisa Fletcher engages closely with speech-act theory and recent studies of performativity. The range of texts serves to illustrate Fletcher's definition of historical romance as a fictional mode dependent on the force and familiarity of the speech act, 'I love you', and permits Fletcher to provide a detailed account of the genre's history and development in both its popular and 'literary' manifestations. Written from a feminist and anti-homophobic perspective, Fletcher's subtle arguments about the romantic speech act serve to demonstrate the genre's dependence on repetition ('Romance can only quote') and the shaky ground on which the romance's heterosexual premise rests. Her exploration of the subgenre of cross-dressing novels is especially revealing in this regard. With its deft mix of theoretical arguments and suggestive close readings, Fletcher's book will appeal to specialists in genre, speech act and performativity theory, and gender studies.

In Cecilia Grant’s emotionally rich and deeply passionate Regency romance debut, a deal with a rumored rogue turns a proper young woman into . . . A Lady Awakened. Newly widowed and desperate to protect her estate and beloved servants from her malevolent brother-in-law, Martha Russell conceives a daring plan. Or rather, a daring plan to conceive. After all, if she has an heir on the way, her future will be secured. Forsaking all she knows of propriety, Martha approaches her neighbor, a London exile with a wicked reputation, and offers a strictly business proposition: a month of illicit interludes . . . for a fee. Theophilus Mirkwood ought to be insulted. Should be appalled. But how can he resist this siren in widow’s weeds, whose offer is simply too outrageously tempting to decline? Determined she’ll get her money’s worth, Theo endeavors to awaken this shamefully neglected beauty to the pleasures of the flesh—only to find her dead set against taking any enjoyment in the scandalous bargain. Surely she can’t resist him forever. But could a lady’s sweet surrender open their hearts to the most unexpected arrival of all . . . love?

Sir Phillip knew that Eloise Bridgerton was a spinster, and so he'd proposed, figuring that she'd be homely and unassuming, and more than a little desperate for an offer of marriage. Except . . . she wasn't. The beautiful woman on his doorstep was anything but quiet, and when she stopped talking long enough to close her mouth, all he wanted to do was kiss her . . . and more. Did he think she was mad? Eloise Bridgerton couldn't marry a man she had never met! But then she started thinking . . . and wondering . . . and before she knew it, she was in a hired carriage in the middle of the night, on her way to meet the man she hoped might be her perfect match. Except . . . he wasn't. Her perfect husband wouldn't be so moody and ill-mannered, and while Phillip was certainly handsome, he was a large brute of a man, rough and rugged, and totally unlike the London gentlemen vying for her hand. But when he smiled . . . and when he kissed her . . . the rest of the world simply fell away, and she couldn't help but wonder . . . could this imperfect man be perfect for her?

From some of the biggest names in Regency historical romance, 25 wickedly witty, lusciously romantic and sublimely sensual short stories. Stories replete with oversexed aristocrats, posturing courtesans and feuding dukes and duchesses tell of a beautiful lady awakened by a passion more powerful than anything she has ever known, one that could doom or save her; a disgraced rake who, given a final chance to redeem himself, discovers love has rules of its own; and a luscious young beauty fed up with proper tea parties and elegant balls who disguises herself to enjoy a soirée of uninhibited pleasure. As the passion mounts, so do the complications... Includes big name contributors such as Anna Campbell, Lorraine Heath, Barbara Metzger, Deborah Raleigh and Elizabeth Boyle.

After enduring two seasons in London, Daphne Bridgerton is no longer naive enough to believe she will be able to be marry for love. But is it really too much to hope for a husband for whom she at least has some affection? Her brother's old school friend Simon Basset - the new Duke of Hastings - has no intention of ever marrying. However, newly returned to England, he finds himself the target of the many marriage-minded society mothers who remain convinced that reformed rakes make the best husbands. To deflect their attention, the handsome hell-raiser proposes to Daphne that they pretend an attachment. In return, his interest in Daphne will ensure she becomes the belle of London society with suitors beating a path to her door. There's just one problem, Daphne is in very real danger of falling for a man who has no intention of making their charade a reality...