The House On The Edge Of The Cliff

From the bestselling author behind Channel 5's A Year in Provence comes an epic story of enduring love and betrayal, from Paris in the 1960s, to the present day 'One to get lost in' Woman & Home - Best Books of Summer ________ No one else knows what happened that summer. Or so she believes . . . Grace first came to France a lifetime ago. Young and full of dreams of adventure, she met two very different men. She fell under the spell of one. The other fell under hers. Until one summer night shattered everything . . . Now, Grace is living an idyllic life with her husband, sheltered from the world in a magnificent Provençal villa, perched atop a windswept cliff. Every day she looks out over the sea - the only witness to that fateful night years ago. Until a stranger arrives at the house. A stranger who knows everything, and won't leave until he gets what he wants. The past and present spectacularly collide in this gripping story of love and betrayal echoing across the decades. ________ 'I was hooked from a start threaded with mystery and menace, and it kept me gripped' Dinah Jefferies, author of The Missing Sister 'A beautifully woven and compelling tale of passion, love and intrigue' Rowan Coleman, author of The Summer of Impossible Things 'Carol Drinkwater's writing is like taking an amazing holiday in book form' Jenny Colgan, author of The Bookshop on the Shore 'Given extra resonance by the beautifully drawn French landscape. Emotional and tenderly written' Elizabeth Buchan, author of The New Mrs Clifton

A tense thriller that's impossible to put down - perfect for fans of Emma Carroll and Fleur Hitchcock. Where has Faith's dad gone? Why has he left his family living in an old house perched on a crumbling cliff top? A crack has appeared in the cliff and Faith watches anxiously as it gets bigger and bigger each day... Her brother is obsessed with the sea ghosts he claims live in the basement, and when he disappears as well, Faith starts to believe in the ghosts too. Can she find her brother and bring her father back before everything she cares about falls into the pitiless sea below? A great mystery with real heart, from a captivating new voice in middle-grade fiction. With cover illustration by Kathrin Honesta and neon finishes.

LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION AND SHORTLISTED FOR THE DESMOND ELLIOTT PRIZE 2016 Part mystery, part psychological drama, Julia Rochester's The House at the Edge of the World is a darkly comic, unorthodox and thrilling debut When I was eighteen, my father fell off a cliff. It was a stupid way to die. John Venton's drunken fall from a Devon cliff leaves his family with an embarrassing ghost. His twin children, Morwenna and Corwin, flee in separate directions to take up their adult lives. Their mother, enraged by years of unhappy marriage, embraces merry widowhood. Only their grandfather finds solace in the crumbling family house, endlessly painting their story onto a large canvas map. His brightly coloured map, with its tiny pictures of shipwrecks, forgotten houses, saints and devils, is a work of his imagination, a collection of local myths and histories. But it holds a secret. As the twins are drawn grudgingly back to the house, they discover that their father's absence is part of the map's mysterious pull. The House at the Edge of the World is the compellingly told story of how family and home can be both a source of comfort and a wholly destructive force. Cutting to the undignified half-truths every family conceals, it asks the questions we all must confront: who are we responsible for and, ultimately, who do we belong to? 'A story that carries you along - clever plotting and a startling outcome. An impressive first novel' Penelope Lively 'Wonderfully crisp and funny and it's so full of vivid, surprising images that the reader almost doesn't notice the moment that deep secrets begin to be revealed' Emma Healey, author of Elizabeth is Missing Julia Rochester grew up on the Exe Estuary in Devon. She studied in London, Berlin and Cambridge and has worked for the BBC Portuguese Service and for Amnesty International as Researcher on Brazil. She lives in London with her husband and daughter.

THE TIMES NATURE BOOK OF THE YEAR 2019!Shortlisted for the Wainwright Golden Beer Book Prize!Shortlisted for the East Anglian Book Award 2019!If you enjoyed Raynor Winn's The Salt Path, Amy Liptrot's The Outrun, Chris Packham's Fingers in the Sparkle Jar or Helen MacDonald's H is for Hawk, you'll love The Easternmost House.Within the next few months, Juliet Blaxland's home will be demolished, and the land where it now stands will crumble into the North Sea. In her numbered days living in the Easternmost House, Juliet fights to maintain the rural ways she grew up with, re-connecting with the beauty, usefulness and erratic terror of the natural world.The Easternmost House is a stunning memoir, describing a year on the Easternmost edge of England, and exploring how we can preserve delicate ecosystems and livelihoods in the face of rapid coastal erosion and environmental change.With photographs and drawings featured throughout, this beautiful little book is a perfect gift for anyone with an interest in sustainability, nature writing or the Suffolk Coast.

Beautiful, moving and utterly absorbing, The House Beneath the Cliffs is a novel of friendship and food, storms and secrets, and the beauty of second chances

"The house on the cliff" by Franklin W. Dixon. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.

In the aftermath of World War I, nurse Bess Crawford is caught in a deadly feud between two families in this thirteenth book in the beloved mystery series from New York Times bestselling author Charles Todd. Restless and uncertain of her future in the wake of World War I, former battlefield nurse Bess Crawford agrees to travel to Yorkshire to help a friend of her cousin Melinda through surgery. But circumstances change suddenly when news of a terrible accident reaches them. Bess agrees to go to isolated Scarfdale and the Neville family, where one man has been killed and another gravely injured. The police are asking questions, and Bess is quickly drawn into the fray as two once close families take sides, even as they are forced to remain in the same house until the inquest is completed. When another tragedy strikes, the police are ready to make an arrest. Bess struggles to keep order as tensions rise and shots are fired. What dark truth is behind these deaths? And what about the tale of an older murder—one that doesn’t seem to have anything to do with the Nevilles? Bess is unaware that when she passes the story on to Cousin Melinda, she will set in motion a revelation with the potential to change the lives of those she loves most—her parents, and her dearest friend, Simon Brandon…