The Lair

WHY DO BAD GUYS LIVE IN GOOD HOUSES? From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains often live in architectural splendor. From a design standpoint, the villain’s lair, as popularized in many of our favorite movies, is a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. Lair: Radical Homes and Hideouts of Movie Villains, celebrates and considers several iconic villains’ lairs from recent film history. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes and in Lair, which features buildings from fifteen films, including: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Star Wars The Incredibles Blade Runner 2049 You Only Live Twice The Ghost Writer Body Double North by Northwest Edited by acclaimed architect Chad Oppenheim with Andrea Gollin, Lair includes interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, David Scheunemann, Gregg Henry, and Mark Digby. Contributors include director Michael Mann, cultural critic Christopher Frayling, museum director Joseph Rosa, and architect Amy Murphy. Architectural illustrations and renderings by Carlos Fueyo provide multiple in-depth views of these spaces.

The restless rats return in James Herbert's Lair, the second horror novel in the Rats trilogy. The mutant white rat had grown and mated, creating offspring in its own image. They dominated the others, the dark-furred ones, who foraged for food and brought it back to the lair. Now the dark rats were restless, tormented by a craving they could not satisfy. But the white slug-like thing that ruled them knew. Its two heads weaved to and fro and a stickiness drooled from its mouth as it remembered the taste of human flesh . . . 'Not for the nervous' – Daily Mirror Continue the chilling series from the Master of Horror, with Domain.

Geological anomaly In Southwestern Colorado, on the boundary of The Hunter Silver Mine, and stretching in a northwesterly direction deep beneath Red Mountain, lies a strange Geological anomaly! Apparently familiar to Native Americans prior to the arrival of Europeans, it is now the stronghold of a powerful criminal organization! For nearly fifty years, it has been the nerve center for a vicious criminal entity! If anyone had ever inadvertently detected it, they hadn't lived to tell about it! Until Geologist Mallory Anderson stumbles upon it in her attempts to follow a valuable quartz vein promising gold! What horrors the subterranean lair has witnessed are yet to be unearthed! Escaping harrowing intentions, Mallory once again rises to lead friends engaged in the manufacturing and mining enterprises to new heights of success! Don't miss Mallory's latest adventure!

One click to continue this sizzling paranormal adventure today! When the huntress becomes the prey… Sarah Marksmen doesn’t miss. As a Park Ranger, she is tasked with hunting down the cougar responsible for multiple attacks and kills. She expects the cold welcome of the Cascade family when she arrives on their land. She doesn’t expect the blistering heat she experiences with Devon Cascade. As dark forces converge to annihilate everything she holds dear. Will she be able to trust in a man who was forced to harden his heart, or will she be the catalyst that destroys an entire species? Enjoy the next book in the bestselling Cascade Cougar Series that readers are comparing to Jessie Donovan and Lora Leigh.

The Lair of the White Worm Bram Stoker - The Lair of the White Worm is aHorrornovel by the Irish writer Bram Stoker. It was first published by Rider and Son of London in 1911[1][2] the year before Stoker's death with colour illustrations by Pamela Colman Smith. The story is based on the legend of the Lambton Worm. It has also been issued as The Garden of Evil.In 1925 a highly abridged and rewritten[clarification needed] form was published.[3] It was shortened by more than 100 pages, the rewritten book having only 28 chapters instead of the original 40. The final eleven chapters were cut down to only five, leading some critics to complain that the ending was abrupt and inconsistent.[4]The Lair of the White Worm was very loosely adapted by Ken Russell into a 1988 film of the same name.The first episode of the German radioDrama"Die Schwarze Sonne", produced by the label LAUSCH, is loosely based on the events of The Lair of the White Worm.[5] The main characters of the radioDramaare also based on the protagonists of the novel and feature in the rest of the episodes even though the plot turns away from Stoker's original story.

Invites readers to tour the teenage mutant ninja turtles lair, introduces the turtles, and discusses their weapons.