The Horror Film Killer

What would you do if someone acted out —for real— the kill scenes from your student-made horror film? That’s the dilemma facing high school seniors Cassie and Donovan. Best friends, aspiring filmmakers, and hopeful romantic partners, they set out to complete a feature-length horror film as a graduation project for their performing arts high school. Using actors and crew from among their classmates, they aim to finish the bulk of shooting over Spring Break. When several murders occur not far from their locations—each one recreating a specific “kill” scene from their script—they suddenly find themselves embroiled in a real-life horror movie neither of them bargained for. Cassie’s police officer dad and his ex-girlfriend—a homicide detective Cassie once hoped would be her stepmom—allow the film shoot to continue because the killer has threatened to murder Donovan’s mother if they stop. Traps are set and arrests are made, but the killer—who might be a member of the cast or crew—is one step ahead of their every move. Can Cassie and Donovan help the police unmask the psychopath before more people die?

The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.

Horror is one of cinema's most disreputable genres. Frequently dismissed or reviled by critics, the horror film nevertheless provides a way of confronting our fears in a safe environment. Often subject to more cuts at the hands of the censor than a serial killer's razor, the horror film is also a benchmark, a sign of what's considered acceptable for the public to view and what the state will allow its citizens to see. But for the most part horror films are about entertainment, consistently profitable, eminently enjoyable. So what makes this genre so detested and why do people pay to be scared? The Kamera Book of Horror Films will take you on a journey into the realm of fear. From horror cinema's beginnings in the late 19th century to the latest splatter films, from the chills of the ghost film to the terror of the living dead there's more than enough to keep you awake at night. There's a whole world of terror to explore -- Spanish werewolves, Chinese vampires, Italian zombies, demons from Britain, killers in America, evil spirits in Japan. This book offers a guide to key films, directors and movements. Amongst the many discussed are the popular Dracula, Frankenstein, Scream, Halloween, The Sixth Sense, Ringu and Evil Dead, and the more unusual The Living Dead Girl, Rouge, Les Yeux sans Visage, Nang Nak and Black Cat. So join us on a gruesome and terrifying journey into the world of horror but don't dawdle, the last in line is always the first to get picked off...

"Each entry contains a listing of the film's main credits, a synopsis of the film, a summary of the film's respective merits and a discussion of how they fit into the themes and structures outlined in the introduction."--BOOK JACKET.

Uncover the twisted tales that inspired the big screen's greatest screams. Which case of demonic possession inspired The Exorcist? What horrifying front-page story generated the idea for A Nightmare on Elm Street? Which film was based on the infamous skin-wearing murderer Ed Gein? Unearth the terrifying and true tales behind some of the scariest Horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killers who inspired Hannibal Lecter in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder, and exorcism.

A gigantic double horror/thriller novel featuring 21 different serial killers... For everyone who thinks the bad guys are so much more fun to read than the good guys, this is a book just for you. The definitive volume containing every major villain from the Crouch/Konrath Universe is here. If you haven't read anything by Crouch or Konrath, Serial Killers Uncut is the perfect introduction to the dark side of their universe. And if you enjoy a despicable bad guy (or bad girl), you're going to love this. There are close to two dozen serial killers featured in this book: Orson and Luther from Desert Places, Locked Doors, and Stirred, Mr. K from Shaken, Alex and Charles Kork from Whiskey Sour and Rusty Nail, Isaiah from Abandon, Taylor from Afraid, Javier from Snowbound, Donaldson and Lucy, plus many, many more. There are some good guys too, including Andrew Z. Thomas (Desert Places, Locked Doors), Jack Daniels (Whiskey Sour, Shaken), Violet King (Locked Doors, Break You), Tequila (Shot of Tequila), and Clayton Theel (Draculas). Serial Killers Uncut is an original 120,000 word double novel that stands alone without having read any of Konrath's or Crouch's work. If you are a more sensitive (or adventurous) reader, this handy scale rates specific categories from 1 (lowest) to 10 (highest) to give you some idea if this is your kind of book. SERIAL KILLERS UNCUT by Crouch and Konrath Bad Language - 6 Scary - 8 Violent - 8 Funny - 4 Sexy - 7 Crossovers - Features characters from dozens of books in the Konrath and Crouch universe

The depraved crimes of both real and imagined serial killers and mass murderers have long transfixed us in newspapers and books, but perhaps nowhere more so than on the big screen. Films such as Silence of the Lambs, Psycho and Henry: Portrait of a Serial Killer have not only reached huge audiences but also allowed us into the minds of society’s most disturbed individuals. Bestselling author, Christopher Berry-Dee, talks to the serial killers whose wicked stories have most thrilled and fascinated us at the movies and, through far-ranging and disturbing interviews, he tells the stories of the mass murderers who provided the inspiration for some of cinema’s most shocking films. Serial Killers at the Movies takes the reader on an uncomfortable and truly dark journey into a lurid world of murder and deviancy.

Steve Hutchison reviews 50 of the best serial killer movies. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked from best to worst. How many have you seen?