The Layman S Guide To Classical Architecture

Acclaimed British architect Quinlan Terry's guide to more than 2,000 years of classicism in architecture In this beautiful illustrated survey, British architect Quinlan Terry (born 1937) presents his ultimate guide to classical architecture. With intricate and lively sketches, he explains the classical orders of architecture that were created by Vitruvius around 100 AD. The tradition of building using these orders was maintained well into the 20th century, until modernism began to dominate architecture. With this book, Terry, a strong proponent of classical architecture, aims to place focus on the kind of architecture that dominated the field for almost 2,000 years in the West--the vocabulary and heritage of which is known by few today. The book contains a large number of Terry's drawings and sketches from travels, as well as linocuts. Also included are his drawings of such quintessential examples of the use of classical orders as St. Mark's Square and San Giorgio Maggiore in Venice and Inigo Jones' St. Paul's Cathedral in London, alongside drawings of Terry's own structures, such as Brentwood Cathedral in Essex, England. In addition, Terry compares his own studies with those of Andrea Palladio and Vincenzo Scamozzi. Prince Charles, another advocate for classical architecture, who holds Quinlan Terry as his favorite among contemporary architects, provides the preface.

This includes tables of the Classical Orders, measured drawings of monuments, and practical instruction on classical design. 304 illustrations.

Often described as Prince Charles's favorite architect, Quinlan Terry is at home in every traditional style, from Classical Greek to Roman, Gothic to Renaissance, and Baroque to Neo-classical. With intense new interest in classical design, there is a high demand for a compilation of Terry's work, a volume that showcases the ideas and creations of one of the world's most daring traditionalist designers. At the pinnacle of his career--this year's winner of the Driehaus Prize, classical architecture's highest honor--Quinlan Terry is one of the most celebrated practitioners of the form and also perhaps the most radical. Radical Classicism contains hundreds of lavish color illustrations and thirty of Terry's designs, including state rooms at #10 Downing Street, a library and residential building at Cambridge University, a cathedral in Essex, a church in Bishopsgate, four buildings in Williamsburg, Va., townhouses in London, and ten large country houses in England, Germany, and the U.S. Buildings featured include Juniper Hill in Buckinghamshire; Ionic Villa, Corinthian Villa, and Regency Villa in Regents Park, London; Abercrombie House in Kentucky; Latourette Farm, New Jersey; Highland Park House, Dallas, Texas.

In Classical Architecture Robert Adam traces the history of classical design to the present day and provides examples of virtually every one of its applications.

“[A] much needed book both for homeowners who want a beautiful and well proportioned house and for the professionals who help them to realize that dream.” —Sarah Susanka, FAIA, architect and author of The Not So Big series and Home by Design Even as oversized McMansions continue to elbow their way into tiny lots nationwide, a much different trend has taken shape. This return to traditional architectural principles venerates qualities that once were taken for granted in home design: structural common sense, aesthetics of form, appropriateness to a neighborhood, and even sustainability. Marianne Cusato, creator of the award–winning Katrina Cottages, has authored and illustrated this definitive guide to what makes houses look and feel right—to the eye and to the soul. She teaches us the language and grammar of classical architecture, revealing how balance, harmony, and detail all contribute to creating a home that will be loved rather than tolerated. And she takes us through the dos and don’ts of every element of home design, from dormers to doorways to columns. Integral to the book are its hundreds of elegant line drawings—clearly rendering the varieties of lintels and cornices, arches and eaves, and displaying “avoid” and “use” versions of the same elements side by side. “This ‘Rosetta stone’ of design will guarantee Cusato a place in the history of twenty-first century American architecture.” —The Philadelphia Inquirer “[Cusato] provides a vision of how we live together and build on our planet, and points out the consequences of flawed building practices not only to our environment, but to our spirit and our soul.” —Michael Lykoudis, Dean, University of Notre Dame School of Architecture

A thought-provoking architectural monograph on one of the most renowned and original classicist practices today. Quinlan and Francis Terry Architects is a British firm that specializes in new Classical architecture. Their work is a delightful expression--in plaster and marble, in brick and wood, in stone--of exuberant timelessness, where fluted columns rise beside doorways to explode in Corinthian capitals of exquisite craftsmanship and structural integrity. Throughout the work, attention to detail, to craftsmanship, and to reasoned proportions is apparent.Quinlan Terry is at home in every traditional style, from Classical Greek and Roman to the many forms of Gothic and Renaissance. Terry's son and partner, Francis, is recognized as a brilliant talent in his own right and is as highly regarded for his thoughtful design as for his breathtaking architectural drawings. Together, the duo are at the heart of a resurgent interest in an architecture and design that is both livable and inspiring. This book features the firm's work from 2005 to 2015, and includes Kilboy, a country house in County Tipperary, Ireland; Kingsham Farm in Sussex, England; and ongoing work, such as Locuston Estate in Kentucky. It also showcases more than forty master drawings by Francis Terry, renderings that are at once beautiful and expressive of one of the highest aims of architecture--they elevate the soul--much like the houses and spaces built by this extraordinary firm.

"The American Vignola" includes measured drawings of the great monuments of the ancient, Renaissance, and baroque periods. There is practical instruction on designing vaults, doors, and windows. There are tables of classical orders and guides for drawing and establishing geometrical relations. A student, layman or professional can learn classical architecture from this book; the general reading can sharpen his knowledge and appreciation.