The Maxine Chronicles

Maxine Dorfman has it all--sagging jowls, chubby elbows, sexual batteries that need repair, and frustrating fantasies about Burt Lancaster and her dentist, Dr. Ronald Kertler. But, there are two things she does not have: the notorious, hooked Kleinkopf nose that runs in her family, and a faithful husband. Mel, her laid-off CPA husband dumps her for an older woman--a sixty-five-year-old woman. Maxine is left on ground zero in denial, depressed and addicted to macadamia nuts. Hope arrives in the form of Connie Piccini, her best friend who encourages a reluctant Maxine to sign up for Earth Trek, a weeklong fitness adventure in the Catskill Mountains. Three hikes, two hot romances, and one environmental crisis later, transform our heroine from a fearful, depressed victim into a self-empowered woman with passion, power and purpose.

The Chronicles of Mad Maxine tells one woman's story of training to be a lady wrestler at the Fabulous Moolah's School of Professional Wrestling. The novel, set on the 30-acre training camp in Columbia, South Carolina, is a fictionalized account of author Jeannine Mjoseth's experiences in the mid-1980s, when she became skilled at flying head scissors, the soaring suplex and the body slam. Both hardcore wrestling fans and people who've never seen a match will thrill to the raw action both inside and outside of Camp Moolah's training ring. The novel's main character, Pippi, is a passionate young reporter who wants to infiltrate the world of professional wrestling for a live-it, write-it journalism project. But she doesn't just observe the world of slaps, punches and bumps and she can't betray trainees with whom she's developed deep friendships. Instead, she throws herself into training and emerges as Mad Maxine, a 6'2" grappler with a mohawk. At the head of the enterprise is the Fabulous Moolah, an infamous lady wrestler turned manager who has clawed her way to the top from dirt-poor beginnings. Pippi gets a hard lesson about her deceitful ways during her first match for the World Wrestling Federation. Meanwhile, Pippi accepts a dangerous freelance assignment covering a KKK rally for an African American newspaper. Her wrestling and journalism worlds collide when the KKK invades Camp Moolah. Pippi and her wrestling buddies make a narrow escape from the Fabulous Moolah's clutches and speed to Albuquerque. Their mission: to rescue an underaged wrestler who Moolah has pimped out to a podiatrist with a taste for straining lady muscles.

A trilogy of Christmas Lawrence's reflection into his past behaviors and negative practices that consequentially brought him from a thirteen room mansion into the most deplorable part of the Liberian refugees' camp. Betraying some editorial accuracy to emphasize his character's grumpy retrospect, the author cleverly managed to depict Christmas' unique prospective on life and relationships, while frequently exposing the base of man's inimitable psychosis.

Joseph Pulitzer had not originally intended to award a prize for poetry. An initiative by the Poetry Society of America provided the initial impetus to establish the prize, first awarded in 1922. The supplement volume chronicles the whole history of how the awards for this category developed, giving an account based mainly on confidential jury protocols from the Pulitzer Prizes office at New York’s Columbia University. This volume completes the series "The Pulitzer Prize Archive".

The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.

Q: How do you survive in a world of disinformation? A: You chronicle the truth. - In this issue: Maxine Waters

In early 18th-century Quebec, a headstrong young girl must make difficult decisions after she defies convention and buys a slave his freedom.