The Judds

Wynonna Judd has a smile like Elvis Presley’s, a voice comparable to Patsy Cline’s, and a vocal style that’s (almost) all her own. Onstage, she shares the music and the limelight with her Kentucky-born mother Naomi. Together, the Judds have become the hottest country-western duo singing today. They’ve brought country back to its roots with a rockabilly beat and helped bring Nashville renewed success as a music capital. Author Bob Millard traces the colorful lives of mother and daughter, from Naomi’s tragic loss of her brother in childhood, to her escape into early marriage, through the “U-Haul years” when Wynonna and her sister Ashley were toted through countless cities in search of their mother’s dream. Theirs is a wild, inspiring story of love and devotion, fights, reconciliations, and bald ambition. But most of all, it’s a story of finding harmonies—in music and in the women themselves.

The whole story of the three enormously talented Judds -- mother Naomi and daughters Wynonna and Ashley -- from Naomi's humble beginnings as the divorced Diana Ciminella to her fabulous multi-Grammy-winning, platinum-selling career in the company of her glamorous daughters. But this exciting panorama hasn't been all glamour: the Judds' personal life often resembles a war zone, with fights and feuds aplenty, each one recorded here, bullet by bullet. This tell-all family biography has sure-fire appeal for the vast audience of Judds fans and readers interested in the history of increasingly popular country music.

Millard presents a fascinating, honest, and in-depth look at Naomi and Wynonna Judd--country music's most beloved mother and daughter duo--which tells of their early years of struggle, their seven-year musical career, and the heart-rending tragedy which forced Naomi to retire. Exclusive update on Naomi's illness and the pair's phenomenal farewell tour. 8 pages of photographs.

This book looks at how differences among women have been textually represented at a variety of historical moments and in a variety of cultural contexts, including Victorian mainstream fiction, African-American mulatto novels, late twentieth-century lesbian communities, and contemporary country music. Sororophobia designates the complex and shifting relations between women's attempts to identify with other women and their often simultaneous desire to establish and retain difference. Michie argues for the centrality to feminism of a paradigm that moves beyond celebrations of identity and sisterhood to a more nuanced notion of women's relations with other women which may include such uncomfortable concepts as envy, jealousy, and competition as well as more institutionalized ideas of difference such as race and class. Chapters on literature are interspersed by "inter-chapters" on the choreography of sameness and difference among women in popular culture.

Naomi Judd's life as a country music superstar has been nonstop success. But offstage, she has battled incredible adversity. Struggling through a childhood of harsh family secrets, the death of a young sibling, and absent emotional support, Naomi found herself reluctantly married and an expectant mother at age seventeen. Four years later, she was a single mom of two, who survived being beaten and raped, and was abandoned without any financial support and nowhere to turn in Hollywood, CA. Naomi has always been a survivor: She put herself through nursing school to support her young daughters, then took a courageous chance by moving to Nashville to pursue their fantastic dream of careers in country music. Her leap of faith paid off, and Naomi and her daughter Wynonna became The Judds, soon ranking with country music's biggest stars, selling more than 20 million records and winning six Grammys. At the height of the singing duo's popularity, Naomi was given three years to live after being diagnosed with the previously incurable Hepatitis C. Miraculously, she overcame that too and was pronounced completely cured five years later. But Naomi was still to face her most desperate fight yet. After finishing a tour with Wynonna in 2011, she began a three-year battle with Severe Treatment Resistant Depression and anxiety. She suffered through frustrating and dangerous roller-coaster effects with antidepressants and other drugs, often terrifying therapies and, at her absolute lowest points, thoughts of suicide. But Naomi persevered once again. RIVER OF TIME is her poignant message of hope to anyone whose life has been scarred by trauma.

Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.

Twenty-First Century Procedure, Second Edition presents the major themes of U.S. civil litigation – the adversary system, our dedication to the use of juries in civil cases, our American brand of federalism and its impact on the judicial system and litigation generally, and the relatively recent development of managerial judging – for an introductory course on civil procedure. With its contemporary perspective, Twenty-First Century Procedure includes discussion of modern problems, such as E-discovery and the requirement of careful scrutiny during the certification stage of class suits. The skillful pedagogy evident throughout the book is designed to provide context for the understanding of doctrines and issues, and to stimulate classroom discussion. Expository text introduces students to the issues, followed by carefully edited cases that resolve some of the more important isssues, practical Problems, and Notes and Questions that aid the process of analysis. Pictures and sidebars provide additional context and pique student interest. A statutory supplement is published annually.

This book highlights 50 of the most important entertainers in contemporary country music, providing a brief biography of each artist with special emphasis on experiences that influenced their musical careers. The artists are divided into five categories: "The New Traditionalists" (artists such as George Strait, Reba McEntire, and Clint Black who established the mainstream country sound in the 1980s); "Alternative Country" (artists such as Steve Earle and Bela Fleck who made country music on their own terms); "Groups" (ensemble acts such as Alabama, the Dixie Chicks, and Rascal Flatts that have carried on the traditions of the Carter Family and other prominent groups of the 1920s and 1930s); "Country-Pop" (artists such as Garth Brooks and Shania Twain who firmly established the "countrypolitan" sound as the cash cow of Nashville); and "New Country" (the next generation of country-pop artists, with particular attention paid to international megastars such as Keith Urban, and teen sensations, including LeAnn Rimes and Taylor Swift).