The Karachi Deception

NA

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The shocking, three-decade story of A. Q. Khan and Pakistan's nuclear program, and the complicity of the United States in the spread of nuclear weaponry. On December 15, 1975, A. Q. Khan-a young Pakistani scientist working in Holland-stole top-secret blueprints for a revolutionary new process to arm a nuclear bomb. His original intention, and that of his government, was purely patriotic-to provide Pakistan a counter to India's recently unveiled nuclear device. However, as Adrian Levy and Catherine Scott-Clark chillingly relate in their masterful investigation of Khan's career over the past thirty years, over time that limited ambition mushroomed into the world's largest clandestine network engaged in selling nuclear secrets-a mercenary and illicit program managed by the Pakistani military and made possible, in large part, by aid money from the United States, Saudi Arabia, and Libya, and by indiscriminate assistance from China. Based on hundreds of interviews in the United States, Pakistan, India, Israel, Europe, and Southeast Asia, Deception is a masterwork of reportage and dramatic storytelling by two of the world's most resourceful investigative journalists. Urgently important, it should stimulate debate and command a reexamination of our national priorities.

Bharat. Son of Kaikeyi. Brother of Rama. Reluctant king of Kosala. Bharat’s carefree life in Kekeya is turned upside down by the death of his father Raja Dashratha and the exile of his brother and crown prince Rama. Untrained in statecraft and unsure of himself, Bharat begins his rule over Kosala by tackling an audacious rakshasa attack on Ayodhya. There’s more trouble brewing. As the magic that sustains the kingdom starts weakening and a drought looms over Kosala, Ayodhya’s citizens begin to disappear mysteriously. Ambitious aristocrats manipulate the inexperienced king to their ends, while fickle allies seize the opportunity to assert their independence. And unknown to Bharat, the Lord of Lanka has put a cunning plan into action that will break the back of Ayodhya’s resistance. Beset by challenges, will Bharat lose Ayodhya so early in his reign? Crackling with characters overlooked and forgotten by the Ramayana, The Warlord of Ayodhya is a thrilling spinoff by bestselling fantasy author Shatrujeet Nath. SHATRUJEET NATH is the creator of the runaway national bestselling series Vikramaditya Veergatha, and the upcoming alternative mythology series Warlord of Ayodhya. Described as “a new face to Indian mythology” by DNA, Shatrujeet writes for movies and web shows as well.

Patience is a Drawn Bow. Rage, its Relentless Arrow. Shukracharya’s plan to break the unity of Vikramaditya’s Council has borne bitter fruit. Friends have become sworn enemies, and brother has turned against brother, setting Avanti on the path to self-destruction. Even as Vikramaditya prepares to counter a Huna invasion, a rebellion brews within Ujjayini, while a devious conspiracy is hatched to humiliate him. With Indra’s spies swarming the palace and Shukracharya making a bold bid to take the Halahala, the king is dangerously close to the brink of defeat. Alone and abandoned by those dear to him, fighting to protect his people, trying his best to keep his promise to Shiva, will the samrat rise one last time to defend his love, his city and his honour? As the asura and deva forces muster in a final, desperate gamble to claim the Halahala, The Wrath of the Hellfires brings an explosive conclusion to Vikramaditya’s epic tale of action and adventure. SHATRUJEET NATH is the creator of the runaway national bestseller series Vikramaditya Veergatha, a four-book mytho-fantasy arc which comprises The Guardians of the Halahala, The Conspiracy at Meru, The Vengeance of Indra and The Wrath of the Hellfires. Described as “a new face to Indian mythology” by DNA, Shatrujeet writes for movies and web shows as well. He is also the author of The Karachi Deception, an Indo-Pak spy thriller. “Flawlessly clubs fiction with Indian mythology” —DNA

The Price of a Promise Paid in Blood The deadly Halahala, the alldevouring poison churned from the depths of the White Lake by the devas and asuras, was swallowed by Shiva to save the universe from extinction. But was the Halahala truly destroyed? A small portion still remains – a weapon powerful enough to guarantee victory to whoever possesses it. And both asuras and devas, locked in battle for supremacy, will stop at nothing to claim it. As the forces of Devaloka and Patala, led by Indra and Shukracharya, plot to possess the Halahala, Shiva turns to mankind to guard it from their murderous clutches. It is now up to Samrat Vikramaditya and his Council of Nine to quell the supernatural hordes – and prevent the universe from tumbling into chaos! A sweeping tale of honour and courage in the face of infinite danger, greed and deceit, The Guardians of the Halahala is a fantastical journey into a time of myth and legend. Doortodoor salesman, copywriter, business journalist and assistant editor at The Economic Times, SHATRUJEET NATH was all this before he took to writing fiction fulltime. He debuted with The Karachi Deception in 2013, followed by The Guardians of the Halahala and The Conspiracy at Meru, the first two books in the Vikramaditya series. At present, he is writing volume three of the series. Shatrujeet lives in Mumbai, but spends much of his time in the fantasy worlds of his stories. He can also be found at facebook.com/ShatrujeetNath and @shatrujeet.

This book investigates fiction in English, written within, and published from India since 2000 in the genre of mythology-inspired fiction in doing so it introduces the term ‘Bharati Fantasy’. This volume is anchored in notions of the ‘weird’ and thus some time is spent understanding this term linguistically, historically (‘wyrd’) as well as philosophically and most significantly socio-culturally because ‘reception’ is a key theme to this book’s thesis. The book studies the interface of science, Hinduism and itihasa (a term often translated as ‘history’) within mythology-inspired fiction in English from India and these are specifically examined through the lens of two overarching interests: reader reception and the genre of weird fiction. The book considers Indian and non-Indian receptions to the body of mythology-inspired fiction, highlighting how English fiction from India has moved away from being identified as the traditional Indian postcolonial text. Furthermore, the book reveals broader findings in relation to identity and Indianness and India’s post-millennial society’s interest in portraying and projecting ideas of India through its ancient cultures, epic narratives and cultural (Hindu) figures.