The Madhouse

On the outskirts of Havana lies Mazorra, an asylum known to--and at times feared by--ordinary Cubans for over a century. Since its founding in 1857, the island's first psychiatric hospital has been an object of persistent political attention. Drawing on hospital documents and government records, as well as the popular press, photographs, and oral histories, Jennifer L. Lambe charts the connections between the inner workings of this notorious institution and the highest echelons of Cuban politics. Across the sweep of modern Cuban history, she finds, Mazorra has served as both laboratory and microcosm of the Cuban state: the asylum is an icon of its ignominious colonial and neocolonial past and a crucible of its republican and revolutionary futures. From its birth, Cuban psychiatry was politically inflected, drawing partisan contention while sparking debates over race, religion, gender, and sexuality. Psychiatric notions were even invested with revolutionary significance after 1959, as the new government undertook ambitious schemes for social reeducation. But Mazorra was not the exclusive province of government officials and professionalizing psychiatrists. U.S. occupiers, Soviet visitors, and, above all, ordinary Cubans infused the institution, both literal and metaphorical, with their own fears, dreams, and alternative meanings. Together, their voices comprise the madhouse that, as Lambe argues, haunts the revolutionary trajectory of Cuban history.

The award-winning climate scientist Michael E. Mann and the Pulitzer Prize–winning political cartoonist Tom Toles have been on the front lines of the fight against climate denialism for most of their careers. They have witnessed the manipulation of the media by business and political interests and the unconscionable play to partisanship on issues that affect the well-being of billions. The lessons they have learned have been invaluable, inspiring this brilliant, colorful escape hatch from the madhouse of the climate wars. The Madhouse Effect portrays the intellectual pretzels into which denialists must twist logic to explain away the clear evidence that human activity has changed Earth's climate. Toles's cartoons collapse counter-scientific strategies into their biased components, helping readers see how to best strike at these fallacies. Mann's expert skills at science communication aim to restore sanity to a debate that continues to rage against widely acknowledged scientific consensus. The synergy of these two climate science crusaders enlivens the gloom and doom of so many climate-themed books—and may even convert die-hard doubters to the side of sound science.

The dazzling story of a Nigerian family. The house at the end of Freetown Street in Nigeria’s Sabon Gari was once a sanatorium for colonists deranged from the heat and insanity of the place. Now it is home to a family whose unorthodox lives unfold into legend: Sweet Mother, an artist, her husband Shariff, a writer and soldier, and their children André and Max. From the moment his baby brother André is born, Max attaches himself to him, even dreaming the boy’s homicidal dreams. When the wayward André later pulls free from the family to join a death cult, Max must decide how far he will be drawn into his brother’s web. Serene and beautiful, Ladidi joins the family as a foster child, promising to marry the boy at school who can bring her a strawberry, a fruit she has never tasted. Sensuality blooms, along with loss of innocence amid the death of music legend Fela Kuti, massacres, disappearances, abductions and broken promises. While Sweet Mother and Shariff battle their personal demons, Max realises you cannot save your family. But can you ever escape them? In his exhilarating debut, TJ Benson conjures up a kaleidoscope of Nigeria. This is the extraordinary tale of five people bound by blood, each searching for a way through.

"Five interconnected novellas framed by an account of the last days in the life of playwright Joubert Antoine Jones."--Jacket.

A shocking story of medical brutality perfomed in the name of psychiatric medicine.

"PLUCKY NELLIE BLY!" “No young writer has ever leaped into such sudden fame in New York as Miss Nellie Bly, who did that lunatic asylum exposure for the New York World. She is a bright, handsome young lady, less than twenty years old, who came to the metropolis from Pittsburg a few months ago, and pluckily undertook to make her living by newspaper work in the great city. She deceived the expert physicians who examined her, and pronouncing her insane they consigned her to one of the insane wards of Blackwell’s Island, where she dwelt among horrors for ten days, noting down in her quick brain all that she saw and heard. The old song says: “Nellie Bly, shuts her eye When she goes to sleep,” but she seems never to have closed a peeper during the whole of that trying ordeal. Her narrative of the horrors of the place—the indifference of doctors, the neglect and cruelty of the nurses and the tortures inflicted upon the unfortunates, is told in a plain, straightforward manner and attests at once to her humanity and truth.” - November, 1887 This volume collects for the first time ever all the reporting surrounding Nellie Bly’s blockbuster undercover story that launched her to fame, including all three versions from her own pen: - Bly's initial account across three articles for the New York World - Bly's bestselling book Ten Days In A Mad-House - Bly's long-form 1889 article Among The Mad for Godey's Lady's Book Also included are over two dozen contemporary articles relating to Bly's madhouse stay, including the attempt by the New York Sun to scoop Bly on her own story! With a foreword by David Blixt, author of What Girls Are Good For: A Novel Of Nellie Bly, The Master Of Verona, and Her Majesty's Will.