The New Cambridge History Of Russian Literature

An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.

"The essential, authoritative new guide to Russian literature, this innovative volume considers literature's multiple parallel histories ranging from the medieval period to the internet age. With contributions from thirty-four world-leading scholars, it offers a fresh approach to literary history, not as one integral narrative but as multiple parallel histories. Each of its four strands tells a story of Russian literature according to a defined criterion: Movements, Mechanisms, Forms and Heroes. At the same time, six clusters of shorter themed essays suggest additional perspectives and criteria for further study and research. In dialogue, these histories invite a multiplicity of readings, both within and across the narrative strands. The open but easily navigable structure enables engagement with both traditional literary concerns and radical reconceptualisations of Russian culture"--

This is a definitive new history of Russia from early Rus' to the successor states that emerged after the collapse of the Soviet Union. Volume I encompasses developments before the reign of Peter I; volume II covers the 'imperial era', from Peter's time to the fall of the monarchy in March 1917; and volume III continues the story through to the end of the twentieth century. At the core of all three volumes are the Russians, the lands which they have inhabited and the polities that ruled them, while other peoples and territories have also been given generous coverage for the periods when they came under Riurikid, Romanov and Soviet rule. The distinct voices of individual contributors provide a multitude of perspectives on Russia's diverse and controversial millennial history. This first volume of the Cambridge History of Russia covers the period from early ('Kievan') Rus' to the start of Peter the Great's reign in 1689. It surveys the development of Russia through the Mongol invasions to the expansion of the Muscovite state in the sixteenth and seventeenth centuries and deals with political, social, economic and cultural issues under the Riurikid and early Romanov rulers. The volume is organised on a primarily chronological basis, but a number of general themes are also addressed, including the bases of political legitimacy; law and society; the interactions of Russians and non-Russians; and the relationship of the state with the Orthodox Church. The international team of authors incorporates the latest Russian and Western scholarship and offers an authoritative new account of the formative 'pre-Petrine' period of Russian history, before the process of Europeanisation had made a significant impact on society and culture. Book jacket.

A definitive new history of Russia from early Rus' to the collapse of the Soviet Union

A 1996 overview of key issues in Russian women's writing and of important representations of women by men, from 1600 onwards.

An authoritative history of Russia from early Rus' to the reign of Peter the Great.

Many Russian novels of the nineteenth and twentieth centuries have made a huge impact, not only inside the boundaries of their own country but across the western world. The Cambridge Companion to the Classic Russian Novel offers a thematic account of these novels, in fourteen newly-commissioned essays by prominent European and North American scholars. There are chapters on the city, the countryside, politics, satire, religion, psychology, philosophy; the romantic, realist and modernist traditions; and technique, gender and theory. In this context the work of Pushkin, Dostoevsky, Tolstoy, Turgenev, Bulgakov, Nabokov, Pasternak and Solzhenitsyn, among others, is described and discussed. There is a chronology and guide to further reading; all quotations are in English. This volume will be invaluable not only for students and scholars but for anyone interested in the Russian novel.