The Kings Mistresses

The Mancini Sisters, Marie and Hortense, were born in Rome, brought to the court of Louis XIV of France, and strategically married off by their uncle, Cardinal Mazarin, to secure his political power base. Such was the life of many young women of the age: they had no independent status under the law and were entirely a part of their husband's property once married. Marie and Hortense, however, had other ambitions in mind altogether. Miserable in their marriages and determined to live independently, they abandoned their husbands in secret and began lives of extraordinary daring on the run and in the public eye. The beguiling sisters quickly won the affections of noblemen and kings alike. Their flight became popular fodder for salon conversation and tabloids, and was closely followed by seventeenth-century European society. The Countess of Grignan remarked that they were traveling "like two heroines out of a novel." Others gossiped that they "were roaming the countryside in pursuit of wandering lovers. "Their scandalous behavior -- disguising themselves as men, gambling, and publicly disputing with their husbands -- served as more than just entertainment. It sparked discussions across Europe concerning the legal rights of husbands over their wives. Elizabeth Goldsmith's vibrant biography of the Mancini sisters -- drawn from personal papers of the players involved and the tabloids of the time -- illuminates the lives of two pioneering free spirits who were feminists long before the word existed.

Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnès Sorel, Anne de Pisseleu d’Heilly, Diane de Poitiers, Gabrielle d’Estrées, Françoise Louise de La Baume Le Blanc, Françoise Athénaïs de Rochechouart de Mortemart, Françoise d’Aubigné, Jeanne-Antoinette Poisson, and Jeanne Bécu. Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was an idea of gender already in place: that while women were legally inferior to men, they were men’s equals in competence. Because of their legal subordinacy, queens were considered to be the safest regents for their husbands, and, subsequently, the royal mistress was the surest counterpoint to the royal favorite. Second, the Renaissance was a period during which people began to experience space as theatrical. This shift to a theatrical world opened up new ways of imagining political guile, which came to be positively associated with the royal mistress. Still, the role had to be activated by an intelligent, charismatic woman associated with a king who sought women as advisors. The fascinating particulars of each case are covered in the chapters of this book. Thoroughly researched and compellingly narrated, this important study explains why the tradition of a politically powerful royal mistress materialized at the French court, but nowhere else in Europe. It will appeal to anyone interested in the history of the French monarchy, women and royalty, and gender studies.

According to the great diarist, John Evelyn, Charles II was ‘addicted to women’, and throughout his long reign a great many succumbed to his charms. Clever, urbane and handsome, Charles presided over a hedonistic court, in which licence and licentiousness prevailed. Mistresses is the story of the women who shared Charles’s bed, each of whom wielded influence on both the politics and cultural life of the country. From the young king-in-exile’s first mistress and mother to his first child, Lucy Walter, to the promiscuous and ill-tempered courtier, Barbara Villiers. From Frances Teresa Stuart, ‘the prettiest girl in the world’ to history’s most famous orange-seller, ‘pretty, witty’ Nell Gwynn and to her fellow-actress, Moll Davis, who bore the last of the king’s fifteen illegitimate children. From Louise de Kéroualle, the French aristocrat – and spy for Louis XIV – to the sexually ambiguous Hortense Mancini. Here, too, is the forlorn and humiliated Queen Catherine, the Portuguese princess who was Charles’s childless queen. Drawing on a wide variety of original sources, including material in private archives, Linda Porter paints a vivid picture of these women and of Restoration England, an era that was both glamorous and sordid.

History has not been kind to Alice Perrers, the notorious mistress of King Edward III. Scholars and contemporaries alike have deemed her a manipulative woman who used her great beauty and sensuality to take advantage of an aging and increasingly senile king. But who was the woman behind the scandal? A cold-hearted opportunist or someone fighting for her very survival? Like most girls of her era Alice is taught obedience in all things. At the age of fourteen she marries the man her father chooses for her, dutifully accepting the cost of being torn from the family she holds so dear and losing the love of her mother forever. Despite these heartbreaks Alice finds that merchant Janyn Perrers is a good and loving husband and the two settle into a happy life together. Their bliss is short-lived, however, unraveled the dark day a messenger appears at Alice's door and notifies her of Janyn's sudden disappearance. In the wake of this tragedy, Alice learns that her husband kept many dangerous secrets--secrets that result in a price on her own head and that of her beloved daughter. Her only chance to survive lies in the protection of King Edward and Queen Philippa, but she therefore must live at court as a virtual prisoner. When she is singled out by the king for more than just royal patronage, the stakes are raised. Disobeying Edward is not an option, not when her family is at risk, but the court is full of ambitious men and women, many of whom will stop at nothing to see her fall fron grace. The whispers and gossip abound, isolating Alice, who finds unexpected solace in her love for the king. Emma Campion paints a colorful and thrilling portrait of the court of Edward III--with all of its extravagance, scandalous love affairs, political machinations, and murder--and the devastating results of being singled out by the royal family. At the center of the storm is Alice, surviving by her wits in this dangerous world where the choices are not always of her own making. Emma Campion's dazzling novel shows that there is always another side to the story.

