The House At The End Of The Moor

What Can a London Opera Star and an Escaped Dartmoor Prisoner Have in Common? Opera star Maggie Lee escapes her opulent lifestyle when threatened by a powerful politician who aims to ruin her life. She runs off to the wilds of the moors to live in anonymity. All that changes the day she discovers a half-dead man near her house. Escaped convict Oliver Ward is on the run to prove his innocence, until he gets hurt and is taken in by Maggie. He discovers some jewels in her possession—the very same jewels that got him convicted. Together they hatch a plan to return the jewels, clearing Oliver’s name and hopefully maintaining Maggie’s anonymity.

A Victorian novel of teenage children and their father.

"The House on the Moor" is a novel by Mrs. Oliphant first published in 1861. Extract: "Behind him, hung by the side of the window, in the worst light of the room, is a portrait, a very common work, done by a mediocre painter, but in all probability very like its original, for the face looks down through the gloom with a real smile, which paint cannot give—a sweet, home-like, domestic woman, such another as Susan will be when the years and the hours have carried her into her own life. There can be no doubt it is Susan's mother and this man's wife. There is no other picture in the house, and he cares so little for anyone seeing this, that he has hung it in the shadows of the red moreen curtains, where nobody can distinguish the features. Most likely he knows the features well enough to penetrate that darkness; for though he sits with his back to it most usually, it is for his pleasure it is here."

Reproduction of the original: The House on the Moor by Mrs. Oliphant

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.