The Swastika

Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.

The first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. The first study of Sinnbildforschung, German ideograph or swastika studies, though more broadly it tells the tale of the development of German antiquarian studies (ancient Germanic history, archaeology, anthropology, folklore, historical linguistics and philology) under the influence of radical right wing politics, and the contemporary construction of 'Germanicness' and its role in Nazi thought. The swastika and similar symbols were employed by the ancestors of the modern day Germans. As these had also become emblematic symbols of the forces of German reaction, Sinnbildforschung became intrinsically connected with the National Socialist regime after 1933 and disappeared along with the Third Reich in 1945.

"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol’s fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Michael Stolleis is part of a younger generation and is determined to honestly confront the past in hopes of preventing the same injustices from happening in the future.

A study of the Kaiser Wilhelm Gesellschaft in the Nazi period. Ch. 3 (p. 51-72), "From Accommodation to Passive Opposition, 1933-35," discusses the dismissal of Jews from the various institutes. Max Planck tried to protect his Jewish colleagues from the Nazi authorities, but in vain. The only act of resistance undertaken by the scientists was the Fritz Haber Memorial Ceremony in 1935 (Haber, a Jewish scientist, died in Switzerland in 1934); the Nazis reluctantly allowed it to be held.

Ch. 6 (pp. 163-225), "Concentration Camps", contains a short history of the most notorious Nazi concentration and extermination camps (e.g. Auschwitz, Bergen-Belsen, Buchenwald, and Ravensbrück) and describes the murder process in them. Ch. 7 (pp. 226-250), "The 'Final Solution' of the Jewish Question", focuses on Nazi anti-Jewish propaganda and on the persecution and killing of Jews in German-occupied areas (Poland, the USSR, France, the Netherlands, Hungary, etc.).

Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels' efforts to establish a German cartoon industry to rival Walt Disney's and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts--advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt's controversial description of those who perpetrated the Holocaust: the banality of evil.

This book examines and establishes connections between Italian Fascism and Hindu nationalism, connections which developed within the frame of Italy’s anti-British foreign policy. The most remarkable contacts with the Indian political milieu were established via Bengali nationalist circles. Diplomats and intellectuals played an important role in establishing and cultivating those tie-ups. Tagore’s visit to Italy in 1925 and the much more relevant liaison between Subhas Chandra Bose and the INA were results of the Italian propaganda and activities in India. But the most meaningful part of this book is constituted by the connections and influences it establishes between Fascism as an ideology and a political system and Marathi Hindu nationalism. While examining fascist political literature and Mussolini’s figure and role, Marathi nationalists were deeply impressed and influenced by the political ideology itself, the duce and fascist organisations. These impressions moulded the RSS, a right-wing, Hindu nationalist organisation, and Hindutva ideology, with repercussions on present Indian politics. This is the most original and revealing part of the book, entirely based on unpublished sources, and will prove foundational for scholars of modern Indian history.