Seventeen-year-old Henry VIII was 'a youngling, he cares for nothing but girls and hunting.' Over the years, this didn't change much. Henry was considered a demi-god by his subjects, so each woman he chose was someone who had managed to stand out in a crowd of stunning ladies. Looking good was not enough (indeed, many of Henry's lovers were considered unattractive); she had to have something extra special to keep the king's interest. And Henry's women were every bit as intriguing as the man himself. In this book, Henry's mistresses are rescued from obscurity. The sixteenth century was a time of profound changes in religion and society across Europe – and some of Henry's lovers were at the forefront of influencing these events. Kelly Hart gives an excellent insight into the love life of our most popular king, and the twelve women who knew the man behind the mask.

From the author of A Rose for the Crown and Daughter of York comes another engrossing historical novel of the York family in the Wars of the Roses, telling the fascinating story of the rise and fall of the final and favorite mistress of Edward IV. Jane Lambert, the quick-witted and alluring daughter of a silk merchant, is twenty-two and still unmarried. When Jane’s father finally finds her a match, she’s married off to the dull, older silk merchant William Shore. Marriage doesn’t stop Jane from flirtation, however, and when the king’s chamberlain, Will Hastings, comes to her husband’s shop, Will knows King Edward will find her irresistible. Edward IV has everything: power, majestic bearing, superior military leadership, a sensual nature, and charisma. And with Jane as his mistress, he also finds true happiness. But when his hedonistic tendencies get in the way of being the strong leader England needs, his life, as well as those of Jane and Will Hastings, hangs in the balance. Jane must rely on her talents to survive as the new monarch, Richard III, bent on reforming his brother’s licentious court, ascends the throne. This dramatic tale has been an inspiration to poets and playwrights for five hundred years, and, as told through the unique perspective of a woman plucked from obscurity and thrust into a life of notoriety, Royal Mistress is sure to enthrall today’s historical fiction lovers as well.

For Alice Keppel, it was all about appearances. Her precepts were those of the English upper classes: discretion, manners and charm. Nothing else mattered - especially when it came to her infamous affair with King Edward VII. As the King's favourite mistress up until his death in 1910, Alice held significant influence at court and over Edward himself. But it wasn't just Edward she courted: throughout her life, Alice enthusiastically embarked on affairs with bankers, MPs, peers - anybody who could elevate her standing and pay the right price. She was a shrewd courtesan, and her charisma and voracity ensured her both power and money, combined as they were with an aptitude for manipulation. Drawing on a range of sources, including salacious first-hand eyewitness accounts, bestselling author Tom Quinn paints an extraordinary picture of the Edwardian aristocracy, and traces the lives of royal mistresses down to Alice's great-granddaughter, the current Duchess of Cornwall. Both intriguing and astonishing, this is an unadulterated glimpse into a hidden world of scandal, decadence and debauchery.

First published in 1990, Royal Mistresses provides an innovative way of looking at the development of British monarchy, and at the same time investigates the relationship between sex and power. Charles Carlton focuses not so much on the amorous activities of the mistresses of British monarchs as on their influences on those monarchs and on society at large. Ranging from the early medieval period to the late 1990s, he shows that a monarch’s illicit sexual life sheds light on his character and reign. It is no coincidence that Henry I, Charles II, and Edward VII, who were successful with their mistresses were also successful in their reigns, while the divorced John and the lovelorn Edward VIII failed Not surprisingly, the affairs of the sovereign’s heart have very often become the affairs of state. This book will be of interest to students of history and literature.