The Lacemaker

This vivid portrait of France on the eve of the Revolution is also a touching tale of two friends torn apart by class and the powerful political force of democratic freedom.

When colonial Williamsburg explodes like a powder keg on the eve of the American Revolution, Lady Elisabeth "Liberty" Lawson is abandoned by her fiancé and suspected of being a spy for the hated British. No one comes to her aid save the Patriot Noble Rynallt, a man with formidable enemies of his own. Liberty is left with a terrible choice. Will the Virginia belle turned lacemaker side with the radical revolutionaries, or stay true to her English roots? And at what cost? Historical romance favorite Laura Frantz is back with a suspenseful story of love, betrayal, and new beginnings. With her meticulous eye for detail and her knack for creating living, breathing characters, Frantz continues to enchant historical fiction readers who long to feel they are a part of the story.

"In this heartfelt tale of labor and love, Ernst produces one of her most winning combinations of historical evocation and clever mystery."—Kirkus Reviews Greed, Uncertainty, and Death Get Tangled in the Mystery of a Rare Piece of Belgian Lace Curator Chloe Ellefson needs distraction from the unsettling family secret she's just learned. It doesn't help that her boyfriend, Roelke McKenna, has been troubled for weeks and won't say why. Chloe hopes a consulting job at Green Bay's Heritage Hill Historical Park, where an old Belgian-American farmhouse is being restored, will be a relaxing escape. Instead she discovers a body in a century-old bake oven. Chloe's research suggests that a rare and valuable piece of lace made its way to nearby Door County, Wisconsin, with the earliest Belgian settlers. More importantly, someone is desperate to find it. Inspired by a courageous Belgian woman who survived cholera, famine, and the Great Fire, Chloe must untangle clues to reveal secrets old and new...before the killer strikes again.

Lisa, a girl with Asperger syndrome, discovers a series of basement rooms under her friend Ben's house and spends hours exploring the remnants of a past era.

When Lisa discovers a hidden door to an abandoned hut in her friend's backyard, her imagination runs wild with thoughts of the stories it could hold. But strange sounds and faces in the shadows give Lisa the feeling that there is more to the hut than meets the eye, especially when Great Aunt Hannah tells her about one of its previous inhabitants - the mysterious Lacemaker... Lisa quickly discovers that the Lacemaker isn't the only mystery to be solved. Great Aunt Hannah has a secret of her own, and like the criss-crossing of threads her past is tied up with the Lacemaker. Vividly reimagined in graphic form for a new generation, follow Lisa as she confronts the Lacemaker to put right the secrets of the past, and is helped to understand her own Asperger Syndrome along the way.

This volume of essays commemorates and celebrates the creative works of Frederico Garcia Lorca, Salvador Dali, and Luis Bunel, three contemporaries and friends. The essays suggest that the artistic creations of Lorca, Dali, and Bunel feature theoretical ideas on (their) contemporary art in general, as well as on the particualr art form cultivated by each- ideas that help us to better understand their work as it relates to a wide rane of aesthetic theories.

Torchon lacemaking is a textile art steeped in tradition and the skills required are often perceived to be beyond the reach of ordinary mortals. In this practical book, Jan Tregidgo describes those skills through a step-by-step guide and makes them accessible to all. She explains traditional techniques through a series of specially designed samplers, which can be worked in order by the beginner or in any order they choose by the more experienced. Although colour is not traditional in bobbin lace, it has been used here to great effect so the path of each thread can be clearly followed through the sampler. The book covers essential equipment and materials, described in detail; traditional techniques are fully explained through a sequence of specially designed samplers; instructions for a super-beaded sampler; advice on adapting and designing your own patterns; guide to joining and mounting lace; helpful troubleshooting hints; and information on suppliers and museums with lace collections. This is an indispensable guide for all lacemakers, textile artists and designers, and is superbly illustrated with over 700 colour illustrations including step-by-step photographs and simple diagrams to ensure that each stage is understood.

In The Politics of Taste Ana María Reyes examines the works of Colombian artist Beatriz González and Argentine-born art critic, Marta Traba, who championed González's art during Colombia's National Front coalition government (1958–74). During this critical period in Latin American art, artistic practice, art criticism, and institutional objectives came into strenuous yet productive tension. While González’s triumphant debut excited critics who wanted to cast Colombian art as modern, sophisticated, and universal, her turn to urban lowbrow culture proved deeply unsettling. Traba praised González's cursi (tacky) recycling aesthetic as daringly subversive and her strategic localism as resistant to U.S. cultural imperialism. Reyes reads González's and Traba's complex visual and textual production and their intertwined careers against Cold War modernization programs that were deeply embedded in the elite's fear of the masses and designed to avert Cuban-inspired revolution. In so doing, Reyes provides fresh insights into Colombia's social anxieties and frustrations while highlighting how interrogations of taste became vital expressions of the growing discontent with the Colombian state.