The Man Who Broke Michelangelo S Nose

"Explores the life and work of the Renaissance sculptor Pietro Torrigiano, disentangling legend from history in his life story and reconstructing his work as an artist and in particular as a sculptor"--

An exploration of the ways in which Michelangelo created himself.

To contemporaries, the Wars of the Roses were known collectively as a “cousins' war.” The series of dynastic conflicts that tore apart the ruling Plantagenet family in fifteenth-century England was truly a domestic drama, as fraught and intimate as any family feud before or since. As acclaimed historian Sarah Gristwood reveals in Blood Sisters, while the events of this turbulent time are usually described in terms of the male leads who fought and died seeking the throne, a handful of powerful women would prove just as decisive as their kinfolks' clashing armies. These mothers, wives, and daughters were locked in a web of loyalty and betrayal that would ultimately change the course of English history. In a captivating, multigenerational narrative, Gristwood traces the rise and rule of the seven most critical women in the wars: from Marguerite of Anjou, wife of the Lancastrian Henry VI, who steered the kingdom in her insane husband's stead; to Cecily Neville, matriarch of the rival Yorkist clan, whose son Edward IV murdered his own brother to maintain power; to Margaret Beaufort, who gave up her own claim to the throne in favor of her son, a man who would become the first of a new line of Tudor kings. A richly drawn, absorbing epic, Blood Sisters is a tale of hopeful births alongside bloody deaths, of romance as well as brutal pragmatism. It is a story of how women, and the power that women could wield, helped to end the Wars of the Roses, paving the way for the Tudor age—and the creation of modern England.

Christopher Wren (1632-1723) was the greatest architect Britain has ever known. But he was more than that. A founder of the Royal Society, he mapped the moon and the stars, investigated the problem of longitude and the rings of Saturn, and carried out groundbreaking experiments into the circulation of the blood. His observations on comets, meteorology and muscular action made vital contributions to the developing ideas of Newton, Halley and Boyle. His Invention So Fertile presents the first complete picture of this towering genius: the Surveyor-General of the King's Works, running the nation's biggest architectural office and wrestling with corruption and interference; the pioneering anatomist; the mathematician, devising new navigational instruments and lecturing on planetary motion. It also shows us the man behind the legend. Wren was married and widowed twice, he fathered a mentally handicapped child, quarrelled with his colleagues and fell foul of his employers. He scrambled over building sites and went to the theatre and drank in coffee-houses. The book explores what it was like to be at Oxford during the Commonwealth, as a generation struggled to make sense of a society in chaos; it recreates the tensions which tore apart the court of James II; it brings to life the petty jealousies that formed an integral part of both the building world and scientific milieu of the Royal Society. Above all, His Invention So Fertile makes clear to the general reader and the art historian just why Wren remains a cultural icon - both a creation and a creator of the world he lived in.

Here comes Lucien Springer. Age: forty-seven. Still handsome though muchly vodka'd novelist, currently abashed by acute creative dysfunction. Sole preoccupation amid these artistic doldrums: pursuit of fair women. Springer is a randy incorrigible who is guided by only one inflexible precept: no protracted affairs. And thus he has slyly sustained eighteen years of marriage. Enter, then, Jessica Cornford. Age: almost half of Lucien's. Lush of body and roguish of mind. Whereupon what begins as bawdy interlude becomes perhaps the most untidy extramarital lech in literature. Rabelaisian yet uncannily wise, both ribald and bittersweet, "Springer's Progress" is that rarest of gifts, a mature love story. It is an also exuberant linguistic romp, a novel saturated with irrepressible wordplay and outrageous literary thieveries. Contemplating his own work, Lucien Springer modestly restricts his ambition to "a phrase or three worth some lonely pretty girl's midnight underlining." For the discerning reader, David Markson has contrived a hundred of them.

"Hall’s consummate history is not just the story of the evolution of one of the world’s great collections... The book is also a through-the-keyhole insight into the shifting tastes, good or bad, of 1,000 years of monarchs." - The Times The Royal Collection is the last great collection formed by the European monarchies to have survived into the twenty-first century. Containing over a million artworks and objects, it covers all aspects of the fine and decorative arts, from paintings by Rembrandt and Michelangelo to grand sculpture, Fabergé eggs and some of the most exquisite furniture ever made. The Royal Collection also offers a revealing insight into the history of the British monarchy from William the Conqueror to Queen Elizabeth II, recording the tastes and obsessions of kings and queens over the past 500 years. With unprecedented access to the royal residences of St James' Palace, Windsor Castle and Buckingham Palace, Art, Passion & Power traces the history of this national institution from the Middle Ages to the present day, exploring how royalty used the arts to strengthen their position as rulers by divine right and celebrating treasures from the Crown Jewels to the "Abraham" tapestries in Hampton Court Palace. Author Michael Hall examines the monarchy's response to changing attitudes to the arts and sciences during the Enlightenment and celebrates the British monarchy's role in the democratisation of art in the modern world. Packed with glimpses of rarely seen artworks, Art, Passion & Power is a visual treat for all art enthusiasts. Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion & Power is the definitive statement on the British monarchy's treasures of the art world.

A Renaissance mystery featuring Leonardo da Vinci and his companion, Niccolo da Pavia, as they join together in Florence to solve the mystery of two assassinations and widespread vandalisms of artworks involving the Borgias and the exiled Medici family. (Third of a series)