The King S Achievement Classic Reprint

Excerpt from The King's Achievement The cobbled courtyard in the centre Of the house, where the tall leaded pump stood, was full Of movement. Half a dozen trunks lay there, that had just been carried in from the luggage horses that were now being led away with patient hanging heads towards the stables that stood outside the gatehouse on the right, and three or four dusty men in livery were talking to the house servants who had come out Of their quarters on the left. From the kitchen corner came a clamour Of tongues and dishes, and smoke was rising steadily from the huge outside chimney that rose beyond the roofs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Overfield Court lay basking in warm June sunshine. The western side of the great house with its new timber and plaster faced the evening sun across the square lawns and high terrace; and the woods a couple of hundred yards away cast long shadows over the gardens that lay beyond the moat. The lawns, in their broad plateaux on the eastern side descended by steps, in cool shadow to the lake that formed a quarter-circle below the south-eastern angle of the house; and the mirrored trees and reeds on the other side were broken, circle after circle, by the great trout that were rising for their evening meal. The tall front of the house on the north, formed by the hall in the centre with the kitchen at its eastern end and the master's chamber on the western, was faced by a square-towered gatehouse through which the straight drive leading into the main road approached the house under a lime-avenue; and on the south side the ground fell away again rapidly below the chapel and the morning-room, in copse and garden and wild meadow bright with buttercups and ox-eye daisies, down to the lake again and the moat that ran out of it round the entire domain.

MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring how this influenced the development of literary genres. Essays probe the shifts and continuities in genres such as lyric, chronicle and dream vision, and the emergence of new genres such as popular and courtly romance, and drama. A particular focus is the continuation of the alliterative tradition from the Anglo-Saxon period to the fifteenth century. A series of chapters on major authors, including Chaucer, Gower, and Langland, provide fresh approaches to reading and studying key texts, such as The Canterbury Tales, Piers Plowman and Sir Gawain and the Green Knight. Finally, the collection examines cultural change at the close of the medieval period and the variety of literature produced in the ‘long fifteenth century’, including writing by and for women, Scots poetry, clerical and courtly works, and secular and sacred drama.

"The King's Achievement" portrays the dissolution of the monasteries under Henry VIII from the point of view of an ordinary English middle class family. While chronologically taking place before the events in "By What Authority?", this book was written later, filling in the histories of many of the characters appearing in the earlier novel. Benson's own achievement was thus the invention of the "family saga" quite a few decades before this genre became popular.

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