The Meaning Of Hitler

In this succinct, fact-based, insightful analysis of Hitler and his impact on the world, Sebastian Haffner displays his skills as a first-class journalist and a student of German and modern European history. A keen psychologist, he describes the man, the politician, the ideologue, the military leader, the mass-murderer, and ultimately the traitor to his own (adopted) country. “Mr Haffner ... has exposed better, and more briefly, than anyone else the clockwork of that infernal machine” — Gordon Brook-Shepherd, Sunday Telegraph “Lucid, informative and provocative.” — Golo Mann, Der Spiegel “Nothing I have read on the Third Reich has been as valuable as Sebastian Haffner’s Meaning of Hitler” — Manfred Rommel, Stuttgarter Nachrichten “a stimulating book, brilliant and rich in ideas; in short a masterpiece of historical essay writing.” — Joachim Fest, Frankfurter Allgemeine Zeitung “This study ... deserves the highest praise. There is nothing of this brevity and depth to inform the younger generation and give those who lived through the era food for thought.” — Peter Diehl-Thiele, Süddeutsche Zeitung “He circumnavigates the Hitler phenomenon in order to illuminate it from seven different viewpoints, and that in under 200 lucid and precise pages without assuming any prior knowledge.” — Peter Graf Kielmansegg, Münchner Merkur “not one more biography but an analysis - a most penetrating analysis - of what Hitler was up to in his astonishing career” — A.L. Rowse “Sebastian Haffner’s book already has received recognition ... as perhaps the best that has dealt with the phenomenon of Hitler and his impact on the 20th century. It is better than Trevor-Roper’s best-seller, The Last Days of Hitler ... a most penetrating analysis of what Hitler was up to in his astonishing career.” — The New Republic “Tough-minded evaluation of Hitler’s career ... That this book was a best-seller in Germany [43 weeks] indicates that Haffner’s countrymen welcomed this compact, lucid, hard-headed reexamination of contemporary history.” — Publishers Weekly “Until [1991], as Sebastian Haffner wrote in his short, matchless book The Meaning of Hitler (1978), we had been living in the Europe which Hitler created for us: the split continent and the mutilated, divided Germany.” — Neal Ascherson, The Observer

Defying Hitler was written in 1939 and focuses on the year 1933, when, as Hitler assumed power, its author was a 25-year-old German law student, in training to join the German courts as a junior administrator. His book tries to answer two questions people have been asking since the end of World War II: “How were the Nazis possible?” and “Why did no one stop them?” Sebastian Haffner’s vivid first-person account, written in real time and only much later discovered by his son, makes the rise of the Nazis psychologically comprehensible. “An astonishing memoir... [a] masterpiece.” — Gabriel Schoenfeld, The New York Times Book Review “A short, stabbing, brilliant book... It is important, first, as evidence of what one intelligent German knew in the 1930s about the unspeakable nature of Nazism, at a time when the overwhelming majority of his countrymen claim to have know nothing at all. And, second, for its rare capacity to reawaken anger about those who made the Nazis possible.” — Max Hastings, The Sunday Telegraph “Defying Hitler communicates one of the most profound and absolute feelings of exile that any writer has gotten between covers.” — Charles Taylor, Salon “Sebastian Haffner was Germany’s political conscience, but it is only now that we can read how he experienced the Nazi terror himself — that is a memoir of frightening relevance today.” — Heinrich Jaenicke, Stern “The prophetic insights of a fairly young man... help us understand the plight, as Haffner refers to it, of the non-Nazi German.” — The Denver Post “Sebastian Haffner’s Defying Hitler is a most brilliant and imaginative book — one of the most important books we have ever published.” — Lord Weidenfeld

Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.

A strikingly original investigation of the origins and dissemination of the world's most infamous greeting Sometimes the smallest detail reveals the most about a culture. In Heil Hitler: The History of a Gesture, sociologist Tilman Allert uses the Nazi transformation of the most mundane human interaction—the greeting—to show how National Socialism brought about the submission and conformity of a whole society. Made compulsory in 1933, the Hitler salute developed into a daily reflex in a matter of mere months, and quickly became the norm in schools, at work, among friends, and even at home. Adults denounced neighbors who refused to raise their arms, and children were given tiny Hitler dolls with movable right arms so they could practice the pernicious salute. The constantly reiterated declaration of loyalty at once controlled public transactions and fractured personal relationships. And always, the greeting sacralized Hitler, investing him and his regime with a divine aura. The first examination of a phenomenon whose significance has long been underestimated, Heil Hitler offers new insight into how the Third Reich's rituals of consent paved the way for the wholesale erosion of social morality.

Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.

The unpublished followup to Hitler's autobiography never published during the dictator's lifetime includes details of his vision for a foreign policy based on continual aggression that would inevitably result in a confrontation with the United States, which he saw as a major stumbling block to his plans.

Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

SHORTLISTED FOR THE MARK LYNTON HISTORY PRIZE 2020 A DAILY TELEGRAPH BOOK OF THE YEAR 2019 A revelatory new biography of Adolf Hitler from the acclaimed historian Brendan Simms Adolf Hitler is one of the most studied men in history, and yet the most important things we think we know about him are wrong. As Brendan Simms's major new biography shows, Hitler's main preoccupation was not, as widely believed, the threat of Bolshevism, but that of international capitalism and Anglo-America. These two fears drove both his anti-semitism and his determination to secure the 'living space' necessary to survive in a world dominated by the British Empire and the United States. Drawing on new sources, Brendan Simms traces the way in which Hitler's ideology emerged after the First World War. The United States and the British Empire were, in his view, models for Germany's own empire, similarly founded on appropriation of land, racism and violence. Hitler's aim was to create a similarly global future for Germany - a country seemingly doomed otherwise not just to irrelevance, but, through emigration and foreign influence, to extinction. His principal concern during the resulting cataclysm was not just what he saw as the clash between German and Jews, or German and Slav, but above all that between Germans and what he called the 'Anglo-Saxons'. In the end only dominance of the world would have been enough to achieve Hitler's objectives, and it ultimately required a coalition of virtually the entire world to defeat him. Brendan Simms's new book is the first to explain Hitler's beliefs fully, demonstrating how, as ever, it is ideas that are the ultimate source of the most murderous behaviour.