The Lifted Veil Annotated Student And Teacher Edition

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897).Great Value: This product contains both the original text AND a 30 page collection of annotations, information, and resources!Whether you are reading for fun or seeking a new level of understanding, you will benefit immensely from this Special Annotated Student and Teacher Edition!Added to this special edition of a classic book is a special section which contains activities for understanding, as well as guided questions for major aspects of the book. This resource is ideal for a quick read to prepare you for an exam or finish a homework assignment. This resource contains information specifically aimed at assisting readers in understanding the classic text, preparing students for examinations, or providing lesson plans for teachers. This book is ideal for readers in high school, college, or those individuals who are seeking an easier understanding of a classic text.

A new type of Shelley edition for students: as well as reliable versions of the key texts, there are summaries, notes glossing difficult words or phrases and technical notes. Each poem also comes with concise biographical information and intertexts—extracts from related works, as well as letters, influences, critical material and other texts, to deepen understanding, stimulate discussion and promote wider reading.

This carefully crafted ebook: “The Complete Novels of George Eliot: Adam Bede + The Lifted Veil + The Mill on the Floss + Silas Marner + Romola + Brother Jacob + Felix Holt the Radical + Middlemarch + Daniel Deronda” is formatted for your eReader with a functional and detailed table of contents. Table of Contents: Adam Bede (1859) The Lifted Veil (1859) The Mill on the Floss (1860) Silas Marner (1861) Romola (1863) Brother Jacob (1864) Felix Holt, the Radical (1866) Middlemarch (1871/72) Daniel Deronda (1876) Mary Ann (Marian) Evans (1819 – 1880), better known by her pen name George Eliot, was an English novelist, journalist and translator. She was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological insight.

This Combo Collection (Set of 4 Books) includes All-time Bestseller Books. This anthology contains: Brother Jacob The Lifted Veil : George Eliot's Best Classic Horror Thrillers Romola Adam Bede

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897).

Historically Informed Performance, or HIP, has become an influential and exciting development for scholars, musicians, and audiences alike. Yet it has not been unchallenged, with debate over the desirability of its central goals and the accuracy of its results. The author suggests ways out of this impasse in Romantic performance style. In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of HIP. He proposes that many problems are avoided when performance styles are understood as expressions of their cultural era rather than as simply composer intention, explaining not merely how we play, but why we play the way we do, and why the nineteenth century Romantics played very differently. Snedden examines the principal evidence we have for Romantic performance style, especially in translation of score indications and analysis of early recordings, finally focusing on the performance styles of Liszt and Chopin. He concludes with a call for the reanimation of culturally appropriate performance styles in Romantic repertoire. This study will be of great interest to scholars, performers, and students, to anyone wondering about how our performances reflect our culture, and about how the Romantics played their own culturally-embedded music.

The negative historical judgment given to George Eliot’s ‘The Lifted Veil’ amounts nowadays to a gross critical blunder, and in the last three decades the story has been firmly reinstated in Eliot’s major canon. The premise of the present book is that George Eliot’s oeuvre is a compact macrotext where themes, motifs, patterns and cultural and personal archetypes recur with variations, and that ‘The Lifted Veil’ functions as the linchpin of this oeuvre. A sequential approach to the story is authorized by the use of a mimetic enunciation that simulates a gradual ‘definition’ of events, places, and characters as they have appeared to the narrating ‘I’ in the course of time until the moment of the enunciation. Contextualizing ‘The Lifted Veil’ means placing it within Eliot’s oeuvre and against the background of Victorian mid-century fiction; in a further meaning, seeing it as intersecting various contemporary genres and subgenres, such as that of the European and American ‘literature of the veil’, that of the archetypal icon of the femme fatale, that of Wilkie Collins’s ‘dead secret’ novels. The most significant facet that critical literature on ‘The Lifted Veil’ has tended to overlook is however the encrypting of the experience of a failed religious conversion and the foreshadowing of the search for a spiritual and racial identity of Daniel Deronda, the hero of Eliot’s final novel.