The Illuminated Hymnal

Hymns are a rich and beloved tradition, filled with praise, comfort, encouragement, and celebration. We sing them from the heart every Sunday as a key component of Lutheran worship. Knowing the words by heart is one thing, but knowing their symbols is another. The Illuminate Hymnal is a unique product, offering 42 illustrations to color following beloved Lutheran Service Book hymns. These illustrations engage you, helping you contemplate the meaning of the hymn, memorize stanzas, and connect it both theologically and scripturally to Biblical concepts.

An alphabetic listing with references of collectors and collections, both public and private.

This book offers the first English translation of the earliest Christian hymnal, a little-known and overlooked text that preserves the sacred songs of Jerusalem’s Christian communities during the late fourth or early fifth century. This hymnal, known as the Jerusalem Georgian Chantbook, preserves the hymnography of the Jerusalem churches from a crucial moment in early Christian history, when Christianity was transitioning from a small minority faith into the faith of an empire. This book presents the hymns that were used for regular Sunday worship. These hymns not only are the oldest part of the collection, but they also would have had the most influence in forming the faith of Jerusalem’s congregations.

Martin Luther is among those most influential and well-known people ever to live. But who was he and what did he want? What significance does he have for the world beyond the church? When these questions are posed, it becomes apparent that Martin Luther's theology, confession, and understanding of the world are little known outside of the Protestantism. Yet, Luther's numerous publications and teaching tenure at the University of Wittenberg extended far beyond Germany and far beyond Lutheranism. His translation of the Bible led to a revolution in publishing, language, and media. He nurtured the sciences, promoted an education system for boys, girls, and even the poor. He decisively shaped our understanding, sharpened our social conscience, and even influenced the renewal of the Catholic Church. Luther, in short, is for everyone. In this book, renowned scholar and theologian, Hans Schwarz traces these many connections and influences between Luther's world and our own. The result is a compelling account of Luther that can instruct both contemporary Lutherans and the broader public in the life and legacy of one of the makers of the modern world.

An Annotated Anthology of Hymns is a selection of 250 of the best-known hymns in the English language, including texts translated from Greek, Latin, German, and other languages. The selection includes hymns from the earliest years of the Christian church to the present day.This is not a book for worship: the hymns are printed in a chronological sequence and not by Christian season or subject, as they would be in a church hymn book. It is an anthology for those who would like to understand more about hymns: each one is given a commentary which sets it in context, identifies significant sources, and provides explanatory and critical material. An introductory essay discusses the hymn as a historical and literary form, and the way in which it appeals to so manypeople.This is a book which shows how, in the words of the foreword by Timothy Dudley-Smith, 'hymns lift the heart'. It will be treasured by those who already know something about hymns and it will delight all those who enjoy hymns and would like to know more about them.

At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--

As a coherent field of research, the field of music and visual culture has seen rapid growth in recent years. The Routledge Companion to Music and Visual Culture serves as the first comprehensive reference on the intersection between these two areas of study, an ideal introduction for those coming to the field for the first time as well as a useful source of information for seasoned researchers. This collection of over forty entries, from musicologists and art historians from the US and UK, delineate the key concepts in the field in five parts: Starting Points Methodologies Reciprocation – the musical in visual culture and the visual in musical culture Convergence –in metaphor, in conception, and in practice Hybrid Arts This reference work speaks to the important questions concerning this burgeoning field of research –what are the established approaches to studying musical and visual cultures side by side? What have been the major points of contact between these two areas and what kind of questions can this interdisciplinary research address moving forward? The Routledge Companion to Music and Visual Culture is an indispensable guide for anyone interested in the field of music and visual culture.