The Life And Times Of Sir Thomas Malory

This volume constitutes a search for the identity of Malory, author of the Morte Darthur. Field considers all arguments and gives an account of the life of the man identified, setting him in his historical context.

The life and times of Sir Thomas Malory, author of the Morte d'Arthur. Sir Thomas Malory's Morte d'Arthur (1469) is one of the best-known books in the world. Virtually all modern versions of the Arthurian legends are derived from its energetic, memorably phrased and remarkably individual telling of the stirring exploits of King Arthur and his Knights of the Round Table. Yet the identity of the fifteenth-century knight who wrote it has remained an enigma for centuries. Only in the last few years has it become possible to construct a convincing life story for him. His life was constantly eventful, marked by great achievement, desperate situations and, at times, deep disgrace. He was an experienced soldier, a star performer at tournaments, a connoisseur of literature, connected to the great and the good, yet he also escaped from prison twice, and was accused of terrible crimes ranging from assault and cattle-rustling to attacks on abbeys and even rape. The foremost chronicler of the legends of the Knights of the Round Table almost certainly wrote much of his great work while imprisoned. itself, and in so doing has penned a social history of a fascinating period of English history, an age which marked the high-water mark of medieval chivalry but which was also an essential bridge from the Middle Ages to the modern world. The book is well furnished with details of clothes, food and domestic interiors, to say nothing of hunting, falconry and jousting techniques, and is a sumptuous work that fleshes out the man and the period in glorious detail.

This third edition of Vinaver's superbly annotated text of the Works provides a factually corrected version of the second edition, including reverified text and apparatus consisting of some 2,850 changes, and a completely revised index and glossary. In addition to the new changes, the volume offers the standard format of the previous two editions, including a definitive biography and literary interpretation of Malory, an essay describing the texts on which the edition was established, the Caxton printing, a lucid and highly readable introduction, full critical apparatus, and numerous relevant quotes from unpublished sources.

The most famous English-language compilation of Arthurian legends ever issued. Originally titled "The hoole booke of kyng Arthur and of his noble knyghtes of the rounde table," this work was first published in 1485, it was one of the last major books to be published in Britain before the introduction of the printing press by William Caxton. It was also one of the first books to be published by Caxton, who also acted as editor for the work. This is not a "mass market" edition but a high quality publication printed on white paper. The storyline, drawn partly from older Latin, Welsh, French, German, Norse and even Dutch epics, takes place in Britain and France during the fall of the Western Roman Empire. King Arthur, a legendary Celtic warrior-king, serves as a symbol for the final defeat of Rome, and also the emergence of the Medieval Courtly culture. Other events in the narrative take place in Rome and the Tigris-Euphrates river basin. The author divided the text into eight books, each dealing with a particular theme. Caxton broke these up further into twenty-one books. This Volume II of Le Morte d'Arthur contains Caxton's Books X-XXI.

A critical biography about Sir Thomas Malory and his epic poem "Morte d'Arthur".

Acclaimed biographer Peter Ackroyd vibrantly resurrects the legendary epic of Camelot in this modern adaptation The names of Arthur, Merlin, Lancelot, Guinevere, Galahad, the sword of Excalibur, and the court of Camelot are as recognizable as any from the world of myth. Although many versions exist of the stories of King Arthur and the Knights of the Round Table, Le Morte d'Arthur by Sir Thomas Malory endures as the most moving and richly inventive. In this abridged retelling the inimitable Peter Ackroyd transforms Malory's fifteenth-century work into a dramatic modern story, vividly bringing to life a world of courage and chivalry, magic, and majesty. The golden age of Camelot, the perilous search for the Holy Grail, the love of Guinevere and Lancelot, and the treachery of Arthur's son Mordred are all rendered into contemporary prose with Ackroyd's characteristic charm and panache. Just as he did with his fresh new version of Chaucer's The Canterbury Tales, Ackroyd now brings one of the cornerstones of English literature to a whole new audience. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Malory's Morte Darthur - text, history and reception - expertly appraised by international scholars. This collection of original essays by an international group of distinguished medievalists provides a comprehensive introduction to the great work of Sir Thomas Malory, which will be indispensable for both students and scholars. It is divided into three main sections, on Malory in context, the art of the Morte Darthur, and its reception in later years. As well as essays on the eight tales which make up the Morte Darthur, there are studies ofthe relationship between the Winchestermanuscript and Caxton's and later editions; the political and social context in which Malory wrote; his style and sources; and his treatment of two key concepts in Arthurian literature, chivalry and the representation of women. The volume also includes a brief biography of Malory with a list of the historical records relating to him and his family. It ends with a discussion of the reception of the Morte Darthurfrom the sixteenth to the twentieth centuries, and a select bibliography. Contributors: P.J.C. FIELD, FELICITY RIDDY, RICHARD BARBER, ELIZABETH EDWARDS, TERENCE MCCARTHY, CAROL MEALE, JEREMY SMITH, ELIZABETH ARCHIBALD, BARBARA NOLAN, HELEN COOPER, JILL MANN, DAVID BENSON, A.S.G. EDWARDS