The Modern City In Asia

Kristin Stapleton analyzes how concepts and practices associated with the 'modern city' were received, transformed, and contested in Asia over the past 150 years. In the early twentieth century, activists took advantage of the new significance of the city to pursue a wide variety of goals. Thus, the concept of the modern city played an important role in Asia, despite much critical commentary on the ideals associated with it. By the 1940s, the city yielded its political centrality to the nation. Still, modern cities remained an important marker of national achievement during the Cold War. In recent decades, cities have continued to play a central role in economic and cultural affairs in Asia, but the concept of the modern city has evolved. Asian ideas about urban governance and visions of future cities are significantly shaping that evolution.

The East and Southeast Asia region constitutes the world’s most compelling theatre of accelerated globalization and industrial restructuring. Following a spectacular realization of the ‘industrialization paradigm’ and a period of services-led growth, the early twenty-first century economic landscape among leading Asian states now comprises a burgeoning ‘New Economy’ spectrum of the most advanced industrial trajectories, including finance, the knowledge economy and the ‘new cultural economy’. In an agenda-setting volume, New Economic Spaces in Asian Cities draws on stimulating research conducted by a new generation of urban scholars to generate critical analysis and theoretical insights on the New Economy phenomenon within Asia. New industry formation and the transformation of older economic practices constitute instruments of development, as well as signifiers of larger processes of change, expressed in the reproduction of space in the city. Asia’s major cities become the key staging areas for the New Economy, driven by the growing wealth of an urban middle and professional class, higher education institutions, city-based inter-regional movements and urban mega-projects. New Economic Spaces in Asian Cites animates this New Economy discourse by means of vibrant storylines of instructive cities and sites, including cases studies situated in cities such as Tokyo, Seoul, Shanghai, Beijing, Shenzhen, and Singapore. Theoretical and normative issues associated with the emergence of the new cultural economy are the subject of the book’s context-setting chapters, and each case study presents an evocative narrative of development interdependencies and exemplary outcomes on the ground. New Economic Spaces in Asian Cities offers a vivid contribution to our understanding of the ongoing transformation of Asia’s urban system, including the critical intersections of global and local-regional dynamics in processes of new industry formation and the relayering of space in the Asian metropolis. The synthesis of empirical profiles, normative insights, and theoretical reference points enhances the book’s interest for scholars and students in fields of Asian studies, urban and cultural studies, and urban and economic geography, as well as for policy specialists and urban/community planners.

Popular Culture in Asia consists studies of film, music, architecture, television, and computer-mediated communication in China, Japan, South Korea, Taiwan, the Philippines, Malaysia, and Singapore, addressing three topics: urban modernities; modernity, celebrity, and fan culture; and memory and modernity.

First published in 1980, The City in South Asia is a collection of papers which were presented at an inter-disciplinary seminar on The City in South Asia: pre-modern and modern, held at the School of Oriental and African Studies, under the auspices of the Centre of South Asian Studies. Some of the papers in this volume are comparative; others are concerned with specific cities – Allahabad, Dacca, Delhi, Karachi, Lucknow and Murshidabad. They deal with three main themes: the city and the state, the city and society, the city and the surrounding country. The book is appropriately embellished with maps and contemporary illustrations, and will be of interest to students of history, ethnic studies, and South Asian studies.

Every student of the letters of Paul, the Acts of the Apostles, and the Book of Revelation will find much of value in 'New Testament Cities in Western Asia Minor',Ó writes W. Ward Gasque. The author investigates the status of the archaeological information which we now have about key cities of western Asia Minor during the early Roman EmpireÓ: Assos, Pergamum, Thyateira, Smyrna, Sardis, Philadelphia, Ephesus, Miletus, Didyma, Laodicea, Hierapolis, and Colossae.

An exciting explosion of urban expansion is occurring in East Asia: cities such as Singapore, Taipei, Seoul, Tokyo, Beijing, and Shanghai are expanding at a prodigious rate and bringing widespread change to the region. Peter G. Rowe's East Asia Modern is a timely comparative analysis of urban growth in this rapidly evolving part of the globe. A renowned scholar on East Asian architecture and urbanism, Peter G. Rowe examines how the unique modernizing process of East Asian cities can be most usefully understood. Rowe offers a historical assessment of the region, chronicling the cities' development over the last century and setting into context their individual paths toward becoming modern. Rowe explains what the modernizing process has meant for the cultural diffusion of predominantly Western ideas, how East Asian urban regions have developed a distinct type of modernity, and what lessons can be gleaned from the contemporary East Asian experience. Refuting many common misconceptions about contemporary East Asian life, East Asia Modern offers a readable critical assessment of life in modern East Asia while also pointing to possibilities for the future.

This book responds to the lack of Asian representation in creative cities literature. It aims to use the creative cities paradigm as part of a wider process involving first, a rapid de-industrialisation in Asia that has left a void for new development models, resulting in a popular uptake of cultural economies in Asian cities; and second, the congruence and conflicts of traditional and modern cultural values leading to a necessary re-interpretation and re-imagination of cities as places for cultural production and cultural consumption. Focusing on the ‘Asian century’, it seeks to recognise and highlight the rapid rise of these cities and how they have stepped up to the challenge of transforming and regenerating themselves. The book aims to re-define what it means to be an Asian creative city and generate more dialogue and new debate around different urban issues.

The City As A Centre Of Change In Asia Edited By D.J. Dwyer Is An Authoritative Survey Of Asia`S Urban Problems Divided Into Four Major Sections; Economic, Social And Political Change; Population Dynamics; Housing Problems; And The Future Of Asian City. Without Dustjacket. Inscribed On The First End Page.