The Influence Of The Blue Ray Of Sunlight And Of The Blue Colour Of The Sky In Developing Animal And Vegetable Life
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The Influence of the Blue Ray of Sunlight and of the Blue Colour of the Sky in Developing Animal and Vegetable Life
Author | : Augustus James Pleasonton |
Publsiher | : Unknown |
Total Pages | : 254 |
Release | : 1876 |
Genre | : Light, Colored |
ISBN | : UCAL:B3846228 |
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The Influence of the Blue Ray of the Sunlight and of the Blue Color of the Sky
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 238 |
Release | : 1877 |
Genre | : Light |
ISBN | : HARVARD:HC2AVK |
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The Influence of the Blue Ray of the Sunlight and of the Blue Colour of the Sky in Developing Animal and Vegetable Life in Arresting Disease and in Restoring Health in Acute and Chronic Disorders to Human and Domestic Animals
Author | : Augustus James Pleasonton |
Publsiher | : Unknown |
Total Pages | : 246 |
Release | : 1876 |
Genre | : Color |
ISBN | : UIUC:30112064451872 |
Download The Influence of the Blue Ray of the Sunlight and of the Blue Colour of the Sky in Developing Animal and Vegetable Life in Arresting Disease and in Restoring Health in Acute and Chronic Disorders to Human and Domestic Animals Book in PDF, Epub and Kindle
The Influence of the blue ray of the sunlight and of the blue colour of the sky
Author | : Augustus James Pleasonton |
Publsiher | : Unknown |
Total Pages | : 248 |
Release | : 1876 |
Genre | : Electronic Book |
ISBN | : STANFORD:24500619236 |
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On the Influence of the Blue Color of the Sky in Developing Animal and Vegetable Life
Author | : Augustus James Pleasonton |
Publsiher | : Unknown |
Total Pages | : 30 |
Release | : 1871 |
Genre | : Light, Colored |
ISBN | : UOMDLP:agj9190:0001.001 |
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On the Influence of the Blue Color of the Sky in Developing Animal and Vegetable Life as Illustrated in Experiments Between the Years 1861 and 1871 at Philadelphia
Author | : Augustus James Pleasonton |
Publsiher | : Unknown |
Total Pages | : 32 |
Release | : 1871 |
Genre | : Electronic Book |
ISBN | : HARVARD:32044106434095 |
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Science in Color
Author | : Bettina Bock von Wülfingen |
Publsiher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 239 |
Release | : 2019-08-19 |
Genre | : Art |
ISBN | : 9783110605211 |
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Color makes its way into natural science images as early as the research process. It serves for self-reflection and for communication within the scientific community. However, color does not follow a standard in the natural sciences: its meaning is contingent, even though culturally conditioned. Digital publishing enhances the use of color in scientific publications; at the same time, globalization promotes the idea of universal color symbolism. This book investigates the function of color in historical and current visualizations for scientific purposes, its epistemic role as a tool, and its long neglect due to symbolic and gender-specific connotations. The publication thus closes a research gap in the natural sciences and the humanities.
The Color of Modernism
Author | : Deborah Ascher Barnstone |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 289 |
Release | : 2021-12-30 |
Genre | : Architecture |
ISBN | : 9781350251366 |
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One of the most enduring and pervasive myths about modernist architecture is that it was white-pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism's most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed.