The Last Boy At St Edith S

A seventh grade prankster is determined to escape the all-girls academy where he’s the only boy—by getting expelled—in this “spectacular debut” (Kirkus Reviews) MAX novel that’s perfect for “fans of Jerry Spinelli’s Crash and Loser” (Booklist). Seventh grader Jeremy Miner has a girl problem. Or, more accurately, a girls problem. 475 of them to be exact. That’s how many girls attend his school, St. Edith’s Academy. Jeremy is the only boy left after the school’s brief experiment in co-education. And he needs to get out. His mother—a teacher at the school—won’t let him transfer, so Jeremy takes matters into his own hands: he’s going to get expelled. Together with his best friend Claudia, Jeremy unleashes a series of hilarious pranks in hopes that he’ll get kicked out with minimal damage to his permanent record. But when his stunts start to backfire, Jeremy has to decide how far he’s willing to go and whom he’s willing to knock down to get out the door.

Seventh-grader Jeremy Miner, the only boy in a school of 475 girls, unleashes a series of pranks in hopes of getting expelled.

It’s Ocean’s Eleven set in a summer camp as two kids try to one-up each other in a con competition at a camp that isn’t quite what it seems… For Archie, the start of summer means another stint at Camp Shady Brook, where there is a lot more to the camp than meets the eye—just like Archie and his now blended family. But thanks to a con Archie developed last year that parted many campers with their spending money, he’s finally somebody…and he’s not going to lose that status to the new girl, Vivian. For Vivian, thanks to an incident That Shall Not Be Named or Spoken Of, her summer of exotic travels with Mom and Dad has turned into traveling to a dump of a summer camp in the middle of nowhere. But thanks to perfect timing, Vivian soon finds herself in a ring of kids trying to out-con each other—and discovers Camp Shady Brook is more like Camp Shady Crook. And when one final, massive con could cost Vivian the first friends she’s had in a while, can she and Archie figure out a way to make things right?

Splashy sunset paints the sky. Shy moon tiptoes, climbs up high . . . Daylight is fading and night is drawing in. It's time for bed. A drowsy child observes the wide world settling down, coming ever closer to home until at last there are good-night hugs and kisses for this little sleepyhead. Richly painted, evocative scenes illuminate the text, imbuing the whole with mystery and a sense of comfort and warmth, and making this a bedtime story to treasure for all time.

Robert Nobel, the school pariah, triumphs over his own fears and the school bully, in this extraordinary tale of self-empowerment, legend and death.

Edith Wharton's spellbinding final novel tells a story of love in the gilded age that crosses the boundaries of society—soon to be an original series on AppleTV+! “Brave, lively, engaging...a fairy-tale novel, miraculouly returned to life.”—The New York Times Book Review Set in the 1870s, the same period as Wharton's The Age of Innocence, The Buccaneers is about five wealthy American girls denied entry into New York Society because their parents' money is too new. At the suggestion of their clever governess, the girls sail to London, where they marry lords, earls, and dukes who find their beauty charming—and their wealth extremely useful. After Wharton's death in 1937, The Christian Science Monitor said, "If it could have been completed, The Buccaneers would doubtless stand among the richest and most sophisticated of Wharton's novels." Now, with wit and imagination, Marion Mainwaring has finished the story, taking her cue from Wharton's own synopsis. It is a novel any Wharton fan will celebrate and any romantic reader will love. This is the richly engaging story of Nan St. George and Guy Thwarte, an American heiress and an English aristocrat, whose love breaks the rules of both their societies.

The Walking Boy is a quest novel set in early eighth-century Tang Dynasty China, in the final days of the rule of the first Female Emperor Wu Zhao. The ailing hermit monk Harelip sends his disciple Baoshi on a pilgrimage from Mount Hua to Chang’an, the Western capital; Baoshi is the “walking boy” charged with locating Harelip’s missing former lover Ardhanari. Baoshi lives with a secret only his Master knows, and he is filled with fears of being discovered. On his journey, Baoshi crosses paths with both commoners and imperial officials, as well as others who take delight in their queer identities; in doing so, he is released powerfully from his past shame. Lydia Kwa's novel is a book of quiet subversion, upending classical Chinese tropes with contemporary ideas around gender and feminism. Filled with psychological complexities, magic and poetic allusions to classical Chinese literature, The Walking Boy explores the intrigue of inner alchemy while exorcising the ghosts of history.

From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.