The Holy Veil Of Manoppello

The horrific 1915 earthquake that leveled tiny Manoppello, Italy, brought forth from the local church’s rubble one of Christendom’s long-lost, but most precious relics: the small cloth that lay on Jesus’s face in the tomb. Saint John speaks of it in his Gospel: “When Peter went into the tomb, he saw linen wrappings lying there, and the cloth that had been on Jesus’ head, not lying with the linen wrappings but rolled up in a place by itself.” Tradition says that Our Lady herself laid this cloth on His face before He was wrapped in His shroud for burial. This small veil — now known as the Holy Face of Manoppello — absorbed the very first new breath of the Risen Christ . . . and at that same instant had imprinted on itself, miraculously, a vivid image of the now-resurrected Jesus. Modern scholars have confirmed that this image corresponds perfectly in all its measurements to the face of the dead Christ on the more famous Shroud of Turin. Unlike the Shroud, however, the Holy Face of Manoppello shows not the grim visage of a dead man with eyes closed, but the lively face of the living Christ, His eyes wide open, piercing us with their gaze. In 2006, Pope Benedict made a pilgrimage to Manoppello to pray before this image. In the decade since then, tens of thousands of other pilgrims have followed in the Pope’s footsteps, making the trek to central Italy to meet Jesus face-to-face. Now, thanks to author Paul Badde you can learn of the loss and recovery of this precious relic. Better yet, by means of the dozens of color pictures in this book, you, too, can encounter this miraculous cloth, and finally gaze reverently on the face of the living Christ Himself!

"Best-selling journalist, historian and author Paul Badde embarks on an exciting quest to discover the truth behind the Holy Face of Manoppello, a relic recently rediscovered and rumored to be the veil of Veronica...Badde was intrigued when he heard of a mysterious image in a remote Italian village--an image of a man's face on byssus cloth. Byssus, or sea silk, is a rare and delicate fabric woven from a silky filament produced by mollusks. It is claimed that the fabric is so thin and delicate that it is impossible to paint on--yet the image in Manoppello is clearly visible, and when laid over the image of the face on the Shroud of Turin, forms a perfect match..."--Dust cover flap.

The devotion to the Passion of Our Lord Jesus Christ and particularly to His Holy Face is one of the oldest in the Christian tradition. This venerable devotion was practiced by such great saints, such as St. Augustine of Hippo, St. Bernard of Clairvaux, St. Gertrude the Great, St. Mechtilde, St. Edmund, St. Bonaventure and St. Therese of Lisieux. Beginning in 1844, Our Lord appeared to Sr. Mary of St. Peter and expressed His desire that world should know and practice this devotion in reparation for man's blasphemy. Through the efforts of Sr. Mary St. Peter, Ven. Leo DuPont and countless others, this devotion has become one of the most loved, and remains one of the most needed in our time.

Traces the history and mysteries surrounding the Shroud of Turin and the Veil of Manoppello.

In this lavishly illustrated large coffee-table volume, writer Gorny and photographer Rosikon embarked on a two year investigative journey to seek the truth behind all the relics associated with the passion of Christ. The authors investigated a rich body of documentary evidence found in various museums, archives and churches surrounding sacred objects believed to have been preserved since Jesus' lifetime, exploring and collaborating with historians and scientists in their attempt to verify the relics' authenticity. They reach their conclusions not so much on the basis of faith as on the evidence supplied by historical sources and expert scientific opinion. The relics associated with the Passion - the suffering, death and burial of Christ - have long proved something of an enigma for the scientific community. Relics investigated, and photographed, for this glorious volume include: the Cross, nails, crown of thorns, pillar of scourging, Christ's tunic, the Veil of Manoppello, the Sudarium of Oviedo, the famous Shroud of Turin burial cloth and more.

Mexico, December 9, 1531. Ten years after the Spaniards conquered this land, on a hill on the outskirts of the capital, something inconceivable happens to Juan Diego, a native of the area. At dawn a heavenly figure comes to meet him, revealing herself as "Mary, mother of all men." To confirm the first vision, the Lady not only entrusts him with several messages. But, also, in the final vision, leaves her portrait mysteriously present on his tilma. It is the portrait of a young woman looking downward. She is clothed in a dress figured with roses and a mantle spangled with stars.

New Softcover Edition with Index! Considered by Ratzinger devotees as his greatest work on the Liturgy, this profound and beautifully written treatment of the "great prayer of the Church" will help readers rediscover the Liturgy in all its hidden spiritual wealth and transcendent grandeur as the very center of our Christian life. Among the many liturgical issues that he covers in this work, Cardinal Ratzinger discusses fundamental misunderstandings of the Second Vatican Council's intentions for liturgical renewal, especially the orientation of prayer at the Eucharistic sacrifice, the placement of the tabernacle, and the posture of kneeling. Other important topics he discusses include the following: the essence of worship; Jewish roots and new elements of the Christian Liturgy; the historic and cosmic dimensions of the Liturgy; the relationship of the Liturgy to time and space; art, music, and the Liturgy; active participation of all the faithful; gestures, posture, and vestments. "My purpose here is to assist this renewal of understanding of the Liturgy. Its basic intentions coincide with what Guardini wanted to achieve. The only difference is that I have had to translate what Guardini did at the end of the First World War, in a totally different historical situation, into the context of our present-day questions, hopes, and dangers. Like Guardini, I am not attempting to involve myself with scholarly discussion and research. I am simply offering an aid to the understanding of the faith and to the right way to give the faith its central form of expression in the Liturgy." - Joseph Cardinal Ratzinger, from the preface

In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site for interpretation as any other element of Ovid's art. In the first chapter, Tissol argues that verbal wit and wordplay are closely linked to Ovidian metamorphoses. Wit challenges the ordinary conceptual categories of Ovid's readers, disturbing and extending the meanings and references of words. Thereby it contributes on the stylistic level to the readers' apprehension of flux. On a larger scale, parallel disturbances occur in the progress of narratives. In the second and third chapters, the author examines surprise and abrupt alteration of perspective as important features of narrative style. We experience reading as a transformative process not only in the characteristic indirection and unpredictability of Ovid's narrative but also in the memory of his predecessors. In the fourth chapter, Tissol shows how Ovid subsumes Vergil's Aeneid into the Metamorphoses in an especially rich allusive exploitation, one which contrasts Vergil's aetiological themes with those of his own work. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.