The Last Of The Funnies

After a worldwide energy and economic crisis, newspapers have ceased production and nearly every form of art and entertainment is a digital simulation. In this seemingly impossible (but plausible) future, a crusty old cartoonist named Frost has a great gift to leave Giles, his only child. Frost is the creator of Li'l Nibs; the most celebrated comic strip about four little aliens who crash-landed on Earth during the crisis and aptly announced, "Weez Comez in Peez!" However, to Giles, the funnies have caused nothing but conflict in his life. He's grown to resent Frost's crudely hand-drawn creations. But as the young Virtual Art professor soon learns, things aren't always as they appear. Like a cartoon wizard behind ink-stained curtains, Frost weaves a whimsical tale about the origins of the funnies, webcomics, and a terrorizing menace that threatens to kidnap every artist's childhood dreams! Whether Giles believes it or not, the fate of the funnies is in his hands.

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.

Featuring a snarky heroine, kickass action, and spicy romance, this hilarious urban fantasy sucker-punches you in the heart when you're not looking. What doesn’t kill you... …seriously messes with your love life. Nava is happily settling into her new relationship and life is all giddy joy and stolen kisses. Except when it’s assassins. Talk about a mood killer. She and Rohan are tracking the unlikely partnership between the Brotherhood and a witch who can bind demons, but every new piece of the puzzle is leaving them with more questions than answers. And someone doesn’t appreciate them getting close to the truth. Go figure. On top of that, a demon known only as Candyman has unleashed a drug that’s harming users in extremely disturbing ways. Nava vows to take this demon down. But will life as she knows it survive this mission, or will this be the one time she should have looked before she leapt? Happily-ever-after? Barring death, she’s got a real shot at it. If you like KF Breene, Annabel Chase, and CN Crawford, you won’t be able to put down this laugh-out-loud, deliciously addictive series! Fall into bed with a demon hunter and read all night.

Critical studies attempting to define and dissect American humor have been published steadily for nearly one hundred years. However, until now, key documents from that history have never been brought together in a single volume for students and scholars. What's So Funny? Humor in American Culture, a collection of 15 essays, examines the meaning of humor and attempts to pinpoint its impact on American culture and society, while providing a historical overview of its progres-sion. Essays from Nancy Walker and Zita Dresner, Joseph Boskin and Joseph Dorinson, William Keough, Roy Blount, Jr., and others trace the development of American humor from the colonial period to the present, focusing on its relationship with ethnicity, gender, violence, and geography. An excellent reader for courses in American studies and American social and cultural history, What's So Funny? explores the traits of the American experience that have given rise to its humor.

What do you call a crazy chicken that can tell time? A cuckoo cluck. Corny jokes, limericks, tongue twisters, and knock-knock jokes fly through this fun book. Readers will learn fun fowl facts about chickens and other birds, and learn how to create their own joke flipbook.

Humor has always been an essential part of North American aboriginal culture. This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

There are "how to" books on voiceover or voice acting and then, there is this singular book on the truth of the voiceover business. Superbly narrated with extensive sound design, Todd brings over three decades of knowledge and experience in voiceover to the table. Weaving stories of the voiceover industry and its history, Todd reveals the raw truth of the business in what can only be described as an aural sculpture. In comparison to most eBook/audiobook offerings, this book is like no other; setting precedent for sonic entertainment within the audiobook/e-book realm With the release of this book, Todd Schick throws down the gauntlet using the power of his voice and pen. Blending sound, comedy, drama and personal experiences, it boldly reveals the genuine, honest truth everyone should hear about the modern-day voiceover industry. This book is simply a great listen - regardless of the subject matter. Whether you're just curious about voice acting, or have been in the voiceover/voice acting business for a long time, it is without question a trendsetter well worth purchase. From the inventor of the modern-day voice talent business model, Todd Schick brings a cast of voices from many sources and colleagues (including his dog and parrot) to this rare, entertaining and incredibly informative publication on voiceover and voice acting; the first in an on-going series. From the Author's Introduction: "There is no such thing as the "bible" of voiceover or voice acting; to make that claim is to sell someone a dream. Indeed, books on voiceover or voice acting are rarely narrated by the author, much less feature sound design. Voiceover is an aural product; spoken words born from imagination, to communicate imagination. I could not in good conscience publish a book on voiceover without recording it; doing anything less would speak to the integrity of the content and author. In my humble opinion, it's pointless to publish any book on voiceover and/or voice acting if the customer can't hear the product. That said, if you choose to purchase the e-book version of this publication, be sure to listen to it; you'll really be missing out by simply reading text." Author's note: If you purchase the eBook and your reader doesn't support audio playback, be sure to download a desktop/tablet app to listen to the book.