The Last Days Of Troy

Simon Armitage is rightly celebrated as one of the country's most original and engaging poets; but he is also an adaptor and translator of some of our most important epics, such as Sir Gawain and the Green Knight, The Death of King Arthur and Homer's Odyssey. The latter, originally a commission for BBC Radio, rendered the classical tale with all the flare, wit and engagement that we have come to expect from this most distinctive of contemporary authors, and in so doing brought Odysseus's return from the Trojan War memorably to life. The Last Days of Troy, a prequel of kinds, tells the tale of the Trojan War itself in a vivid new dramatic adaptation that is published to coincide with the Royal Exchange's stage performance in April 2014.

Award-winning poet Simon Armitage dramatizes the story of Troy, animating this classic epic for a new generation of readers. Following his highly acclaimed dramatization of the Odyssey, Simon Armitage here takes on the fate of Troy, bringing Homer’s Iliad to life with refreshing imaginative vision. In the final days of the Trojan War, the Trojans and the Greeks are caught in a bitter stalemate. Exhausted and desperate after ten years of warfare, gods and men battle among themselves for the glory of recognition and a hand in victory. Cleverly intertwining the Iliad and the Aeneid, Armitage poetically narrates the tale of Troy to its dire end, evoking a world plagued by deceit, conflict, and a deadly predilection for pride and envy. As with the Odyssey, Armitage reveals the echoes of ancient myth in our contemporary war-torn landscape, and reinvigorates the classic epics with adventure, passion, and, surprisingly, Shakespearean wit. Praise for The Odyssey: A Dramatic Retelling of Homer’s Epic: “So superb. . . . Armitage ’s love of the Greek epic is evident in almost every line.”—New York Times

Simon Armitage is rightly celebrated as one of the country's most original and engaging poets; but he is also an adaptor and translator of some of our most important epics, such as Sir Gawain and the Green Knight, The Death of King Arthur and Homer's Odyssey. The latter, originally a commission for BBC Radio, rendered the classical tale with all the flair, wit and engagement that we have come to expect from this most distinctive of contemporary authors, and in so doing brought Odysseus's return from the Trojan War memorably to life. The Last Days of Troy, its classical counterpart, tells the tale of the Trojan War itself in a vivid new dramatic adaptation that is published to coincide with the Royal Exchange's stage performance in April 2014. - See more at: http: //www.faber.co.uk/catalog/the-last-days-of-troy/9780571315093#sthash.46ox61At.dpu

Since the days of Troy historic lands of Asia Minor have been home to Greeks. They are steeped in a rich fusion of Greek and Turkish culture and the histories of both are irrevocably entwined, fatefully connected. "Children of Achilles" tells the epic and ultimately tragic story of the Greek presence in Anatolia, beginning with the Trojan War and culminating in 1923 with the devastating population exchange that followed the Turkish War of Independence. The once magnificent, now ruined, cities that cluster along the Aegean and Mediterranean coasts of Turkey are reminders of a civilization that produced the first Hellenic enlightenment, giving birth to Homer, Herodotus and the first philosophers of nature. For more three millennia the Anatolian Greeks preserved their identity and culture as the tides of history washed over them, enduring conflicts that historians since Herodotus have seen as an unending clash of civilizations between East and West. Today, the memory of the Greek diaspora from Asia Minor lives on in the music of rebetika, the threnodies known as amanadas, and the poetry of Seferis, and even now the descendants of those exiles speak with nostalgia of 'i kath'imas Anatoli' - our own Anatolia, their lost homeland. This, told for the first time, is their story, from glorious beginnings to a bitter end, a story that continues to echo through the ages and across continents.

A daring and timely feminist retelling of The Iliad from the perspective of the women of Troy who endured it—an extraordinary follow up to The Silence of the Girls from the Booker Prize-winning author of The Regeneration Trilogy and “one of contemporary literature’s most thoughtful and compelling writers" (The Washington Post). Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war—including the women of Troy themselves. They await a fair wind for the Aegean. It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester. Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.

Reprint of the original, first published in 1865. Translated into English Verse in the Spenserian Stanza.