The Last American Hero

On February 20, 1962, John Glenn became a national star. That morning at Cape Canaveral, the small-town boy from Ohio took his place atop a rocket and soared into space. He became celebrated in all corners of the world as not just the first American to orbit the Earth, but as the first space traveler to take the human race with him. Refusing to let that dramatic day define his life, he went on to become a four-term US senator—and returned to space at the age of seventy-seven. The Last American Hero is a stunning examination of the layers that formed the man: a hero of the Cold War, a two-time astronaut, a veteran senator, a devoted husband and father, and much more. At a time when an increasingly cynical world needs heroes, John Glenn's aura burns brightly in American memory.

Lt. Oliver Miller’s passion for flying could prove fatal. Shot down while on a reconnaissance mission over Russia, he is near death in a Siberian work camp. His government has abandoned him and his family will never know his fate. Tamara Krasnov, the Soviet pilot who shot down Oliver, enlists the aid of her father, a high-ranking Soviet official. They have Oliver transferred to a minimum-security prison. The KGB convinces an embittered Oliver that the US had refused to repatriate him. Tamara recruits Oliver into the Russian Air Force, they become lovers and Oliver finds a new life in Russia. Oliver is recruited by the CIA and lives a life of intrigue during the Cold War and Vietnam War era. The haunting images of a chaotic, historical era are viewed through the sharp edged vision of a heroic American. The last chapter will leave you misty-eyed.

On February 20, 1962, John Glenn became a national star. That morning at Cape Canaveral, a small-town boy from Ohio took his place atop a rocket and soared into orbit to score a victory in the heavily contested Cold War. The television images were blurry black-and-white phantoms. The cameras shook as the rocket moved, but by the end of the day, one thing was clear: a new hero rode that rocket and became the center of the world's attention for the four hours and fifty-five minutes of his flight. From that day forward, Glenn restively wore the hero label. Refusing to let that dramatic day define his life, he went on to become a four-term US senator--and returned to space at the age of seventy-seven. He was a creation of the media, in some ways, but he was also a product of the Cold War. At a time when increasingly cynical Americans need heroes, his aura burns brightly in American memory.

The career of NASCAR drive Junior Johnson.

This book reveals what is happening in small communities across the United States as their newspapers struggle to survive. It is a celebration not just of journalism, but of the inspirational people who do it and the news and events of small towns. Importantly, it asks the question: who will be the community watchdog of the future? This book memorializes the American newspaper through the story of the Post-Star of Glens Falls, NY. The author, a devoted veteran of the Post-Star, compiles a series of vignettes that depict the newspaper's coverage over the years. They provide a glimpse behind the newsroom curtain through the stories of the investigative journalism done in small towns.

_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.

This volume explores the relationship of hero to celebrity and the changing role of the hero in American culture. It establishes that the nature of hero and its function in society is a communication phenomenon, which has been and is being altered by the rapid advance of electronic media.

Early '70s Radio focuses on the emergence of commercial music radio "formats," which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "soft rock", album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.