The Loom Of God

“A marvelously entertaining, historical romp through the unexpected connections between mathematics and mysticism” (Paul Hoffman, Discover). From the mysterious cult of Pythagoras to the awesome mechanics of Stonehenge to digitally generated “gargoyles” and fractals, mathematics has always been a powerful, even divine force in the world. In a lively, intelligent synthesis of math, mysticism, and science fiction, Clifford Pickover explains the eternal magic of numbers. Taking a uniquely humorous approach, he appoints readers “Chief Historian” of an intergalactic museum and sends them, along with a quirky cast of characters, hurtling through the ages to explore how individuals used numbers for such purposes as predicting the end of the world, finding love, and winning wars.

This edition includes: Natural Law in the Spiritual World The Ascent of Man The Monkey That Would Not Kill The New Evangelism Love, the Greatest Thing in the World Lessons From the Angelus Pax Vobiscum First! An Address to Boys The Changed Life, the Greatest Need of the World Dealing With Doubt Eternal Life Stones Rolled Away The Man Who Is Down One Way to Help Boys An Appeal to the Outsider: or, the Claims of Christianity Life on the Top Floor The Kingdom of God and Your Part in It The Three Elements of a Complete Life A Life for a Life The Ideal Man The City Without a Church The Programme of Christianity

Bestselling author of Geography of Bliss returns with this funny, illuminating chronicle of a globe-spanning spiritual quest to find a faith that fits. When a health scare puts him in the hospital, Eric Weiner-an agnostic by default-finds himself tangling with an unexpected question, posed to him by a well-meaning nurse. "Have you found your God yet?" The thought of it nags him, and prods him-and ultimately launches him on a far-flung journey to do just that. Weiner, a longtime "spiritual voyeur" and inveterate traveler, realizes that while he has been privy to a wide range of religious practices, he's never seriously considered these concepts in his own life. Face to face with his own mortality, and spurred on by the question of what spiritual principles to impart to his young daughter, he decides to correct this omission, undertaking a worldwide exploration of religions and hoping to come, if he can, to a personal understanding of the divine. The journey that results is rich in insight, humor, and heart. Willing to do anything to better understand faith, and to find the god or gods that speak to him, he travels to Nepal, where he meditates with Tibetan lamas and a guy named Wayne. He sojourns to Turkey, where he whirls (not so well, as it turns out) with Sufi dervishes. He heads to China, where he attempts to unblock his chi; to Israel, where he studies Kabbalah, sans Madonna; and to Las Vegas, where he has a close encounter with Raelians (followers of the world's largest UFO-based religion). At each stop along the way, Weiner tackles our most pressing spiritual questions: Where do we come from? What happens when we die? How should we live our lives? Where do all the missing socks go? With his trademark wit and warmth, he leaves no stone unturned. At a time when more Americans than ever are choosing a new faith, and when spiritual questions loom large in the modern age, Man Seeks God presents a perspective on religion that is sure to delight, inspire, and entertain.

Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert. Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion. In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert.

Praying like Jesus doesn't just change your prayer life; it changes your entire life. There are many books on prayer, and books on Jesus, but there is a need for a book about the prayer life of Jesus since His prayer life alone was the perfect prayer life. How did Jesus pray? Why did Jesus pray? Where did Jesus pray? These questions and more will be examined as we look at what Jesus taught about prayer, as well as what Jesus modeled in prayer. This book will be biblical, practical, and easy to read so that it is accessible to a broad audience. Many people, Christian and non-Christian alike, statistically value prayer and try to have some sort of prayer life. But most people struggle to build any momentum in their prayer lives when they fall into a rut. In Pray Like Jesus, Mark and Ashley want to help people build momentum in their prayer lives by experiencing the presence of God in an ever-deepening, life-giving, burden-relieving, and hope-lifting relationship with Jesus Christ.

Most books are like visitors. They come and go. This book can be a long-term companion and assistant as you weave prayer into the tapestry of your life. Weaving Prayer Into the Tapestry of Life pictures each of us as a weaver at a loom, creating in every moment our lifes tapestry. The transformative thread of prayer is always available to be woven into our lifes design. In this weaving, we experience in wonder the creative presence of God. The chapters of this book gives an overview of Christian understanding and practice of prayer. The author combines Scripture, voices and sources from the tradition of the church, poetry, stories, and accounts of personal experience to explore ten of the most familiar ways Christians pray. These are: centering, praise, confession, meditative reading of Scripture, petition, intercession, dedication, silence, and benediction. Nine sets of Prayer Prompts, one with each chapter, invite you to move from thinking to doing. They provide a framework for personal devotion that includes all of the dimensions of Christian prayer discussed in the chapters. Resources from Scripture, prayers of the church, and contemporary materials offer structure and stimulus for expressing the prayers of your heart. These Prayer Prompts are adaptable for repeated use. Members of a prayer group or spiritual growth group may enjoy sharing experiences with this book. Martha Rowlett deeply understands Christian thinking, Christian living, Christian prayer, and, dare I say it, God. She shares her wisdom with utmost simplicity. Those who use her book will find themselves becoming better Christians. John Cobb, professor emeritus, Claremont School of Theology

In one of his letters Hart Crane wrote, "Appollinaire lived in Paris, I live in Cleveland, Ohio," comparing—misspelling and all—the great French poet’s cosmopolitan roots to his own more modest ones in the midwestern United States. Rebelling against the notion that his work should relate to some European school of thought, Crane defiantly asserted his freedom to be himself, a true American writer. John T. Irwin, long a passionate and brilliant critic of Crane, gives readers the first major interpretation of the poet’s work in decades. Irwin aims to show that Hart Crane’s epic The Bridge is the best twentieth-century long poem in English. Irwin convincingly argues that, compared to other long poems of the century, The Bridge is the richest and most wide-ranging in its mythic and historical resonances, the most inventive in its combination of literary and visual structures, the most subtle and compelling in its psychological underpinnings. Irwin brings a wealth of new and varied scholarship to bear on his critical reading of the work—from art history to biography to classical literature to philosophy—revealing The Bridge to be the near-perfect synthesis of American myth and history that Crane intended. Irwin contends that the most successful entryway to Crane’s notoriously difficult shorter poems is through a close reading of The Bridge. Having admirably accomplished this, Irwin analyzes Crane’s poems in White Buildings and his last poem, "The Broken Tower," through the larger context of his epic, showing how Crane, in the best of these, worked out the structures and images that were fully developed in The Bridge. Thoughtful, deliberate, and extraordinarily learned, this is the most complete and careful reading of Crane’s poetry available. Hart Crane may have lived in Cleveland, Ohio, but, as Irwin masterfully shows, his poems stand among the greatest written in the English language.